Avengers: Age of Ultron 2015
Wanda and Pietro's real MCU introduction. Neither host's favorite entry, but they call it foundational to everything that follows.
The Big Picture · Discussion · Interview
March 8, 2021/ 105 min/ Sean Fennessey · Mallory Rubin
Sean and Mallory dig through the 'WandaVision' finale, then Sean reviews 'Raya and the Last Dragon' and talks to Kevin Macdonald about 'The Mauritanian.'
18 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
‘WandaVision’ Season One Autopsythe finale, Wanda's arc, and where phase four goes next
Wanda and Pietro's real MCU introduction. Neither host's favorite entry, but they call it foundational to everything that follows.
The twins first appeared in its post-credits stinger before Age of Ultron proper.
Vision's death at Wanda's own hands. Mallory calls it one of her all-time favorites.
The two watched it together in theaters and were, in Sean's words, vibrating.
Its post-blip In Memoriam sequence and its timeline (set after WandaVision, oddly) both come up.
Backstory for Monica's mother Maria, and the Nick Fury/Talos body-double question raised by the finale's stinger.
Was originally slated to kick off phase four before the pandemic pushed WandaVision into that slot instead.
The show's real target: Agatha's Darkhold, the nexus talk, and Wanda's villain-or-hero status all point here.
Named as one of the films WandaVision is quietly setting up.
The internet's short-lived theory that Al Pacino's devil would resurface as Mephisto.
Cited for director Sam Raimi's history with the Necronomicon, ahead of him bringing the Darkhold to Doctor Strange 2.
‘Raya and the Last Dragon’Disney's $29.99 premiere-tier release
Sean went in with low expectations after Disney's muted marketing and came out impressed by the cast, the action, and Awkwafina's dragon.
In conversation
Macdonald on adapting Mohamedou Ould Slahi's smuggled Guantanamo memoir, and on Jodie Foster cutting her own lines down to the bone.
Raised as an earlier example of Macdonald's pull toward undiscovered, off-the-map settings.
Same thread: Macdonald's recurring interest in unfamiliar places and people.
Macdonald's pick for the last great thing he'd seen: Andrei Konchalovsky's black-and-white Soviet strike drama, made at 86.
Mentioned as Konchalovsky's earlier, very mainstream Jon Voight vehicle.
Another Konchalovsky Hollywood credit, brought up in the same breath.
Also mentioned raised along the way
In passing MulanSoulBig Hero 6BlindspottingAvatarThe Trial of the Chicago 7Malcolm X
Not films filtered out: TV, games, ads
TV WandaVisionThe Falcon and the Winter SoldierSecret InvasionAvatar: The Last Airbender
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