Far and Away 1992
Cited as Cruise trivia: he trained to box for Ron Howard's period drama with soon-to-be wife Nicole Kidman, long before the stunt era.
The Big Picture · Discussion · Rankings
July 18, 2023/ 91 min/ Sean Fennessey · Amanda Dobbins · Bobby Wagner
Sean and Amanda bring on producer Bobby Wagner for a strike-week Mission: Impossible mailbag, then rank all seven films in the franchise.
34 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The SAG-AFTRA Strike and the Fall Festival Seasonbefore the mailbag
Cited as Cruise trivia: he trained to box for Ron Howard's period drama with soon-to-be wife Nicole Kidman, long before the stunt era.
Brought up while debating whether Cruise has ever personally dialed a phone, maybe to discuss dailies with John C. Reilly.
Luca Guadagnino's Zendaya tennis drama, set to launch Venice; discussed as a film that needs her red-carpet star power to sell a mid-tier sports drama.
Held up as a contrast: its off-screen drama drew attention at Venice last year even though the film itself wasn't beloved.
Alexander Payne's new one; flagged as a film that will lean on Paul Giamatti to sell it if star promotion stays frozen.
Used as the case study for how much a press tour matters: the Margot Robbie and Ryan Gosling blitz was called inescapable.
Sean is headed to a screening as they record; discussed alongside Barbie as a test of legs without full star-driven marketing.
The Mission: Impossible Mailbagwith producer Bobby Wagner
The mailbag's spine: whether the franchise survives Cruise's eventual exit, who could plausibly replace him (no one, they conclude), the Gabriel/entity plot, which stunt they'd actually attempt, the best villain, and the Ilsa Faust death fans are still mad about.
Referenced repeatedly as the ceiling. Cruise is 'still Cruise, but not the Cruise of Maverick, because no one is.'
Chris Hemsworth's 'po-faced' action turn, cited while debating whether he could plug into an Ethan Hunt-style role.
The John Wick spinoff with Ana de Armas, used as the closest comp. Amanda says she's showing up for Keanu, not the franchise.
Its exploding gun becomes the punchline for a Mets bullpen collapse.
The model for recasting a franchise around one or two familiar faces in a period setting.
Cited as a cautionary tale for how hard it is to keep a franchise's tone while writing around an absent lead.
The joke answer to 'bring back any character': Rick, for Dead Reckoning Part Two.
Dougray Scott's other credit, raised after his what-if casting as Wolverine comes up.
The bar The Flash is failing to clear: even Ryan Reynolds' version out-grossed it domestically.
Cited as the summer's box-office disappointment.
Used to illustrate how tepid reception shortens a film's theatrical life.
Called the summer's most interesting box-office story for its unusually small weekly drops.
Its steep opening-weekend drop is contrasted with Elemental's staying power.
Vesper Lynd's train scene with Bond is pointed out as the direct model for Ethan and Grace's Italian-prison speech.
Rebecca Ferguson's other big performance, brought up when Amanda mixes up its hat with Ilsa's death scene.
Cited as part of Cruise's 'strange era': filming for eight years while his marriage ended.
Named in the same breath as Eyes Wide Shut as Cruise's pre-Woo detour.
Invoked to argue MI original vs. Fallout isn't like picking the first Bond over Skyfall: the original stands fully on its own.
The other half of that Bond comparison.
The Mission: Impossible Rankingsall seven films, best to worst
No. 1 (2-1 vote): Amanda and Bobby call it 'the peak of the form.'
No. 2: Sean's pick for the top spot and, he says, the 'correct letterboxd answer.' De Palma's template-setter, tube heist and all.
No. 3: wins out over Dead Reckoning on the strength of the opera sequence and Solomon Lane's introduction.
No. 4: the Rome car chase is praised, but the opera-house showdown edges it out for two of the three.
No. 5: the Burj Khalifa climb 'sets the mold' even if the CGI has aged; the Kremlin break-in gets a late shout-out.
No. 6: praised for Philip Seymour Hoffman's villain and the Vatican heist, docked for a visual style that 'looks like TV.'
Last: John Woo's maximalism, they agree, was never a fit for the series.
Also mentioned raised along the way
In passing DetroitThe HostSnowpiercerThe Way of the GunHustlersThe Good, the Bad and the UglyFord v FerrariBlue CollarPhoenixWomen TalkingFuriosa: A Mad Max Saga
Not films filtered out: TV, games, ads
TV The Drew Barrymore ShowThe Rosie O'Donnell ShowSuccessionThe CrownFull Circle
Games Immaculate Grid
Ads Netflix (FIFA World Cup Launch Edition)Boar's HeadNOS EnergyFanDuel
Podcasts The Press BoxThe TownThe Watch