The Platform 2019
Grueling class-warfare horror on Netflix, watched Friday at 4 p.m., the first of the weekend's binge.
The Big Picture · Discussion · Review · Roundtable · Interview
March 24, 2020/ 86 min/ Sean Fennessey · Amanda Dobbins
Sean spends a full weekend bingeing eight new VOD releases; then he and Amanda review Emma and The Hunt before Bill Simmons stops by to defend on-demand releases and re-litigate Ben Affleck's career.
26 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Sean's Quarantine Watchlisteverything he watched in one weekend
Grueling class-warfare horror on Netflix, watched Friday at 4 p.m., the first of the weekend's binge.
Amazon Prime noir Sean pitches as the Coen brothers meets Nicole Holofcener; would pair well with The Lighthouse.
The 2019 remake, an Amazon rental he'd missed at the end of last year.
A trippy Nicolas Cage cosmic-horror movie on iTunes; he later recommends it to Bill Simmons too.
An ostensible Big Lebowski spinoff following John Turturro's Jesus character.
A Cannes premiere he caught on Film Movement for a $12 virtual ticket, the best thing he watched all weekend.
An Oscilloscope rental he hadn't started yet, about a young woman's abortion and the friendship that follows.
Emmaon iTunes, missed in theaters
Autumn de Wilde's directorial debut, with Anya Taylor-Joy as Emma and Johnny Flynn as Knightley. Sean calls it 'a flipped house': fresh coat of paint, same foundation, not entirely trustworthy. Both land on well-made but unnecessary next to Clueless and the 1996 Gwyneth Paltrow version.
Old-Person Recommendations for Amanda's mom
The original Peter Ustinov Poirot, before the remake.
Another late Agatha Christie outing in the same vein.
Bill Forsyth's dramedy about a Texas oil man sent to acquire a Scottish village; newly on Criterion Channel.
The Huntthe most talked-about movie nobody saw
Written by Nick Cuse and Damon Lindelof, directed by Craig Zobel. Sean and Amanda land on 'not terrible, just not good': a Blumhouse premise about polarization that never commits to a point of view, saved by Betty Gilpin.
Bill Tells Sean He's Wrong About a MovieVOD economics, Affleck, and Hillary Swank's Hunt performance
Bill liked it more than Sean and Amanda did, going in with lower expectations, and thinks Betty Gilpin proved herself a star.
Affleck as an alcoholic basketball coach; Bill calls it his best performance in 15 years.
Bill watched it at home with a crowd and didn't get the right feel for it; had to rewatch alone.
Bill's example (misremembering the cast) of the low-budget action movie Netflix cranks out monthly.
Rewatched with his wife over the weekend: 'we just wanted to go to Hawaii.'
Bill wonders whether this or Little Miss Sunshine gets made at all if pitched to a studio today.
Bill's go-to example of a streaming movie owning the conversation for a week.
Paramount sold it straight to Netflix instead of releasing it theatrically; stars Kumail Nanjiani and Issa Rae.
Also mentioned raised along the way
Already covered on the show OnwardThe Invisible ManBirds of PreySonic the HedgehogFrozen IIThe Gentlemen
Emma's visual and literary lineage CluelessSense and SensibilityMarie Antoinette
Anya Taylor-Joy's other work The WitchGlassSplitThoroughbredsBad EducationThe New Mutants
The Blumhouse formula Get OutHappy Death DayThe PurgeCompliance
Betty Gilpin comps AliensEdge of Tomorrow
Streaming case studies A Quiet PlaceSet It UpMulanBlack WidowTop Gun: MaverickTrolls World Tour
Overacting comps Cliffhanger
Hillary Swank's range The Next Karate KidBasic Instinct
Not films filtered out: TV, games, ads
TV Tiger KingSurvivorGLOWLittle Fires EverywhereHigh Fidelity
Ads MasterClass
Other D-Nice's Instagram Live DJ setMark Wahlberg's TikTok
Announced (unreleased) Face/Off 2