Annabelle Comes Home 2019
The seventh or eighth Conjuring-universe film, and the reason for this episode; Dauberman's directing debut.
The Big Picture · Discussion · Interview
June 25, 2019/ 49 min/ Sean Fennessy · Chris Ryan
Chris Ryan joins to map out the three tiers of 2019 horror, from tentpole to iTunes deep cut, before Gary Dauberman talks through directing his first Conjuring-universe entry.
32 films across 7 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The State of Horror in 2019the tentpole, the Blumhouse tier, and the cheap stuff
The seventh or eighth Conjuring-universe film, and the reason for this episode; Dauberman's directing debut.
Jordan Peele's follow-up to Get Out; both hosts saw it at South by Southwest with Universal's chairman in the room.
John Krasinski's directorial debut and one of the biggest horror hits ever; last year's version of this conversation.
The low-key big hit of the year, per Sean.
A Paramount movie that aspired to be glossier than its budget allowed.
Barely seen, but Sean liked its use of the superhero premise.
A small Focus release with a stacked cast; Jim Jarmusch's zombie movie.
Mike Flanagan's Shining sequel, due later in the year.
The unlikely box-office giant that helped set off this whole cycle.
Chris Ryan's iTunes Deep Cutshow to find good horror on VOD without spoiling it for yourself
A meditative, Terrence Malick-y post-apocalypse mystery Chris found trawling iTunes.
A Candyman-style campfire-ghost-story movie; the one Chris actually recommends without hedging.
Growing Up on Horror: Shocker and Wes Craven
Chris's touchstone for how disreputable horror felt as a teenager in Wes Craven's post-Nightmare years.
Craven's voodoo movie, better than its reputation suggested at the time.
How Much Should a Trailer Give Away?the case for going in blind
Next week's episode subject; Ari Aster's follow-up to Hereditary, which Sean and Chris saw together.
Guillermo del Toro produces this anthology adaptation of the illustrated short-story collection.
Sean's example of a movie whose trailer told him everything before he'd seen it.
Crawl, Zombieland, and The Lighthouse
Alexandre Aja's alligator-in-the-house movie, starring Chris Ryan favorite Barry Pepper and Kaya Scodelario.
A sequel nobody needed, with the whole original cast back anyway.
Robert Eggers' follow-up to The Witch; Pattinson and Dafoe, shot in high-contrast black and white.
Sean's example of elevated horror working best when you don't go in expecting a possession movie.
It Chapter Two and the State of the Conjuring Universe
Not their favorite of the Conjuring spinoffs, but still a hit.
In conversation
Dauberman's directing debut, built around the Warrens bringing the doll home to the artifact room, all in one house over one night.
Home to the matchstick scene Dauberman calls one of his favorites in horror, and the effect he chased in Annabelle Comes Home.
Dauberman's answer to the show's closing question about the last great thing he's seen.
Also mentioned raised along the way
In passing Velvet BuzzsawThe WitchIt's a Wonderful Life
Coming next week Yesterday
Not films filtered out: TV, games, ads
TV Castle RockCobra KaiSalem's Lot
Ads M&M's
Unproduced Death County