Everything Everywhere All at Once 2022
Dominant winner; Sean says his enthusiasm cooled after talking about it for a full year, though he still calls it a singular Best Picture pick.
The Big Picture · Discussion
March 14, 2023/ 85 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda relitigate Oscar night with Joanna Robinson, then work a mailbag on horror's Best Picture ceiling, the Daniels' future, and 2024 predictions.
59 films across 9 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Oscar Night, Reviewedwith Joanna Robinson
Dominant winner; Sean says his enthusiasm cooled after talking about it for a full year, though he still calls it a singular Best Picture pick.
Its run through the technical categories, despite a small audience, is blamed for dragging the show.
Cited alongside Top Gun as part of why ratings were up 12% year over year.
Sean loves the movie, not the bear.
A first-look preview aired instead of a montage; the group didn't love the CGI.
Movies We're Happy to Never Discuss Again
Sean's pick: he's tired of casual acquaintances discovering Marxist theory via Hulu.
Amanda's pick, though she'll keep discussing Ana de Armas's nomination without naming the film.
Joanna's pick; she'd rather talk about Austin Butler's Dune casting instead.
Messy vs. Surprising
The group's benchmark for a great, non-chaotic win. Sean was in the room for it.
The envelope mix-up remains, per Sean, the signature Oscar moment of the century.
Horror's Best Picture Ceilingthe six horror films ever nominated for Best Picture, plus the near-misses
Jordan Peele's screenplay win now feels more like a blip than a turning point.
Its shutout was the most disappointing Oscar snub of the year, per Sean.
Toni Collette came close to a nomination, maybe even a win.
Cited for Florence Pugh's performance as the kind of lead turn that could break the horror barrier.
Who Cashes In?on Austin Butler's future and the youngest-to-win-first field: Paul Mescal, Brian Tyree Henry, Barry Keoghan, Austin Butler, Hong Chau
Austin Butler's next big swing.
Butler's Jeff Nichols film.
Paul Mescal's next big opportunity.
Harris Dickinson's other 2022 role, which Amanda calls maybe the worst movie she saw that year.
Fixing the Genderless-Category Idea
Sean's go-to example of a performance that splits evenly between comic and dramatic.
The 2024 Fieldan admittedly foolish attempt to predict next year's Best Picture race
Amanda's most anticipated movie of the year, with a theory it could double as Oscar-friendly consumerism satire.
Joanna's dark horse: the Celine Song film already a hit on the festival circuit.
Flagged as a major influence on Everything Everywhere's multiversal success.
Sean's other dark horse: a Todd Haynes film he hasn't seen but expects to be a big awards-season swing.
The case for an Academy stunt category.
Amanda's plea: nominate Zendaya so she has to show up.
Named as a joke Best Picture pick.
Same joke.
Same joke.
Will the Daniels Stick Around?
The Daniels' first feature, cited as proof of how far outside the mainstream their instincts run.
Jordan Peele's post-Get Out swerve away from awards-friendly material is the comp Joanna reaches for.
Michel Hazanavicius's film is the historical precedent for a dominant Best Picture winner whose director never returned to the awards conversation.
Same point, via Danny Boyle.
Barbie vs. Oppenheimer: Who Gets More Nominations?
The easy pick, on the strength of the below-the-line categories.
Floated as the more interesting below-the-line race, echoing what the first Dune did to last year's show.
Not films filtered out: TV, games, ads
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