C'mon C'mon 2021
No. 1 - Joaquin Phoenix as an uncle turned stand-in father, playing off newcomer Woody Norman. "Always nice to have him acting like a human being and not a clown prince of crime."
The Big Picture · Top Five · Discussion · Roundtable
December 30, 2021/ 83 min/ Sean Fennessey · Amanda Dobbins · Bobby Wagner
Sean and Amanda run dueling top-five performance lists to close out 2021, then Bobby Wagner joins for a mailbag on repertory double features, trailer hype, needle drops, and who deserves Best Picture.
83 films across 12 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Sean's Top Five Performances of 2021No. 1 first
No. 1 - Joaquin Phoenix as an uncle turned stand-in father, playing off newcomer Woody Norman. "Always nice to have him acting like a human being and not a clown prince of crime."
No. 2 - really a pick for Ben Affleck's whole year (the Snyder Cut, the JLo reunion, the Bill Simmons snub), but his underrated work here, playing a part he co-wrote with self-aware humor about his own celebrity, is the anchor.
No. 3 - Ana de Armas walks away with the movie in a single scene. "She just absolutely blew that scene out of the water."
No. 4 - Florence Pugh eating Scarlett Johansson's lunch, then doing it again across Hawkeye.
No. 5 - Dev Patel as a "sad fail son who becomes a knight," holding together a movie that's trying to undermine its own genre.
Amanda's Top Five Performances of 2021No. 1 first
No. 1 - Renate Reinsve running the emotional gamut of turning 30. Barely seen in the U.S. yet, but the year's best performance nobody can watch.
No. 2 - Nicolas Cage as a man looking for his kidnapped pig. "It doesn't work without him" - credit the restraint and physical bearing, beyond the dinner-scene monologue everyone quotes.
No. 3 - Colman Domingo playing a pimp and hustler in two personas at once. "He does sinister really, really well."
No. 4 - Simon Rex as a washed-up porn star back in his Texas hometown. A charismatic scumbag performance with no easy comparison.
No. 5 - Jessie Buckley and Dagmara Domińczyk as, respectively, the young version of Olivia Colman's character and a pregnant beach interloper. Two supporting turns in one slot.
Honorable mentionsthe ones that didn't make the top five
Rebecca Hall, all in on an upsetting horror film.
Ruth Negga, directed by Rebecca Hall, trending toward a Best Supporting Actress nomination.
Jason Momoa as Duncan Idaho, the only one who seems to be having fun. Also a nod to Timothée Chalamet for not screwing up Paul Atreides, and to Denis Villeneuve for being right about theaters.
Alana Haim - "a really well-directed performance," better on a second viewing.
Penélope Cruz, a Best Actress possibility even without Spain's submission behind her.
Will Smith and Aunjanue Ellis, plus a shout to Jon Bernthal in a small role.
Lady Gaga and Jared Leto going full more-is-more.
Andrew Garfield's twofer year, part one.
Andrew Garfield's twofer year, part two - deeply touching work everyone's been texting about.
Ariana DeBose, a lock for recognition, and Mike Faist, whom the hosts had heard was quitting acting for van life (he isn't).
John Cena - "he really got the assignment."
Bob Odenkirk, trained and different enough from Saul Goodman to make it work.
Rachel Sennott, a sweaty, anxious screen style unlike anyone else's.
Vicky Krieps, good enough that the hosts want her cast in more mainstream work despite the movie's magic-ending problem.
Vicky Krieps again, in a movie Amanda loved this year.
Hidetoshi Nishijima - "probably the performance of the year that has no chance to be recognized," a restrained director holding back until the movie's center explodes.
Bo Burnham, treated as a movie performance even though the hosts flip-flop on whether it counts as one.
Ciarán Hinds gets the pick over Judi Dench's fourteen Oscar nominations; Jamie Dornan and Caitríona Balfe get a nod for being distractingly attractive parents.
Ann Dowd, the standout of a very upsetting Fran Kranz film about the parents of a school shooter and a victim.
Jon Bernthal, part of a busy year that also included The Many Saints of Newark, Small Engine Repair, and a trailer for The Unforgivable.
Tony Leung - "the superpower of that film," no stranger to crime pictures, new to dragons.
Three movies to explain the 2010s to an alien Jason's question
The unintentional-capture-of-a-terrible-country pick. Sean watched it election night 2020 and has no regrets.
