Stuber 2019
Kumail Nanjiani and Dave Bautista's Lethal Weapon riff opened to $8 million and 47% on Rotten Tomatoes; Fennessey had a nice time, almost nobody else showed up.
The Big Picture · Discussion · Review · Interview
July 16, 2019/ 94 min/ Sean Fennessey · Amanda Dobbins
Stuber and Hobbs & Shaw make the case that the studio comedy is dying; Crawl and The Farewell make the case that word of mouth still works. Plus, Lulu Wang on making The Farewell exactly the way she wanted to.
47 films across 8 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Stuber, Hobbs & Shaw, and the Studio Comedy's Death Spiral
Kumail Nanjiani and Dave Bautista's Lethal Weapon riff opened to $8 million and 47% on Rotten Tomatoes; Fennessey had a nice time, almost nobody else showed up.
Half teen movie, half rom-com, and the one that made Lana Condor and Noah Centineo stars.
The Glen Powell one Dobbins calls genuinely great.
The Rewatchables episode sent Fennessey back for a rewatch; still the bar nothing since really clears.
Sandra Bullock and Hugh Grant, a lesser rom-com from a stronger era, complete with an unfortunate Trump cameo.
Fennessey's read: it isn't an action movie with jokes, it's a comedy that happens to have muscles.
A teen comedy that happens to be a superhero movie, and does exactly what it needs to for the audience that wanted it.
The Self-Referential Summer Slateeverything left on the calendar either leans on nostalgia or comments on its own genre
A Beatles jukebox movie riding on unimpeachable IP; both hosts found it a little disappointing anyway.
Built around Bruce Springsteen's music the way Yesterday is built around the Beatles — Fennessey's pick as the one exception that might actually work.
The comedy both hosts are watching as a bellwether for whether studios keep funding movies like this.
Elizabeth Banks's reboot; Dobbins respects it in theory, doesn't need it in practice.
Where Kevin Smith's View Askewniverse starts.
One of the movies Smith made after exiting the View Askewniverse, before circling back to it.
The Diane Keaton/Jacki Weaver retirement-home cheerleading movie nobody saw.
Sword of Trust and The Art of Self-Defense Find Their Audiences
Lynn Shelton directs Marc Maron in a modest indie that found a modest, appropriate audience.
Fox, Disney, and the Movies Stuck in Limbo
The other post-merger Fox release Disney didn't quite know what to do with.
Based on the novel about a dog.
Got the NBA Finals trailer push — the tell that a studio is betting on it as an awards contender.
Will Smith-voiced animated action comedy, bounced around the release calendar.
Crawl and the Case for Theatrical B-Movies
Alexandre Aja's alligators-in-a-flooded-crawlspace movie; a B-movie delight where the crowd cheered every gator kill.
Aja's earlier, messier predecessor.
A Netflix shoutout — Anthony Mackie thriller with a house-escape opening set to Black Flag's 'Rise Above.'
The Farewell
A24's Sundance hit, Awkwafina's first dramatic role. $350,000 on four screens over the weekend — the year's best per-screen average, even with a New York blackout eating some showtimes.
One of the alternatives on the shortlist Fennessey's wife passed on.
Also on that shortlist.
Oscar Season Housekeepingtitles listeners said got left off last week's Best Picture conversation
James Gray's father-in-space movie, moved to September; he's never actually competed for an Oscar.
Taika Waititi, by early word, at his best.
Fernando Meirelles directs Jonathan Pryce and Anthony Hopkins as Pope Francis and Pope Benedict XVI, written by Anthony McCarten.
Meirelles's earlier, much bigger swing.
Discussed as 'the untitled Noah Baumbach film' — the title hadn't been announced yet.
Soderbergh's Netflix movie, filed under 'exercise' more than awards play.
Eddie Redmayne and Felicity Jones, built for IMAX.
In Conversation
Her second feature, based on the This American Life story about her own family lying to her dying grandmother about the diagnosis.
A Zhang Yimou film her parents took her to as a kid in Miami; terrifying at seven or eight, reassessed years later in a college world-cinema class.
The other: a movie about S&M she found unexpectedly romantic and earnest.
Her directorial debut, a screwball rom-com she and a first-time producer figured out how to make with no industry connections.
Her short film, made through Film Independent's Project Involve — the first place she tried mixing comedy with a dark subject.
Also mentioned raised along the way
In passing Avengers: EndgameBohemian RhapsodyCharlie's Angels (2000)Charlie's Angels: Full ThrottleThe Big SickGuardians of the GalaxyAladdin
Not films filtered out: TV, games, ads
TV GlowCharlie's Angels (TV series)Family Meal (Wang's in-development series)
Specials Hannah Gadsby: Nanette
Podcasts/Radio This American LifeWTF with Marc Maron
Unproduced Children of the New World (Wang's next film, in development)