Don't Look Up 2021
the Kimmel comparison point — overwrought satire, not without laughs
The Big Picture · Discussion · Review · Roundtable
February 11, 2022/ 79 min/ Sean Fennessy · Chris Ryan
A sequel to their 2020 garbage crime episode: Sean and Chris Ryan argue out the rules of junk sci-fi, then each induct five movies into a ten-film hall of fame, with quick stops for the Oscar nominations, Michael Mann's long-gestating 'Ferrari,' and capsule reviews of 'Moonfall' and 'Kimi.'
71 films across 6 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The Oscar Nominationson the eve of the 94th Academy Awards
the Kimmel comparison point — overwrought satire, not without laughs
left off the Best Picture list; the hypothetical snub they keep circling
the grim, serious front-runner
a Best Picture nominee neither host predicted
hoping the nomination sends people to see it
Sean hasn't seen it yet, but the nominations made him want to
Branagh's nomination felt inevitable from day one
Michael Mann's 'Ferrari'Adam Driver, Penélope Cruz, and Shailene Woodley join a 20-years-gestating passion project
Driver plays Enzo Ferrari; Mann's long-delayed dream project finally has a cast
Driver stayed in Italy — and in the accent — straight off this one
once a Michael Mann project before it went to James Mangold
the movie they say their whole garbage-crime bit flows from
'Moonfall' and 'Kimi'Emmerich's disaster epic vs. Soderbergh's techno-anxiety thriller
bad, per Sean — but a great VOD rental
minor Soderbergh, but a fun genre dip; a strong Zoë Kravitz performance
What Counts as Junk Sci-Fithe ground rules, argued out before the list starts
Andrew Niccol's debut — too highfalutin to be garbage
Niccol wrote it
Niccol's Al Pacino robot movie — called "Simone" on air
Niccol again, not sci-fi
Niccol's time-as-currency movie — right on the edge of garbage
too much of an indie-drama sensibility to be garbage
same verdict, different director — Josh Trank
Jeff Nichols — too philosophically driven
John Carpenter homage, but too A24-cool to be garbage
raised as a satire test case — ruled a masterpiece, not garbage
same conversation, same verdict
"industrial goth metal sci-fi," not garbage
gloopy, junky, neon-green production design — this one's garbage
has garbage elements but gets pulled into the bigger mythology
beautiful sci-fi for the first half, garbage once the demon shows up
junky, but sincere about the search for life — not garbage
junk, unlike its 2000 Mars-movie twin
the test case for how much "terrestrial" sci-fi even counts
cited as future film noir, not garbage
same lineage as Blade Runner
an Alex Proyas credit up for debate
same director, same question mark
probably qualifies, despite the Ebert rave
same Proyas question mark
same
"the most important film in this conversation" — ruled not garbage because the fascism satire was the intent, not a later reading
Verhoeven — an out-and-out classic, not garbage
same Verhoeven defense
allowed in — future dystopia is enough, even light on tech
the source of the Paul Reiser corporate-suit archetype they keep referencing
cited while laying out the genre's beats
preferred over the original as junk sci-fi
the platonic ideal of the "the" + one noun title
wanted to be the new Alien, wasn't
too good for garbage sci-fi, per both hosts
David Twohy, Charlie Sheen — the garbage one, not to be confused with Villeneuve's film
explicitly not garbage — the film they're distinguishing The Arrival from
not garbage, but the root of a whole vaudevillian strand of '90s sci-fi costume design
widely derided source material, cited as a genre hallmark
the titled-after-its-own-phenomenon example
The Junk Sci-Fi Hall of Fame five picks each — Sean and Chris overlapped on only one
the shared No. 1, "the alpha and the omega" — Sam Neill and Laurence Fishburne anchor a movie that turns fully feral two-thirds through
Kurt Russell and James Spader crack open a portal to another dimension; a $200M hit that's since been half-forgotten
Rio Bravo in space — Natasha Henstridge, Ice Cube, and Jason Statham fighting possessed Mars colonists
six strangers wake up trapped in a deadly cube on a $350,000 budget
Emilio Estevez's soul gets evicted by Anthony Hopkins in a dystopian near-future L.A.
Natasha Henstridge's alien-human hybrid, designed by H.R. Giger, hunting for a mate
Kristen Stewart does Sigourney Weaver eight miles under the ocean
Michael Crichton's talking gorillas and a laser-beam shootout in the finale — Sean's favorite on the whole list
Dennis Quaid and Ben Foster wake from deep sleep with amnesia, then the aliens show up
More Junk Sci-Ficlosing honorable mentions
another Crichton adaptation — Dustin Hoffman investigating a spacecraft at the bottom of the ocean
Adrien Brody, Topher Grace, Walton Goggins, and Mahershala Ali dropped on a planet to fight Predators
a precursor to The Matrix, adapted from beloved source material into a mediocre movie
the Stallone version — could've been better
Peter Weller vs. underground burrowing robots on a distant mining planet
Van Damme's significant entry in the genre
the Tim Burton version — "more trash than sci-fi," and the one that counts here, unlike the original '60s/'70s films or the Matt Reeves trilogy
Peter Weller again — a monster at the bottom of the ocean; Chris's runner-up underwater pick
Walter Hill's movie, recut by Francis Ford Coppola after a disastrous test screening
Also mentioned raised along the way
Genre origin points Star WarsAlienBattle Beyond the Stars
In passing Titanic
Roger Donaldson filmography, run down live No Way OutCocktailCadillac ManWhite SandsThe GetawayDante's Peak
Geoff Murphy filmography Young Guns IIUnder Siege 2: Dark Territory
Michael Crichton's other adaptations, mentioned in passing Jurassic ParkThe Andromeda StrainWestworldThe Great Train Robbery
Kristen Stewart films mentioned SpencerClouds of Sils MariaPersonal ShopperSnow White and the HuntsmanHappiest Season
William Eubank's other films The SignalParanormal Activity: The Ghost Dimension
John Carpenter films ruled not garbage Big Trouble in Little ChinaStarmanVampires
Vincenzo Natali's other films CypherNothingSplice
Roland Emmerich's other junk sci-fi Independence DayUniversal SoldierThe Day After Tomorrow
One-word titles, rattled off JumperDaybreakersRollerballSkylinePaycheckLucyPushMimic
Paul W.S. Anderson's other genre films Mortal KombatAlien vs. Predator
Soderbergh's recent run, for comparison No Sudden MoveThe LaundromatHigh Flying BirdLet Them All TalkUnsaneSide EffectsThe Girlfriend Experience
Not films filtered out: TV, games, ads
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