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Top Five Wes Anderson Movies and ‘The French Dispatch’

October 22, 2021/ 99 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan

Sean, Amanda, and Chris Ryan review The French Dispatch, then each bring an individual top-five Wes Anderson list. Later, Sean talks to Mia Hansen-Løve about Bergman Island.

18 films across 5 segments.

AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.

The French Dispatchout this weekend in limited release

The French Dispatch poster

The French Dispatch 2021

Anderson's first anthology feature, structured like an issue of The New Yorker. Bill Murray plays magazine editor Arthur Howitzer Jr., a Harold Ross-esque figure holding together four stories: Owen Wilson's bicycling reporter piece up top, "The Concrete Masterpiece" (Benicio del Toro as an imprisoned artist managed by his guard and lover, played by Léa Seydoux, Sean's favorite of the three), "Revisions to a Manifesto" (Frances McDormand and Timothée Chalamet amid the 1968 Paris student protests, Amanda's favorite), and "The Private Dining Room of the Police Commissioner" (Jeffrey Wright as a James Baldwin-esque writer narrating a kidnapping story through a talk-show frame, Chris's favorite, and the one he found closest to the Richie Tenenbaum pathos he wants more of from Anderson). All three think any of the three could've carried its own feature; the framing device around Murray's magazine was, for Amanda, the least involving part.

Amanda's Top Five Wes Andersonranked best to worst

The Royal Tenenbaums poster
No. 1

The Royal Tenenbaums 2001

No. 1. Shared with Sean and Chris. The movie where Anderson's whole style arrives fully formed, for Amanda: the real Harlem townhouse he redesigned, the Gene Hackman-powered chaos, and the Nico and Van Morrison needle-drops she still can't separate from the images.

The Grand Budapest Hotel poster
No. 2

The Grand Budapest Hotel 2014

No. 2. Shared with Chris, at No. 3 on his list. Amanda's pick for the funniest of the bunch, anchored by Ralph Fiennes' first performance for Anderson. She also argues it invented millennial pink as a design cliché.

The Life Aquatic with Steve Zissou poster
No. 3

The Life Aquatic with Steve Zissou 2004

No. 3. Shared with Sean (also No. 3) and Chris (No. 2). Amanda thinks this one is underrated in the Bill Murray canon: she loves the Mediterranean setting, the blue leisure suits, and an underrated Anjelica Huston performance.

Rushmore poster
No. 4

Rushmore 1998

No. 4. Not on Chris's list. Amanda came to it after Election, with Tracy Flick as her own Max Fisher reference point, an easier character to find annoying, she says, when you're not a teenage boy.

Fantastic Mr. Fox poster
No. 5

Fantastic Mr. Fox 2009

No. 5. Shared with Sean at No. 4. A pick Amanda didn't expect to make. She saw it in a theater with her non-movie-person mother, and both walked out delighted, for what she guesses were different reasons.

Chris's Top Five Wes Andersonranked best to worst

The Royal Tenenbaums poster
No. 1

The Royal Tenenbaums 2001

No. 1. Shared with Sean and Amanda. Chris still calls it Anderson's masterpiece, the best mix of drama and comedy, with Gene Hackman's Royal as the engine of the whole movie.

The Life Aquatic with Steve Zissou poster
No. 2

The Life Aquatic with Steve Zissou 2004

No. 2. Shared with Sean and Amanda (both No. 3). Chris's pick for where Anderson's emotional side and his built-world instincts fuse most effectively. Willem Dafoe's surrogate-son turn and a very funny Jeff Goldblum both stood out on rewatch.

Bottle Rocket poster
No. 4

Bottle Rocket 1996

No. 4. Changed at the last second after his original pick doubled up with Amanda and Sean. Anderson's cheap, scrappy first feature, the one that got him noticed by James L. Brooks and Martin Scorsese, with the Owen-and-Luke-Wilson rhythm already intact.

The Darjeeling Limited poster
No. 5

The Darjeeling Limited 2007

No. 5. Chris calls it the most maligned and the most emotionally probing entry in the filmography: three drug-addled brothers (Owen Wilson, Adrien Brody, Jason Schwartzman) on a train through India after their father's death, built around a flashback funeral sequence he considers one of Anderson's best.

Sean's Top Five Wes Andersonranked best to worst

Rushmore poster
No. 1

Rushmore 1998

No. 1. One of the five most important movies Sean saw as a teenager. Max Fisher is, to him, still Anderson's most damaged and sociopathic creation, working through his mother's death via insecurity and elaborate schemes. Bill Murray's Herman Blume, the Mark Mothersbaugh score, and The Creation's needle drop over the group's dirty tricks all still land.

The Royal Tenenbaums poster
No. 2

The Royal Tenenbaums 2001

No. 2. Shared with Amanda and Chris at No. 1. Sean calls it Anderson's masterpiece: the deepest cast of performances, with Gene Hackman's Royal as the engine (the two reportedly didn't get along on set) and the closet screaming match with Chaz as the movie's best scene.

The Life Aquatic with Steve Zissou poster
No. 3

The Life Aquatic with Steve Zissou 2004

No. 3. Shared with Amanda (also No. 3) and Chris (No. 2). Sean's pick for Anderson's biggest swing: the built ship, the Henry Selick stop-motion creatures, and a Jacques Cousteau-esque figure forced to choose between family and work.

Fantastic Mr. Fox poster
No. 4

Fantastic Mr. Fox 2009

No. 4. Shared with Amanda at No. 5. One of the best animated films of the century in Sean's view, and one of Anderson's most mature: a story about middle age and thwarted ambition filtered through Roald Dahl and Jason Schwartzman's son character.

Moonrise Kingdom poster
No. 5

Moonrise Kingdom 2012

No. 5. Not on Amanda's or Chris's list. Sean calls it the one people forget about: a melancholy kids' movie about two 12-year-olds falling in love, built out of Boy Scout Texas childhood and broken-family themes.

In conversationon Bergman Island

Bergman Island poster
Mia Hansen-Løve on

Bergman Island 2021

Shot across two separate summers (2018 and 2019) on Fårö, the island where Ingmar Bergman lived and worked. Hansen-Løve says the idea took root after she saw a book made from the auction of Bergman's estate. The film pairs a filmmaking couple (Vicky Krieps and Tim Roth) with a film-within-the-film starring Mia Wasikowska and Anders Danielsen Lie, and closes on ABBA's "The Winner Takes It All."

First Cow poster
Mia Hansen-Løve on

First Cow 2020

Her answer to the show's closing question about the last great film she'd seen, and, unprompted, Sean's pick for a Bergman Island double feature.

Also mentioned raised along the way

More Wes Anderson, in passing Isle of DogsAsteroid City

Beyond Wes Anderson, in passing Crimson TideWilly Wonka & the Chocolate FactoryMatildaElectionBurntGodzilla vs. Kong

Bergman and beyond, from the interview SarabandThe Seventh SealCries and WhispersSummer with MonikaGoodbye First LoveEden

Not films filtered out: TV, games, ads

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