Dick Johnson Is Dead 2020
Documentary shortlist.
The Big Picture · Discussion · Roundtable · Review · Interview
February 12, 2021/ 93 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda go through the Oscar shortlist, argue about what makes a good biopic, and each name five favorites, then Sean talks to Shaka King about writing and directing ‘Judas and the Black Messiah’.
37 films across 6 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The documentary and international feature shortlists
Documentary shortlist.
Documentary shortlist.
Documentary shortlist.
Documentary shortlist.
International feature shortlist, Thomas Vinterberg directing Mads Mikkelsen. Amanda still hadn't seen it.
International feature shortlist, the Guatemalan film streaming on Shudder.
International feature shortlist, the Russian entry.
International feature shortlist, the Taiwanese entry, streaming on Netflix.
Not this year's shortlist, but the comparison point: last year's Macedonian beekeeper documentary that landed nods in both documentary and international feature.
The original song and score shortlists
Its end-credits song, 'Wuhan Flu,' made the original song shortlist.
'Husavik' was last year's shortlisted example of the category doing something weird.
Sean's example of a song actually written into the plot: 'Shallow.'
Original song shortlist; neither host had heard of the film.
Original song shortlist, for 'Never Break'; same complaint.
Its song also made the shortlist; the film gets its own segment below.
Original score shortlist, one of two Trent Reznor/Atticus Ross nominations.
Original score shortlist, the other Reznor/Ross nomination.
Original score shortlist, Ludwig Göransson.
Original score shortlist, Emile Mosseri.
Mosseri's earlier score, which Sean calls one of the best of the last five years.
What makes a good biopic?
Their example of the airless 'great man' biopic: Richard Attenborough's film, a Ben Kingsley Oscar, and, in Amanda's words, 'kind of boring.'
The exception that proves the rule: a cradle-to-grave biopic that still works. Left off both of their five-favorites lists because they'd covered it recently on the show.
Five favorite biopics each picked five, not strictly ranked
Milos Forman's Mozart/Salieri film, told through Salieri's jealousy. Tom Hulce plays Mozart as 'a little maniac,' nothing like the solemn historical bust.
Nora Ephron's film splits between Julia Child in Paris and a blogger cooking through her cookbook; Meryl Streep's performance goes past impersonation.
Spielberg's Frank Abagnale film, a con-man story about someone unfamous, and Sean's pick for best Leo DiCaprio biopic.
Stephen Frears and Peter Morgan's film, Helen Mirren as Elizabeth II in the week after Princess Diana's death. Peter Morgan later expanded the same source material into 'The Crown.'
David Lynch's John Hurt/Anthony Hopkins film about Joseph Merrick, shot in black and white: a hushed, classically staged outlier in Lynch's filmography.
Paul Schrader's Yukio Mishima film, built from dramatized chapters of Mishima's own fiction.
Brian Wilson split across two eras and two actors, Paul Dano and John Cusack, with no attempt at physical continuity between them.
Pablo Larraín's film, Natalie Portman as Jackie Kennedy in the days after JFK's assassination: more about image-making than impersonation.
François Girard's patchwork portrait of the pianist, structured after Gould's own Goldberg Variations recording. Amanda's dad showed it to her at age nine.
Todd Haynes splits Bob Dylan into seven different performers and personas.
Judas and the Black Messiah
Shaka King's Fred Hampton film, out on HBO Max. LaKeith Stanfield plays FBI informant William O'Neill (the Judas of the title), Daniel Kaluuya plays Hampton, Dominique Fishback plays Deborah Johnson (Akua Njeri), and Jesse Plemons plays O'Neill's handler, Roy Mitchell. Martin Sheen plays J. Edgar Hoover. Sean and Amanda call it a Trojan-horse biopic: a crime thriller and cat-and-mouse movie about a socialist revolution, funded by Warner Bros.
Sam Pollard's documentary, also on this year's shortlist. Sean recommends pairing it with 'Judas and the Black Messiah' as a double feature, for more on Hoover's playbook against Martin Luther King Jr. and then Hampton.
Shaka King on ‘Judas and the Black Messiah’
How it came together: the Lucas Brothers pitched King on 'The Conformist' meets 'The Departed' inside COINTELPRO. King brought in writer Will Berson to combine drafts, Ryan Coogler and Charles King's Macro came on to produce, and the cast (Kaluuya, Stanfield, Fishback, Plemons) was attached before the studio deal closed. Fred Hampton Jr. and Akua Njeri signed on as cultural consultants during the second week of filming.
King's debut feature, which premiered at Sundance the same year as Ryan Coogler's 'Fruitvale Station,' where the two met.
The 'Small Axe' installment King calls the last thing that blew him away, for capturing what loving music feels like without being a musical.
Also mentioned raised along the way
The pop-star biopic wave JudyStraight Outta ComptonRocketmanBohemian RhapsodyRay
More of the genre they didn't get to The Social NetworkMoneyballMarie AntoinetteYankee Doodle DandyA Man for All SeasonsCoal Miner's DaughterSerpico
Comparisons for 'Judas and the Black Messiah' J. EdgarReds
Shaka King's references while making the film HeatThe Killing of a Chinese BookieThe Friends of Eddie CoyleThe Battle of AlgiersWhen We Were KingsGloriaThe ConformistThe DepartedOnce Upon a Time in HollywoodBlack PantherFruitvale Station
Not films filtered out: TV, games, ads
TV The CrownEyes on the PrizeMike L. Mike (Netflix pilot presentation)
Games FIFA World Cup Launch Edition (Netflix)
Ads Boar's HeadFanDuelNOS EnergyPricelineUberStamps.com