The Trial of the Chicago 7 2020
Sean didn't realize it was Oscar-eligible until pundits started floating Sacha Baron Cohen for supporting actor.
The Big Picture · Discussion · Awards
April 20, 2021/ 106 min/ Sean Fennessey · Amanda Dobbins · Wesley Morris
Sean, Amanda, and Wesley Morris run the Big Picks back for year two: a verdict on Soderbergh's no-Zoom Oscars and the Amazon problem in Nomadland, then invented categories and six reimagined real ones. Time wins Best Picture, Ben Affleck wins Best Actor, and Wesley picks a fight with a nine-year-old.
83 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
State of the 2021 Oscarsbefore the ballots
Sean didn't realize it was Oscar-eligible until pundits started floating Sacha Baron Cohen for supporting actor.
Wesley meets it on its own terms, as a two-hour action movie about a spy; Amanda wants more interest in what William O'Neal's betrayal actually means.
The presumptive winner. Wesley's read: a well-made, palatable movie about domestic grief that flinches from the rage underneath it, especially once the scene with Fern's sister explains her away.
Wesley's counterpoint: Ken Loach's actual screed against the Amazon business model, with none of Nomadland's ambiguity, and no path to an Oscar nomination.
Cited as one of the good things a broken, streaming-driven Oscar season still let through.
The most Oscar-shaped nominee almost by design: a David Fincher movie about writing the idea of Citizen Kane, not even about making it.
Sean's example of a movie that could easily have filled a Best Picture slot this thin.
The only movie making real money in the U.S. this year, which Wesley reads as proof audiences want event movies, not anything like this year's Best Picture slate.
What Wesley actually wants from Soderbergh right now, as opposed to producing a stripped-down Oscars broadcast.
Sean's test case for whether the Academy can still get behind a real blockbuster.
Comes up for the joke about a Kazakhstan satellite-viewing site and Sacha Baron Cohen's own supporting buzz.
The Coogler pipelineindie cred as leverage
Wesley's starting point for Ryan Coogler: a true story that announced him.
IP Coogler had an actual reason to take on, in Wesley's telling: reviving a franchise rather than just servicing it.
The blockbuster payoff: historic, and a hit, whatever else you think about it.
Sean's precedent: Spielberg banked enough studio hits that his passion project became a box-office smash too.
The made-up categoriesthe awards the Academy should add
The six categories that actually existtheir alternate nominees and winners
Also mentioned raised along the way
Oscar-history touchstones Green BookGet Out
In passing WavesUsFrench ExitSylvie's LoveBlack BearScary Movie 2The PaperboyMy Octopus Teacher
Not films filtered out: TV, games, ads
TV The Falcon and the Winter SoldierBridgertonJake and the Fat ManThe Handmaid's TaleParks and RecreationOzark
Ads The Press BoxTremfyaWells Fargo Active CashBoar's HeadNOS EnergyCarvana