Zootopia 2 2025
$570 million opening weekend, $220 million-plus of it in China. Overt Shining and Silence of the Lambs references, and a decade of Judy-and-Nick shipping the film seems to know about.
The Big Picture · Discussion · Top Five · Roundtable
December 5, 2025/ 129 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan
The year-end lists. Sean Fennessey, Amanda Dobbins, and Chris Ryan bring in Adam Nayman for four ranked top fives, revealed five to one, then a long run of honorable mentions. First the news: the Warner Bros. sale, Leonardo DiCaprio all but confirming Heat 2 with Michael Mann, and where awards season stands with One Battle After Another out front.
47 films across 7 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The newsthe Warner Bros. sale, Heat 2, awards season
$570 million opening weekend, $220 million-plus of it in China. Overt Shining and Silence of the Lambs references, and a decade of Judy-and-Nick shipping the film seems to know about.
The original, which Sean argues did something new for a wide-release animated film: animals running a whole society, jobs and all. The sloth at the DMV.
Chris's tangent: a frog-sheriff retelling of Chinatown, stuffed with movie references.
DiCaprio confirms to Deadline that he's doing Heat 2 with Michael Mann. The group games out whether he's the De Niro part and who could play against him.
Was 2025 a good year at the movies?Adam joins; high ceiling, low floor
The year's one 'rocket ship,' and the ticket Sean bought on April 18th that turned a bleak year around. Everyone agrees the top of the year is bright and the middle is hazy.
Adam Nayman's top five
Jafar Panahi's Palme d'Or winner, shot unofficially in Iran. A mistaken-identity revenge thriller that's slapstick and brutal at once, with the best last two scenes of the year.
Cronenberg's grief film about a widower who builds a way to watch his wife's body decay. Adam's watched it three or four times and loves how close it comes to seeming like a terrible movie.
Has it third and admits he's already tired of the discourse. More interested in the negative reactions, and in finding the weird, ambiguous PTA inside a huge movie.
Kiyoshi Kurosawa. An online reseller angers his customers into hunting him down; a moody thriller that turns into a full warehouse shootout. Sean's shorthand: Heat for fuck-ups.
Kleber Mendonça Filho's Brazilian thriller under the late-'70s dictatorship. Wagner Moura as a functionary forging passports while hitmen close in, all of it a love letter to movie-palace culture and shadowed by Jaws.
Amanda Dobbins's top fivethe theme: everyone going for it
An instant five-star masterpiece for her. Parenthood, scale, and all of film history rooted in the current moment.
Josh Safdie's ping-pong movie, and the clearest case of her theme: a cast and crew going as big as they can.
Lynne Ramsay, with Jennifer Lawrence and Robert Pattinson. Postpartum psychosis played feral and physical, and the most she laughed in a theater. She started 2025 three months postpartum, then left home in the LA fires.
Mary Bronstein; Rose Byrne alone with a sick kid. The most nauseous she's been in a theater all year, meant as a compliment, and a systemic critique of how everything fails a mother.
Familiar indie moves, the voiceover and the flashbacks and the trees, that add up to far more than their parts. Grief and guilt shown, not told, right to the last line.
Chris Ryan's top five
Danny Boyle and Alex Garland, with Alfie Williams and a Ralph Fiennes performance he'll never forget. He saw it as his mother was dying, and it never left him.
Number two by the thinnest personal margin. The cinematic experience of the year, and an adaptation of Vineland he can't stop taking apart.
Three viewings in. What he thinks it's about: why we need horror at all, and the monsters we invent to explain the tragedies that befall a community. The kids running with their arms out.
On a second viewing he finds it almost underrated. The musicality, the ecstatic sweat of it, the most physically engaged he felt in a theater outside F1.
Carson Lund's monument to hanging out: two rec-league teams playing the last game on a field about to be paved into a school. Made him feel 17 watching a Jarmusch movie.
Sean Fennessey's top fivethwarted male ambition and parenthood
Obviously his number one. Thwarted ambition, parenthood, and a film he finds almost fake for how connected to it he feels.
Ari Aster's best, he argues: docudrama and satire at once. People dislike it because it makes them feel bad about specific things that happened, and about that final shot.
Park Chan-wook's Westlake adaptation. A laid-off paper-company man schemes to eliminate his rivals for the few jobs left. Elaborate and absurd, with a showy formal streak.
Safdie's film on how a lot of men are in their 20s: fast-talking and gifted, in a way that wears you out. Seen once, months ago, and the cherry on top of the movie year for him.
Popped in the 4K and got pulled back by the score. His prime example of Hollywood filmmaking: someone through the system making something at scale that stays deeply personal.
Honorable mentions the long lists, and one they each nearly picked
Ethan Hawke as Lorenz Hart; the second Linklater movie of the year, and high on his list.
Still defending it as the tide turns among the film literati.
Harry Lighton's BDSM rom-com with Alexander Skarsgård. Considered it for his five; one of the two funniest movies of the year to him.
Mona Fastvold. A double A-side with The Brutalist about building something in America from the ground up.
Radu Jude's three-hour, AI-stuffed prank. The most productively annoying movie he saw all year.
David Osit's documentary on the To Catch a Predator phenomenon.
Laura Poitras's portrait of investigative journalist Seymour Hersh, headed to Netflix.
One of three rom-com genre experiments she was glad someone tried.
The movie-going experience of the year, where he swore he was watching real sports.
Pure theater fun, and a John Waters pick too.
Also mentioned raised along the way
The news: awards season and the studio saga Avatar: Fire and AshWicked: For GoodFrankensteinJay KellyRental FamilyWake Up Dead Man: A Knives Out MysteryHamnetKnives OutCaught by the Tides
Zootopia's animal-society comps The Secret Life of PetsThe Secret of NIMHMadagascarIce AgeOne-Eyed JacksChinatown
The Leo slate and Michael Mann The AviatorGangs of New YorkKillers of the Flower MoonFerrariVertigoThe ShiningShutter Island
State-of-cinema name-checks The Super Mario Bros. MovieBarbieJurassic World RebirthThe Smashing MachineKeeperThe MonkeyCaptain America: Brave New WorldWolf ManThe GorgeBallerina
Avatar and the canon AvatarAvatar: The Way of WaterTárThe SearchersCasablancaTerminator 2: Judgment DayOnce Upon a Time in Hollywood25th Hour
Cronenberg, Kurosawa and Panahi touchstones To Die ForNightbreedThis Is Not a FilmTaste of CherryCrimson Gold3 FacesNo BearsBacurauBlack God, White DevilPixoteThe OmenJawsBuried
PTA and horror-trend touchstones Licorice PizzaMagnoliaInherent ViceLonglegsBarbarianShelby OaksThe BrutalistSirat
Not films filtered out: TV, games, ads
TV The BearSeveranceThe Chair Company1883Big LoveDrunk HistoryTo Catch a PredatorTrue Detective
Web Criterion Closet
Games Call of Duty
In development Heat 2What Happens at Night
Ads Netflix (T-Mobile Home Run Derby)Amazon PrimeState Farm