The Talented Mr. Ripley 1999
No. 1 - the outlier in his career, playing insecurity instead of overconfidence under a full transformation opposite Jude Law and Philip Seymour Hoffman.
The Big Picture · Top Five · Interview
November 15, 2019/ 119 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan
Amanda Dobbins and Chris Ryan each count down their five best Matt Damon performances, then Sean sits down with James Mangold to talk 'Ford v Ferrari,' the 24-hour Le Mans race, and why he'd rather build a world than wear a superhero costume.
18 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Amanda Dobbins's Top 5revealed No. 5 up to No. 1
No. 1 - the outlier in his career, playing insecurity instead of overconfidence under a full transformation opposite Jude Law and Philip Seymour Hoffman.
No. 2 - the performance every later role gets measured against: prick-headedness, then the big cathartic release.
No. 3 - his broadest, most everyman turn, and, as Amanda puts it, a $100 million vlog about not getting addicted to opiates on Mars.
No. 4 - the movie that reset his career after 'All the Pretty Horses' and set up the next 20 years. Also, per Amanda, one of his hottest scenes.
No. 5 - more charisma than usual, a duplicitous Boston cop mirrored against Leonardo DiCaprio's wide-open undercover mole.
Chris Ryan's Top 5revealed No. 5 up to No. 1
No. 1 - the Chucky to Edward Norton's Will Hunting, and as close to Jimmy Stewart as Damon ever gets. Chris says there's not a false note in it.
No. 2 - same pick as Amanda's, for the same reason: the role everything after it answers to.
No. 3 - Chris calls it Damon's best pure performance, closed-off and slimy in a way that requires real self-awareness to play.
No. 4 - one of eight collaborations with Steven Soderbergh; his reaction to Gwyneth Paltrow's death is some of the best acting he's done.
No. 5 - a physical-transformation role as a heroin-addicted medic, in a scene where Denzel Washington cedes the moment to him.
In conversation
His new film. The red folder scene was his idea, a way to make Carroll Shelby's pitch to Henry Ford II visual. He built the climax around a sustained, nearly 50-minute cut of the 24-hour Le Mans race, telling the crew they were shooting 'Saving Private Ryan in reverse.'
His version of an IP movie, without a supervillain or a costume Wolverine would ever actually wear, structured like a 'Kramer vs. Kramer' character piece instead of a comic-book plot.
About a man who can only be with the woman he loves for 30 minutes at a time onstage. Joaquin Phoenix's singing voice didn't click into Johnny Cash's register until ten days before they left for Memphis.
Cited as an earlier example of the kind of adult drama he keeps returning to.
His directorial debut, made deliberately against the '90s indie-cool grain, inspired by 'The Last Picture Show.'
Miramax expected something Tarantino-adjacent; he made an earnest, Western-structured drama instead.
His closest attempt at a studio IP picture, conceived as a Tokyo noir. He came away unsatisfied and told the studio he wouldn't do another one the same way.
James Gray's film, his pick for the last great thing he's seen. It's patient and unhurried, and it doesn't let the audience off easy.
Also mentioned raised along the way
More from the Matt Damon lists DogmaTrue GritMargaretOcean's ElevenOcean's TwelveOcean's ThirteenThe Informant!Behind the CandelabraSyrianaSaving Private RyanSchool TiesDownsizingPromised LandWe Bought a ZooThe Great WallSuburbiconElysiumGreen ZoneAll the Pretty HorsesThe MajesticGerryInterstellarThor: RagnarokDeadpool 2UnsaneEurotripThe Brothers GrimmThe Monuments MenJay and Silent Bob RebootManchester by the SeaInvictus
Mangold's touchstones Sweet Smell of SuccessThe Man in the White SuitThe LadykillersWhisky Galore!Kramer vs. Kramer
Not films filtered out: TV, games, ads
TV Jimmy Kimmel Live!30 RockThe Fresh Prince of Bel-AirThe Defenders
Podcasts The Bill Simmons PodcastThe Moment with Brian Koppelman