Samaritan 2022
The new one, on Amazon Prime and the excuse for the episode. Both agree it's bad; Simmons compares it to Judge Dredd.
The Big Picture · Discussion · Hall of Fame
August 30, 2022/ 81 min/ Sean Fennessey · Bill Simmons
Sean Fennessey and Bill Simmons build a Sylvester Stallone Hall of Fame, sorting fifty-plus movies into green, yellow, and red before landing on a final ten.
61 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Sly Stallone, in Broad Strokesthe eras, the zags, and the bets he placed on himself
The new one, on Amazon Prime and the excuse for the episode. Both agree it's bad; Simmons compares it to Judge Dredd.
His earlier run at a superhero movie. "Judge Dredd was bad and it is not in my hall of fame."
A cool-crime-movie zag with Burt Reynolds and Kip Pardue that just failed. Simmons: they looked like Halloween masks of their own faces.
Another attempted zag into a prestige crime picture. Didn't work.
The zag that did work: an overweight, accented, ground-level New Jersey cop, playing against Robert De Niro.
Simmons's pick for the best movie Stallone made in the '90s; a hit, though not Rambo-sized.
The original bet on himself: he wrote it and refused to hand the part to anyone else.
1985 is his apex: this and Rocky IV each made $300 million internationally, the biggest money in movies at the time.
The other half of his $600 million worldwide year.
Simmons was a "season ticket guy" for Stallone through Cop Land; he saw this one in theaters because Stallone directed it.
Referenced as a recent Rewatchables pick, coincidentally airing the same week as this episode.
The franchise that revived him in Hollywood, whether or not anyone loves the actual movies.
The comeback picture. Simmons admits he was too hard on it at the time; audiences were just happy to have the character back after Rocky V.
Part of a run of three straight comeback hits: Rocky Balboa, this, and The Expendables.
Due out next year; word at the time of the episode is Stallone isn't in it, which they tie to his public fight over Rocky's ownership.
The Ballotgreen, yellow, or red, walked chronologically through the filmography
His soft-core start, later reissued as The Italian Stallion once Rocky made him famous. "This is obviously not in the Hall of Fame."
One of several early films where he's basically an extra.
A Woody Allen film; another glorified-extra credit.
Same era, same kind of stand-in role.
Another bit part before he was anybody.
Neither of them has seen it. "There's no way that's going."
His first real starring-ish role, a Happy Days-adjacent greaser movie. Not going in, though it's important to his career.
He plays Frank Nitti opposite Ben Gazzara. "Okay movie, not a Hall of Famer."
A Roger Corman Rollerball ripoff with Stallone in a supporting role. Not in.
A Jimmy Hoffa-style union-leader drama, rewritten by Stallone from Joe Eszterhas's original draft. Debated as an easy yellow but ultimately: "Fist can't make it."
He wrote and directed this one too, playing Cosmo Carboni. "No good."
In, mainly for the last 25 minutes, which Fennessey calls arguably the best stretch of the whole franchise.
A cop-hunts-a-terrorist thriller with Rutger Hauer's U.S. debut. Liked, not inducted.
Also known just as Victory, with Pelé and Michael Caine. A John Huston-directed soccer movie with a legendary sequence and a slow build. Left as a yellow.
Automatic green; called one of the most satisfying, no-minute-wasted movies he ever made.
Automatic green. Called the best-acted performance of his career, and a movie that holds up far better than its sequels suggest.
The Dolly Parton musical zag. Simmons's hot take: it's actually not bad, unlike Staying Alive. Not inducted.
A Cannon Films production with a death-cult villain and a chopped-down, incoherent cut. Debated hard against Over the Top for the last spot and wins it, since the Hall of Fame needs at least one full-Cannon, flying-too-close-to-the-sun Stallone entry.
The arm-wrestling family movie, a sentimental favorite for Simmons. Loses the final debate to Cobra.
A disappointment, arriving with no real geopolitical enemy left to fight. Not in.
A prison movie with a famous football sequence. A hard yellow, but not enough cachet to make the cut.
Yellow, discussed for the higher tier, but ultimately: "Is Tango & Cash better than Rocky II? No."
Hard red. "Blow it up with a bunch of dog shit and send it to the sun."
A John Landis screwball comedy that Simmons calls one of the worst movies any famous star ever made. Not in.
Grouped with Rocky V and Oscar as the career-low stretch. Not in.
A sci-fi satire with Wesley Snipes and an early Sandra Bullock role, and arguably his funniest performance. A hard yellow, but not one of the final ten.
A Sharon Stone vehicle remembered mostly for an infamous, oddly shot sex scene. Not in.
With Antonio Banderas at his post-Desperado peak. A good idea for a movie that never comes together. Not in.
A Speed-in-a-tunnel disaster movie. Left in as a yellow "out of respect," but not going in.
Called an all-time scorching yellow that ultimately makes the cut, for showing he can hold his own in a dramatic ensemble with De Niro and Harvey Keitel.
Also released as Eye See You, part of a three-year, five-movie dead stretch with Charles S. Dutton and Kris Kristofferson. Not discussed as a candidate.
Same dry stretch. Not discussed as a candidate.
Same dry stretch. Not discussed as a candidate.
His villain role that briefly put him back in the mainstream during the nine-year gap after Cop Land. Not a candidate.
A Walter Hill picture that Fennessey remembers as "pretty solid" but definitely not a Hall of Famer.
Called an easy, no-debate in, even with five Rocky-adjacent films already on the list. "It just has to be in."
The Sylvester Stallone Hall of Famethe final ten, in release order
The Best Picture winner and the character's origin. "There is no Rocky without Sylvester Stallone."
In, largely for its final 25 minutes.
"Rocky III is incredible. There's not a minute wasted."
The best-acted performance of his career, and closer to a survival thriller than the sequels suggest.
One half of his 1985 apex, alongside Rocky IV.
The other half; "it ended the Cold War," with Dolph Lundgren's Drago as one of the great villains.
Wins the debate over Over the Top for the last, flying-too-close-to-the-sun slot.
"There's no question it's in. There's zero debate."
His case for range: a low-key, dramatic performance across from De Niro and Keitel.
The reinvention. "It just has to be in."
Also mentioned raised along the way
Near-miss roles Beverly Hills CopRomancing the Stone
In passing The ChampThe Main EventSliverBasic InstinctThe Best Little Whorehouse in Texas9 to 5BrubakerThe Jericho MileThe Green MileThe Shawshank RedemptionHoosiersThe DepartedRollerballKindergarten CopTwins
Not films filtered out: TV, games, ads
TV The ContenderKojakPolice Story
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