Worst movie moment of the year Derek's question
LeBron James sucked into the Warner Bros. multiverse. "It's so painful."
The Big Picture's own repertory theaterDrew's question - opening night double (or triple) feature
Chris Ryan's imagined opener, paired with itself and a Den of Thieves chaser.
The chaser to Chris Ryan's Heat double.
Sean and Amanda's actual pick - the movie they've talked about and returned to the most.
Paired with Moneyball as most representative of the show.
Bobby's suggested third film. Vetoed.
Bobby's alternate new-beverly-style suggestion.
Zach's birthday rom-com homeworkpicking between Roman Holiday, Broadcast News, and Something's Gotta Give
Sean's least essential of the three - delightful, but skippable.
Sean's recommendation as a foundation text before the more modern picks.
Amanda's answer - the quintessential Nancy Meyers movie, Diane Keaton, Jack Nicholson, a Hamptons house, and that opening needle drop.
Amanda's bonus pick - Peyton Reed's Doris Day riff.
Sean's movie poster collectionAndy's question
The one poster currently hanging - Sean's favorite screenplay of all time.
Sean's favorite item he owns, never hung: an oversized French poster his wife bought him on their honeymoon.
Trailers that lived up to the hypeJennifer's question
"Needed to be two plus hours of the trailer" - and delivered.
The movie somehow topped an already-hyped trailer.
A 2020-trailer, 2021-release title with one of the great trailers of the last five years.
The best trailer of the year for a movie that hadn't come out yet, set to Nirvana's "Something in the Way."
Self-contained, and it captures the whole film.
Same praise as Zola - a trailer that nails the movie's tone.
Paul Thomas Anderson cuts his own trailers. "Perfect trailer."
One movie we'd give a do-overSpencer's question
Sean's pick, for the pun as much as anything - advice: "have somebody else make it."
Amanda's pick - wanted it to work, and it mostly does, but it's a little disappointing.
Too much talent involved for a thriller that needed a satisfying reveal and didn't have one.
John David Washington's Netflix thriller - the kind of setup that should've been a Rewatchables staple, minus the follow-through.
Favorite needle drops of the yearByronic Hero's question
"All I Need Is a Miracle" by Mike + The Mechanics, closing the film.
"The Cavalry Cross" by Richard and Linda Thompson, a recurring cue signaling the late husband's presence.
ABBA's "The Winner Takes It All," Mia Wasikowska dancing around a fire scene.
De La Soul's "The Magic Number" over the end credits - a riff on "Three Is a Magic Number" for a movie with three Spider-Men.
"Doing It to Death" and "She's Not There" both feature.
*NSYNC's "Bye Bye Bye," switching from a haunted girls'-chorus cover to the real thing.
The original James Ray recording of "I've Got My Mind Set on You," scoring a dance sequence with Matt Smith and Anya Taylor-Joy.
The Outlaw Blues Band's "Deep Gully" as Daniel Kaluuya's character enters the club.
The Clickettes' doo-wop "Because of My Best Friend," secretly the film's whole theme.
"Let Me Roll It" - the number-one pick, spoiled on the show many times already.
George Michael's "Faith" as Lady Gaga walks down the aisle, straight out of full-on opera.
Best (and worst) Best Picture winner for the industryDalton's question
The hoped-against worst-case winner.
The other worst-case answer.
The Mad Max: Fury Road comparison - a real visual achievement people actually saw, but still IP winning the top prize.
Bobby's pick to win, and a plausible one - Netflix's first potential Best Picture, though back-to-back streaming-era winners (after Nomadland) is a mixed signal for theatrical.
Part of the late-search conversation alongside Power of the Dog.
A possible late surge - flatters and subverts the Academy's sensibilities at once.
The hypothetical none of them would actually cheer for.
Amanda's actual worst-case winner - a remake of a musical that already won, that barely anyone saw in theaters.
Also mentioned raised along the way
In passing MandyJokerCandymanFast FiveThe Wolf of Wall StreetMad Max: Fury RoadTitanic
Not films filtered out: TV, games, ads
TV HawkeyeSuccessionFear the Walking DeadEuphoriaHomicide: Life on the StreetSports NightThe West WingWestworld
Music Sour (Olivia Rodrigo album)
Ads Boar's HeadNetflix FIFA World Cup Launch Edition
Cross-promo Ring or Dish (Ringer podcast promo)