Once Upon a Time in Hollywood 2019
The take cycle Sean missed while on vacation: the portrayal of Sharon Tate and the Cliff Booth/Bruce Lee fight, plus its Best Picture odds.
The Big Picture · Discussion · Interview
August 9, 2019/ 96 min/ Sean Fennessey · Amanda Dobbins
Sean gets back from vacation and he and Amanda finally work through the Once Upon a Time in Hollywood discourse, then run down the fall festival lineup, a new Academy president, two industry deaths, and an interview with The Kitchen director Andrea Berloff.
53 films across 7 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The Once Upon a Time in Hollywood Take CycleSharon Tate, Bruce Lee, and eight days of internet discourse
The take cycle Sean missed while on vacation: the portrayal of Sharon Tate and the Cliff Booth/Bruce Lee fight, plus its Best Picture odds.
Cited as a case where Tarantino rewriting history reads as an act of empowerment, unlike Once Upon a Time in Hollywood.
Shoshanna seizing control of her own fate is the other comparison point.
Brought up via a recent Rewatchables episode on how the dated, nasty dialogue holds up.
Called Tarantino's masterpiece, and the Oscar-narrative reason he might finally win 25 years later.
The other film Sean thinks could crack Best Picture from the first eight months of the year.
Referenced for its own packed early Academy screening, which didn't guarantee a win.
The Scorsese comp for a director winning on a later, lesser film instead of his masterpiece.
Fall Festival Preview
Opens the New York Film Festival; Sean missed the trailer entirely.
NYFF's centerpiece film, Noah Baumbach's divorce drama.
NYFF's closing film. Sean re-read the source novel and is confused Edward Norton made it a period piece.
The Safdie brothers' TIFF entry.
A New Academy President
Cited by new Academy president David Rubin as one of his two favorite movies of the year.
Rubin's other pick.
Part of Rubin's resume as a casting director, credited with bringing Juliette Binoche to Hollywood.
Raised as a test case for Rubin's 'what is a motion picture' eligibility question.
The other eligibility test case: does it count as Best Animated Feature?
In Memoriam: Rutger Hauer and D.A. Pennebaker
Hauer's best-known role.
The original film, not the show. Amanda: 'he's quite funny' in it.
Part of Hauer's late-career revival.
The other film in that revival.
Sean's favorite Hauer stretch was his early run with Paul Verhoeven, cited here.
Another Verhoeven film cited alongside Hauer's career.
One of two early Verhoeven films that launched Hauer's career.
The other.
Pennebaker's Bob Dylan documentary, Sean's entry point into his work.
Pennebaker's Sondheim recording-session documentary, spoofed by Documentary Now!
His concert film of career-changing sets from Jimi Hendrix, Janis Joplin, and Otis Redding.
A feminist-thinkers-vs.-Norman-Mailer debate film Sean calls infuriating and hilarious.
His campaign-trail doc on Bill Clinton's team, endlessly imitated since.
Sean name-checks it from a piece he wrote on political documentaries earlier this year.
What We Watched
Amanda's verdict: one of the least interesting films she's ever seen.
Sean: 'seriously, what the fuck.'
Both agree: smart, but not funny.
Director Neil Marshall's earlier, genuinely great horror film.
The classic Amanda still, somehow, hasn't seen.
What's Coming in August
Richard Linklater's twice-delayed adaptation of Maria Semple's novel, starring Cate Blanchett.
Sean calls it one of the best movies he's seen this year.
Naomi Watts and Tim Roth in a Sundance pickup Sean expects to be divisive.
Jennifer Kent's follow-up to The Babadook, which Amanda has already ruled out watching.
Andrea Berloff on The Kitchen
Her directorial debut, starring Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss.
Her Oscar-nominated script, born from a pitch that it wasn't a movie about a band.
The Oliver Stone set she credits with teaching her how movies actually get made.
She caught it opening weekend to check out Tiffany Haddish before casting her in The Kitchen.
Her answer to the show's closing question: the last great thing she's seen.
Also mentioned raised along the way
In passing Hobbs & Shaw
Not films filtered out: TV, games, ads
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