Weapons 2025
A prequel is a go, with Zach Cregger and Zach Shields writing an origin for Aunt Gladys, floated as a 1940s piece. Sean spitballs a centuries-spanning crone who feeds on children.
The Big Picture · Discussion · Review
April 3, 2026/ 85 min/ Sean Fennessey · Amanda Dobbins
Sean Fennessey and Amanda Dobbins pan 'The Super Mario Galaxy Movie,' make the case for Kristoffer Borgli's 'The Drama,' and trade their favorite movie plot twists.
46 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The Movie Newsprequels, delays, and a spring-break catch-up
A prequel is a go, with Zach Cregger and Zach Shields writing an origin for Aunt Gladys, floated as a 1940s piece. Sean spitballs a centuries-spanning crone who feeds on children.
Fincher-directed, Tarantino-scripted Brad Pitt vehicle, now eyeing a fall bow (maybe Venice) over summer. Sean can't square a reported $40M salary with a Netflix release.
A24's late-May horror from 20-year-old Kane Parsons, with Chiwetel Ejiofor and Renate Reinsve in an infinite-rooms nightmare. Sean calls the trailer Kubrickian and feels his own mortality.
The Gosling-in-a-helmet marketing is landing hard with small kids; Sean's son mistook the 'Galaxy' poster for it.
Bong Joon-ho's 2027 animated feature, teased with a squid-piglet creature. Sean's in on anything Bong.
‘The Super Mario Galaxy Movie’nominated for the show's 'evil movie' designation
A narratively brutal, laser-ships-and-fan-service sequel both hosts found creatively bankrupt and Cocomelon-fast, even as it prints money. Rosalina (Brie Larson) and her sister Princess Peach are the one thread the kids latched onto. Sean's son summed it up: 'a ship that shoots lasers.'
The modest, tighter-focused first film; Sean laughed more at it.
A prior 'evil movie' inductee.
The closest comp: bottom-of-the-barrel spectacle, all fast-and-explode.
Cited as an early animated-fantasy-as-action movie.
A martial-arts movie in animated form.
A heist movie in animated form, but with real characters, unlike this.
A superhero movie in animated form.
‘The Drama’spoilers throughout; Sean warns you to turn it off
Kristoffer Borgli's fourth feature, a doom-com with Zendaya and Robert Pattinson. A wine-tasting confession, that Emma once planned a high-school shooting she never carried out, detonates 30 minutes in and turns a wedding rom-com into a real-time moral pressure test. Both hosts loved it; it sidesteps the race and gun politics but nails the wedding-industry satire and Pattinson's bungling, still-hot everyman.
Borgli's prior film; he guested for it. Sean thinks it struggled to tie off its ending.
Borgli's dark Scandinavian comedy, working the same thesis that everyone is performing a self.
Another dopey, silly Pattinson turn in the same key.
The A24 bait-and-switch comp: sold as a rom-com, delivered something stranger. Zoë Winters had a questionable plotline in that one too.
The Best Movie Plot Twistsa spoiler-filled tour
Amanda saw it cold at 15: Malcolm has been dead the whole time.
Sean's keyhole into what a twist could do: Verbal Kint is Keyser Söze, sold in false flashback.
Mrs. Bates is long dead; Norman is the killer.
The secret-spouse turn: Ilsa is already married to Victor Laszlo. Sean's 'Jane Eyre' template.
The Statue of Liberty ending, spoiled for Sean by the surrounding culture.
'Soylent Green is people,' spoiled by Sean's dad.
Dae-su is tricked into sleeping with his own daughter. 'Park Chan-wook, what a little freak.'
The flashbacks are flash-forwards; a devastating late reveal.
Gosling is dating Steve Carell's daughter, revealed at the backyard barbecue.
They're twins.
Amenábar's ghost reveal; the living are the dead ones. Slotted in beside the Kidman Hall of Fame.
Aaron Stampler faked the split personality all along; Amanda argues it ruined the psychopath twist for crime fiction.
Less a twist than a shocking revelation: what's in the box.
A Fincher pure-twist movie; the whole ordeal was staged, revealed only at the end.
Tyler Durden is the narrator.
The mid-movie flip: Amy staged the entire disappearance.
The flashpoint reveal Sean's parents argued about; he's still never seen it.
The corpse on the bathroom floor was Jigsaw the whole time; shocking out of Sundance.
The film's added ending: the rescue arrives seconds too late.
The final-shot reveal of Angela.
Esther isn't a child.
The whole ordeal is an engineered ritual.
Is Goodman's bunker paranoia or protection? Sean says check it out.
The found-footage original in the anthology.
Spoiled for Amanda on this very show.
Another James Wan swing: Gabriel is inside her.
The man in the basement; the family reveal that lands about an hour in.
The greatest of them: 'I am your father.' The subject of Amanda's on-air trauma after Zach spoiled it for their son to set up 'Return of the Jedi.'
Also mentioned raised along the way
In the news The KillerThe MartianSaltDoctor StrangeThe Magician's NephewFrankensteinKnives OutAnoraThe Mandalorian and GroguMinions & MonstersGods and MonstersSupergirlThe Last UnicornKPop Demon Hunters
Around ‘Super Mario Galaxy’ FrozenAvatar: The Way of Water
Around ‘The Drama’ The BatmanDuneJane Eyre
The Star Wars trauma Star WarsReturn of the JediRogue One: A Star Wars Story
Not films filtered out: TV, games, ads
TV CocomelonThe Simpsons
Video games Mario KartDonkey KongDr. MarioMario PaintMario TennisStar Fox
Ads Volkswagen