The Whale 2022
Darren Aronofsky's adaptation of Samuel D. Hunter's play, with Brendan Fraser as a reclusive, severely obese English teacher trying to reconnect with his daughter.
The Big Picture · Discussion · Review · Roundtable · Interview
January 15, 2021/ 104 min/ Sean Fennessey · Amanda Dobbins
News on a week of new movie announcements, a review of Regina King's One Night in Miami, a split top 10 of stage-to-screen adaptations (five plays, five musicals), and Sean's interview with star Kingsley Ben-Adir.
28 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Movie News Roundupfast-formed opinions on a week of announcements
Darren Aronofsky's adaptation of Samuel D. Hunter's play, with Brendan Fraser as a reclusive, severely obese English teacher trying to reconnect with his daughter.
Alex Garland writing and directing Jessie Buckley as a woman on a solo countryside vacation after her ex-husband's death.
Noah Baumbach adapting Don DeLillo's supposedly unadaptable novel, with Adam Driver and Greta Gerwig (her first film in six years).
Joel Coen's black-and-white Shakespeare, shot with Denzel Washington and Frances McDormand, for A24.
One Night in Miaminow streaming on Amazon Prime
Regina King's directorial debut, written by Kemp Powers, imagines Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke spending one long night together in a Miami motel room after Ali's title win over Sonny Liston in February 1964. Kingsley Ben-Adir plays Malcolm X, Eli Goree plays Ali, Aldis Hodge plays Jim Brown, and Leslie Odom Jr. plays Sam Cooke.
Top 10 Stage-to-Screen: The Plays five picks each, one Shakespeare apiece, Broadway/stage plays only
Laurence Olivier's Technicolor Shakespeare, with production design Sean compares to Wes Anderson and one of the great St. Crispin's Day speeches on film.
Baz Luhrmann keeps every line of Shakespeare's dialogue while staging it as a teen spectacle; a formative movie for Amanda's generation, with Leonardo DiCaprio and Claire Danes.
David Lean directing Noel Coward's one-act play about an illicit almost-affair that plays out mostly at a train station.
One of two Katharine Hepburn picks: the play-and-film combo that reversed her 'box office poison' run after Bringing Up Baby.
James Goldman's screenplay from his own play, with Hepburn and Peter O'Toole as Eleanor of Aquitaine and Henry II tearing into each other over Christmas.
Joseph L. Mankiewicz's last film, from Anthony Shaffer's play, with Michael Caine and Laurence Olivier trading cat-and-mouse dialogue for two and a half hours. Remade in 2007 with Jude Law; not to be confused with the similar Deathtrap.
Hitchcock's stage-play adaptation, where the confined geography of one room becomes the whole tension.
Milos Forman's Mozart-and-Salieri epic with Tom Hulce and F. Murray Abraham; Amanda says it would have made her list too.
A bonus rewatch, not an official pick: Robert Altman's one-set Nixon monologue, with Philip Baker Hall memorizing what amounts to a 200-page speech. A favorite of Paul Thomas Anderson's.
Mike Nichols adapting Edward Albee, with Elizabeth Taylor and Richard Burton as George and Martha tearing each other apart over one night.
David Mamet's real estate salesmen, directed by James Foley. 'Always be closing.'
Aaron Sorkin's own play, adapted for the screen, and a perennial pick on Big Picture top fives.
Top 10 Stage-to-Screen: The Musicals five picks each, stage musicals only, no Hollywood-original musicals like Singin' in the Rain
Vincente Minnelli's musical about a hidden Scottish village that appears once every hundred years; the movie Francis Ford Coppola told Ryan Coogler to watch before making Black Panther. Not Sean's number one.
A last-minute add for Amanda, led by Ann-Margret's opening number, which was written for the film version rather than the stage show.
Bob Fosse's Weimar-set follow-up to the flop of his first movie musical, Sweet Charity, with Liza Minnelli. Won Best Picture.
George Cukor directing Audrey Hepburn (dubbed by Marni Nixon) in the Lerner and Loewe musical. Julie Andrews originated the role onstage but lost the film casting, then won her Oscar the same year for Mary Poppins instead.
Robert Wise directing Julie Andrews and Christopher Plummer in the Rodgers and Hammerstein musical, shot on location in Austria. A childhood-formative, annual-rewatch pick for Amanda.
Frank Oz directing the Alan Menken/Howard Ashman musical (itself based on Roger Corman's low-budget original), with Rick Moranis and Ellen Greene.
Mike Leigh's backstage drama about Gilbert and Sullivan staging The Mikado, ending with an extended performance of the operetta itself.
A peak childhood-sleepover pick, spun off into Grease 2 and later live TV versions.
Both hosts' shared number one. Directed by Robert Wise and Jerome Robbins, from the Bernstein/Sondheim/Arthur Laurents stage musical, with Rita Moreno's performance and Robbins's choreography singled out. Steven Spielberg's remake was due out for its 60th anniversary.
In Conversationon playing Malcolm X in One Night in Miami and Barack Obama in The Comey Rule
Ben-Adir's answer to the show's closing question, 'the last great thing you've seen': rewatched the night before, on an Alejandro G. Iñárritu kick.
Also watched that same morning as part of his Iñárritu binge, though 21 Grams was his official pick.
Also mentioned raised along the way
The 2020 stage-to-screen wave (setup for the list) The PromDavid Byrne's American UtopiaMa Rainey's Black BottomHamilton
Comparisons in the One Night in Miami discussion Malcolm XSoulThe Invisible ManThe Greatest
Mentioned in passing during the news roundup BewitchedSteve JobsMoneyballThe Social NetworkI'm Thinking of Ending ThingsHoward
Considered for the plays list, then cut CasablancaThe Front Page
Not films filtered out: TV, games, ads
TV WandaVisionThe Comey RuleFosse/VerdonThe OATiger King 2
Ads CarvanaBoar's HeadNOS EnergyWhole FoodsTalkAboutPD.com