Little Women 2019
Greta Gerwig's follow-up to Lady Bird. Ryan is fired up; Fennessey admits he's cold on it.
The Big Picture · Discussion · Interview
August 16, 2019/ 89 min/ Sean Fennessey · Chris Ryan
Trailers for Little Women, Parasite, and 1917; The Hunt gets pulled from release over a political backlash; and Gurinder Chadha on getting Bruce Springsteen's blessing to make Blinded by the Light.
28 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Trailer RundownLittle Women, Parasite, and more
Greta Gerwig's follow-up to Lady Bird. Ryan is fired up; Fennessey admits he's cold on it.
Bong Joon-ho's Palme d'Or winner, arriving with Cannes buzz and #BongHive already in gear.
Emma Thompson-written rom-com with Emilia Clarke and Henry Golding, plus a very online fan theory about its twist.
Terrence Malick's WWII conscientious-objector drama, floated as his overdue Oscar moment.
Sam Mendes' WWI messenger story, shot to look like one continuous take.
The Hunt Gets Pulled
Blumhouse/Universal satire yanked from release after the president weighed in on it without naming it.
Ryan's counterexample of a film handling similar political tension without being binary about it; stars Tim Roth and Naomi Watts.
Earlier provocation from Hunt director Craig Zobel.
Another Zobel film, name-checked in passing.
Taika Waititi's Hitler satire, flagged as the next film likely to walk into this same controversy.
Fox Under Disney
"A real dog," per Fennessey.
Already litigated at length on the show, cited here as another post-merger Fox stumble.
Kevin Costner voices a dog owned by Milo Ventimiglia.
Ryan liked it; it bombed anyway.
James Gray's Brad Pitt space odyssey, one of their most anticipated of the fall.
James Mangold's racing drama, Fennessey's most anticipated film of the fall.
In conversation
Chadha's Springsteen-scored adaptation of Sarfraz Manzoor's memoir about growing up British-Pakistani in Thatcher-era Luton.
Her breakout, and the film audiences keep wanting her to remake.
Surfaced via an old press-tour interview where she named Springsteen as her dream collaborator, years before this film existed.
Her Paramount film, which launched Aaron Taylor-Johnson.
Her Partition drama, made in the years before she returned to this script.
Her first film; she traces one of its scenes to abuse she watched happen in her parents' shop.
An earlier British-Asian film she contrasts with her own; made by directors of mixed English-Pakistani heritage.
The last great thing she'd seen, having just watched it for the first time on the flight over.
Bruce Springsteen's own directorial debut, which he told her was partly inspired by seeing what she did with his songs.
Also mentioned raised along the way
In passing during the Little Women talk Lady BirdFrances HaMistress AmericaMidsommarSicario
Sam Mendes' filmography, apropos of 1917 American BeautyRoad to PerditionJarheadRevolutionary RoadAway We GoSkyfallSpectre
In passing VictoriaBirdmanOnce Upon a Time in HollywoodThe InterviewThe Most Dangerous GameStar Wars: The Rise of SkywalkerWhere'd You Go, BernadetteDune
Not films filtered out: TV, games, ads
TV McMafiaTabooFour Weddings and a FuneralBillionsWatchmenLostThe LeftoversSisters of Dune (HBO Max)
Ads The Lion King on Broadway