The Wife 2018
Glenn Close's Critics' Choice tie with Lady Gaga prompts a confession from both hosts that neither has seen it.
The Big Picture · Discussion
January 15, 2019/ 48 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda work through Critics' Choice, the guild nominations, SAG's tantrum, the Green Book scandal cycle, and what "Best Picture" should actually mean, five weeks before the Oscars.
36 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Critics' Choice, the Guilds, and the BAFTAsPGA, DGA, WGA, SAG, and BAFTA nominations roll out
Glenn Close's Critics' Choice tie with Lady Gaga prompts a confession from both hosts that neither has seen it.
Wins Best Picture and Best Director at Critics' Choice, its first big glitzy win after a quiet awards season.
Nominated by nearly every craft guild but hasn't won anything besides "Shallow"; Amanda's theory is it's too well-rounded to isolate a single element to reward.
The Hosting CircusKevin Hart's exit and the Avengers-as-host plan
Hart and Bryan Cranston's dramedy tops the box office that same weekend, proof his fan base hasn't gone anywhere.
The pitch: put the cast in tuxes and let them present instead of naming a single host.
Amanda's example of a great Oscars host with almost no actual connection to movies: Ellen DeGeneres's one big-screen credit.
Green Book-pocalypseStock Up, Stock Down
A co-writer's old tweet and a resurfaced Peter Farrelly profile from the '90s roil the campaign a week after its Globes win; both hosts doubt it moves the nominations.
What Does "Best Picture" Even Mean?Amanda's two-part test: genuinely great, and a movie people keep talking about
Amanda's pick for where the Oscars should be looking: a comic book movie doing what westerns and musicals used to do.
Sean's counterpoint: it moved him but didn't stay with him the way Black Panther has.
Amanda's example, from her piece, of the Oscars actually rewarding something sophisticated.
The regression, three decades later.
Last year's winner, technically impressive, and nobody talks about it anymore.
The recurring should-have-won comparison for A Star Is Born: a big, likable movie that didn't change anyone's mind.
Turned 30 the year before and people were still writing about it, Amanda's bar for staying power.
Sean's example of a Best Picture winner that only tells you about the voters, not the movies.
Looking Ahead to NominationsGuesses ahead of next week's announcement
John David Washington and Adam Driver keep showing up everywhere; Sean expects four or five nominations.
Paul Schrader's Critics' Choice screenplay win for a film that's been a critical darling, not a commercial one.
Not films filtered out: TV, games, ads
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