Parasite 2019
Comes up via Trump's old complaint about a Best Picture winner from South Korea.
The Big Picture · Discussion · Interview
April 30, 2021/ 107 min/ Sean Fennessy · Amanda Dobbins
Sean and Amanda pick through the wreckage of a record-low-rated Oscars telecast, run the 2019-2020 best-picture field through a combined re-nomination exercise, and Sean talks to Adam McKay about producing and hosting his NBA history podcast, Death at the Wing.
52 films across 7 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The Morning After the Oscarsratings, the ending, and what went wrong
Comes up via Trump's old complaint about a Best Picture winner from South Korea.
Chloe Zhao's Best Director win, barely acknowledged on the show, gets its due here.
Its trailer aired during the telecast; Sean and Amanda flag it as the next awards-season conversation.
Soderbergh's Gamblethe Anthony Hopkins ending, and what Tenet deserved
Anthony Hopkins's surprise Best Actor win, and his absence from the ceremony, becomes the whole postmortem.
The show was built around a Chadwick Boseman win that didn't happen.
Sean argues the Academy could have used a bigger push behind it; got no campaign after the Nolan-Warner Bros. rift.
Cited as proof a prestige-adjacent blockbuster can sneak into Best Picture.
Mailbag: Fix the Broadcaststreaming, hosts, and viewership
Cited as a Netflix numbers game example nobody actually loved.
Amanda's answer for how the Oscars actually reach young viewers: better movies aimed at them.
Mailbag: Citizen Kane vs. Paddington 2plus a Terminator 2 origin story
A listener's joke about its inflated internet reputation.
Amanda's own example of overrating a charming kids' movie.
Sean's account of seeing it at nine years old, prompted by a listener question about Steven Yeun's Oscars-night story.
The one comedy either of them thinks was actually Oscar-worthy this year.
Combining the 2020 and 2021 Best Picture Fields17 nominees, cut down to 10
The obvious keep, no debate.
Amanda's a no; Sean would still find room for it.
Cut, a movie for Bobby's father-in-law.
In.
Out.
Out.
In.
In.
In.
Would've been nominated in almost any year.
Amanda sets it aside despite loving Hopkins's performance.
Debated, ultimately doesn't survive the cut to 10.
In, largely on the strength of Fincher's craft.
Makes the cut once the field is set at 10 movies.
Didn't click for Sean.
Didn't click for Sean.
Didn't click for Sean.
Mailbag: Oscar Bait, Voice Acting, and What's Next
Amanda's example of an '80s family coming-of-age film built the same way as Minari.
Cited as the kind of prestige-bestseller adaptation that no longer plays.
The Spielberg remake; Amanda is nervous after seeing its Oscars-night promo.
Referred to by its then-rumored working title, Soggy Bottom.
In conversation
McKay's father lost his house in the crash; the film came from that.
Its day-and-date streaming numbers, to McKay, as proof theatrical isn't dead.
His then-unreleased Netflix film, discussed at length re: cut length and theatrical rollout.
His example of a film that played too long in theaters and perfectly on a TV rewatch.
Also mentioned raised along the way
In passing The Lord of the Rings: The Fellowship of the RingRise of the Planet of the ApesShrekGone with the WindAvengers: Endgame
Not films filtered out: TV, games, ads
TV Small AxeSchitt's CreekSuccessionQ: Into the Storm
Podcasts Death at the WingS-Town
Ads Black Girl SongbookBoar's HeadAmerican Express Business