Michael Clayton 2007
Tony Gilroy's, the acting-style benchmark the hosts keep citing: 'the Michael Clayton school of acting.'
The Big Picture · Discussion · Rankings
May 4, 2026/ 79 min/ Sean Fennessey · Chris Ryan
A May the 4th conversation about why Andor works and where the Star Wars films rank.
37 films across 2 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The 'Andor' Miraclewhy the show works, and its cinematic DNA
Tony Gilroy's, the acting-style benchmark the hosts keep citing: 'the Michael Clayton school of acting.'
Kevin Smith's Randal-and-Dante bit about Death Star contractors, where Chris first saw the Empire thought of as labor and cost.
The two-men-one-holds-the-power scene Sean compares to Krennic and Partagaz.
Hackman's surveillance dread as a model for the show's watchers.
Offered as a rare recent direct-action thriller.
Its cross-cut double-agent climax rhymes with the Ghorman massacre and put Battle of Algiers back in the conversation.
A clear influence: orchestrated uprising and state provocation.
Costa-Gavras political thriller Chris names as source DNA.
The other Costa-Gavras touchstone.
Melville's French Resistance procedural.
Prison-break lineage behind the Narkina 5 arc.
Prison-camp epic in the same mold.
Jacques Becker's methodical escape film.
Bresson's escape film, another prison-break ancestor.
The WWII adventure-resistance strain.
Fritz Lang's resistance drama.
The men-on-a-mission shape, shifting landscapes and all.
Post-war racketeering-and-espionage mood, Sean's favorite register.
Bertolucci; people operating on the fringes of a vulnerable society.
Surveillance-state paranoia in the same key.
Where Chris placed Richard Sammel, the Ghorman leader, from 'the bear Jew' scene.
From the '76 draft tangent on conspiracy-era cinema.
Same tangent, the paranoid mid-'70s that never expired.
Same tangent.
Sean saw about a fifth of it and wasn't impressed, a big show that felt small on screen.
The Gosling vehicle; the hosts guess a lighter, more heroic tone.
The 'Star Wars' Rankingsmovies only, best first. Andor (No. 3) and The Mandalorian (No. 10) are TV, excluded below
No. 1 overall. Sean's, by a coin flip Chris conceded: 'because it's your podcast.'
No. 2 overall. A New Hope; Chris is 'in an A New Hope phase' and rates it over Empire: 'it rocks from the first note to the last.'
No. 5 overall. Sean plays Switzerland on it: great sequences, a tedious Luke-and-Rey stretch, an awful casino planet.
No. 6 overall. 'Barely a movie,' archetypes slung together, but the highs earn the meeting.
No. 8 overall. Han on the ship, Kylo killing his father: 'movie chills,' even as it mimics A New Hope.
No. 9 overall. 'Yoda's fighting Count Dooku. I'm just a kid again.'
No. 11 overall. Nearly unwatchable to Sean, but Chris overrules him for Duel of the Fates.
No. 12 overall. Sean tried to revive it and couldn't: a movie made with no clear intention.
No. 13 overall. 'The worst thing that Star Wars has done,' and a consequential one.
Also mentioned raised along the way
In passing The GooniesFlight of the NavigatorPapillonSuper 8The Way of the Gun
Not films filtered out: TV, games, ads
TV: Star Wars AndorThe MandalorianThe Clone WarsStar Wars RebelsThe Book of Boba FettObi-Wan KenobiAhsokaThe AcolyteSkeleton Crew
TV: other Mad MenThe WireDeadwoodSuccessionEuphoriaIndustryHouse of the DragonThe DiplomatThe SandbaggersBeast Games
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