Risky Business 1983
Sean's first exposure to Cruise was the dance, before he'd even seen A Few Good Men.
The Big Picture · Discussion · Hall of Fame · Roundtable
May 24, 2022/ 106 min/ Sean Fennessey · Amanda Dobbins
Chris Ryan returns in person the week before 'Top Gun: Maverick' to help Sean and Amanda build a 10-film Tom Cruise Hall of Fame, after litigating the results of the 1992 movie draft and taste-testing the actual Cruise Christmas cake.
46 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Tom Cruise, the last movie starbiography and career arc before the induction
Sean's first exposure to Cruise was the dance, before he'd even seen A Few Good Men.
Framing device for the whole episode: a movie that 'tracks old' but that Maverick returns to as Cruise's defense of theatrical moviegoing.
Amanda's answer to 'when did you first see him': crystallizes his charisma and underdogness.
The genre-blend example of peak, all-figured-out Cruise: comedy, drama, romance, sports movie in one.
Called 'the inverse of the Tom Cruise persona': Kubrick riffing on his fame and getting a compelling, failing, cuckolded performance out of him.
Cited as proof Paul Thomas Anderson understands exactly what Cruise is good at, and lets him comment on his own image.
Raised as evidence he can go against type (his only true villain performance) and still work.
The Tom Cruise Hall of Fame10 films, whittled down from 16
The one nobody argued about: 'it's got to be in.'
Unanimous green from the start: 'the greenest of greens.'
Called his best performance; swapped in for Rain Man in the final round of cuts.
'Legendary' status on the show; the whisper-then-yell Nicholson cross-examination singled out as one of his best-directed scenes.
The first film in the franchise and the introduction of Ethan Hunt; kept as the franchise's one-to-three-era representative.
Oscar-nominated and never seriously at risk of getting cut.
His 'acting year,' kept green alongside Magnolia despite what Sean calls his own Kubrick-and-PTA bias.
Called the number-one lock of the whole list; never seriously argued against.
Amanda's pick, his only villain turn, survives the last cut alongside Fallout.
The post-2005 franchise slot, nearly swapped out for Rain Man; kept because, as Chris argues, it 'cements that Tom Cruise is back.'
The cutting room floor serious contenders that missed the final ten
In and out of the ledger twice; a 'one lawyer only' rule against A Few Good Men ultimately sinks it.
His only Best Picture winner; argued back in late, then traded out for Born on the Fourth of July in the last round.
Called 'amazing,' but written off as more a Spielberg achievement than a Cruise one.
The Burj Khalifa set piece and the 'Hunt is back' movie; called good but loses out to Fallout as the franchise's later pick.
Called 'great' and praised for introducing Rebecca Ferguson; still voted out against Fallout.
'This movie is an abomination': Sean's only non-festival walkout, and the stalled attempt to make Cruise the Dark Universe's centerpiece.
The nine-ball hustle set to Werewolves of London; goes green early, then loses a head-to-head with Collateral.
Nobody can decide about it: a proposed zodiac-killer cipher stands in for an actual color, and it never gets voted in.
Acknowledged as tapping the same vein as Top Gun and not pursued further.
An instant pass.
A villain turn as Lestat, called 'pretty bad' on rewatch; an instant pass.
John Woo's entry; not in, despite admiration for the swing of hiring him.
The Cameron Crowe remake of Abre los Ojos; called admirable and interesting but not Hall of Fame material.
Rewatched for the first time in 20 years and judged 'a bit of a slog.'
Defended as an underrated blockbuster experience, but voted out as more a Spielberg movie than a Cruise one.
Called Philip Seymour Hoffman's movie more than his, and the fourth-best entry in the franchise.
The Redford-directed political drama; an instant pass.
The glorified-cameo studio-exec parody; charming to some, 'trying too hard' to others, cut in a later trim.
Voted red immediately despite a stacked supporting cast.
The James Mangold action comedy with Cameron Diaz; a flop with a good premise that doesn't hang together.
McQuarrie's directorial debut with Cruise; left off given how many other cuts were already needed.
Dismissed instantly and 'seriously' disliked.
Rewatched to prep for Maverick and called better than expected, but only ever yellow.
A five-star movie for Sean and Chris and the last one cut, dropped because it doesn't carry the 'Cruise reinvented himself' argument that Fallout does.
A Bill Simmons favorite; acknowledged with love and still left out.
Arguably Ridley Scott's worst movie, kept alive only as a sentimental pick before being voted out.
Rewatched for the first time since the early '90s; a self-consciously 'actorly' performance in a mode Cruise would soon abandon completely.
Ninth-billed in the ensemble; obviously not a contender.
A teen sex comedy from the same year as Risky Business; mentioned only in passing.
Also mentioned raised along the way
In passing Top Gun: MaverickMission: Impossible - Dead Reckoning Part OneEndless LoveElizabethtownBirdmanThe PostCaptain PhillipsDon't Look UpA Star Is BornThe Social NetworkSoul Man
Not films filtered out: TV, games, ads
TV ReacherHouse of Cards
Podcasts Morally Corrupt
Ads Boar's HeadWhite Claw
Games FIFA World Cup Launch Edition