Guillermo del Toro's Pinocchio 2022
Fourteen years getting made. Del Toro's stop-motion version of Collodi's story folds in Mussolini-era fascism and body horror; Ron Perlman, Ewan McGregor, David Bradley, Gregory Mann, and Burn Gorman voice it.
The Big Picture · Discussion · Top Five
January 1, 2023/ 62 min/ Sean Fennessy · Charles Holmes
Sean and Charles Holmes spend a whole episode on animation: why 'Guillermo del Toro's Pinocchio' beats the Zemeckis one, why Turning Red got dumped straight to Disney+, and why nobody in America wants to treat cartoons as a real medium. Then they run their own top-five lists, which flip at the top.
50 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Guillermo del Toro's Pinocchiostop motion, fascism, and the other Pinocchio
Fourteen years getting made. Del Toro's stop-motion version of Collodi's story folds in Mussolini-era fascism and body horror; Ron Perlman, Ewan McGregor, David Bradley, Gregory Mann, and Burn Gorman voice it.
Zemeckis's same-year digitally animated version with Tom Hanks. Called one of the year's worst misfires.
Another Netflix stop-motion release, cited as sharing the format's cramped-runtime problem.
Comparison point: visuals so committed they carry the movie past a thin story, same as Pinocchio.
Cited as the template for Del Toro's fascism-and-fairy-tale instincts.
Same point: Del Toro's authoritarianism obsession goes back decades.
The state of the animation business in 2022streaming dumps, IP fatigue, and who's actually winning
Credited with breaking animation out of the house Pixar-eyes style.
DreamWorks theatrical release that looks nothing like a Pixar knockoff, and did well in theaters.
Another DreamWorks title cited alongside The Bad Guys as evidence the studio's house style is loosening up.
Cited as part of the same wave of studios moving past the default Pixar look.
Disney's original sci-fi adventure, described as an outright box-office failure.
Also flopped in theaters; became a hit with kids only once it hit Disney+.
Called out as the last Pixar original (non-sequel) to be a genuine cultural hit.
A sequel success, contrasted with Pixar's thinner run of original-story hits.
Illumination's big 2022 win, credited with holding onto a teenage audience through the 'gentleminions' craze.
Discussed off the trailers ahead of its 2023 release; Jack Black plays Bowser.
Reference point for the video-game-movie idea Mario is chasing.
Blamed for kicking off the wave of winking, meta animated comedies.
Held up as the gold standard for blending classic-cartoon characters into a modern story, a bar Chip 'n Dale doesn't clear.
Akiva Schaffer's Disney+ release, with John Mulaney and Andy Samberg voicing Chip and Dale.
Discussed as an example of anime tentpoles reliably drawing a core U.S. audience to theaters.
Cited alongside One Piece Film: Red as part of the same anime-in-theaters trend.
The coming-of-age wave, plus Mad God and Belle
Richard Linklater's rotoscoped memory piece about a kid obsessed with NASA in 1960s Houston, his third rotoscope film.
Linklater's earlier rotoscope film.
Linklater's other rotoscope film.
Cited as the coming-of-age movie that does work for Charles, unlike Apollo 10½.
Named as part of the year's glut of directors making their own childhood-memory movie.
Same wave: filmmaker autobiography.
Same wave: filmmaker autobiography.
Mamoru Hosoda's anime retelling of Beauty and the Beast set inside a metaverse-style virtual world.
Phil Tippett's decades-in-the-making stop-motion descent into hell: 83 minutes, punishing to watch, but a real feat.
Documentary about Tippett's decades making Mad God, recommended as a companion watch.
Directed by Chris Williams (Bolt, Big Hero 6, Moana co-director); a Netflix action-adventure that plays as a fake-news allegory.
Apple's animated release, mentioned in passing as part of streamers moving into original animation.
Charles's Top 5 Animated Films of 2022best to worst
No. 1: "I would buy frames of Pinocchio and hang it up in my household."
No. 2: more rewatchable than Pinocchio, but Pinocchio wins as pure image.
No. 5: an action-forward Netflix film that didn't talk down to kids.
Sean's Top 5 Animated Films of 2022best to worst
No. 1: more fun at the movies than Pinocchio, even if it's less of a visual achievement.
No. 5: "our Who Framed Roger Rabbit," not as good as the original but the closest thing since.
Also mentioned raised along the way
In passing Toy StoryThe Lion KingAladdinBeauty and the BeastAvengers: Infinity War
Not films filtered out: TV, games, ads
TV Marvel's Spidey and His FriendsBluey
Games Grand Theft AutoFIFA World Cup Launch Edition
Ads Recipe ClubFanDuelCarvanaNetflixBoar's HeadStarbucks Frappuccino
Other White Claw