Roma 2018
swept the LA and New York film critics' best-film prizes; Amanda calls it the movie critics feel they have to protect and boost, which she thinks puts it in a tricky spot with the Academy.
The Big Picture · Discussion · Interview
December 11, 2018/ 83 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda break down Kevin Hart stepping down as Oscars host and where Roma, A Star Is Born, and Green Book stand after the critics' awards. Then the New York Times' Wesley Morris joins to run through the year's best performances.
36 films across 2 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The Kevin Hart Fiascoand where the awards race stands after the critics' groups
swept the LA and New York film critics' best-film prizes; Amanda calls it the movie critics feel they have to protect and boost, which she thinks puts it in a tricky spot with the Academy.
still quiet ahead of the Golden Globes, where 'Shallow' is up for a Grammy and a Globe; floated as this year's version of a movie critics resent but the Academy loves.
the other contender Sean floats for that same slot.
expanding into 1,000 theaters the following weekend.
The Best Performances of 2018
Steve McQueen's heist thriller; Daniel Kaluuya, Viola Davis, Cynthia Erivo, Elizabeth Debicki, and Brian Tyree Henry all get singled out.
Kaluuya's part is called too thin to show what he can really do.
Brian Tyree Henry is on screen for about 12 minutes and, Wesley says, the movie basically stops and revolves around him.
Lucas Hedges is compelling even when the movie around him doesn't fully land, per Wesley.
Hedges and Julia Roberts' scenes together, especially the back half in the car, are the movie's strongest stretch.
the earlier Hedges performance they use as the yardstick.
Hedges as the son, another entry in his run of playing kids dealing with pain the rest of society deems unacceptable.
called his best part of the bunch; also a highlight for Timothée Chalamet.
Steven Yeun as the wealthy, unsettling third wheel; Amanda has it high on her year-end list.
Wesley wrote about Yeun here instead of in Burning, calling him a genuine movie star in this one.
Yalitza Aparicio's first-ever screen performance as Cleo, plus Marina de Tavira as the mother she works for.
Tom Cruise's stunt work as its own kind of acting, plus the accidental chemistry with Henry Cavill.
Sean's reason for staying an Eastwood completist, with a small Bradley Cooper role.
Wesley's favorite performance of the year: Regina Hall, directed by Andrew Bujalski; Haley Lu Richardson also praised.
Bradley Cooper's performance and directing debut get the full lightning-round treatment.
Barbra Streisand's own directed-and-starring vehicle, raised as the double standard against Cooper.
the comparison point for a director shooting himself a little too lovingly.
argued as the better Affleck movie, and the better Affleck performance.
part of the David O. Russell run that turned Cooper into an awards actor.
the throwaway movie-star vehicle that first won them over on Cooper.
Cooper's Rocket Raccoon voice work, called out for the making-of footage of him fully committing to it.
Bill Camp and Carey Mulligan's scenes together; Paul Dano's directing debut, written with Zoe Kazan.
Amanda's shoutout to Lana Condor, alongside Noah Centineo.
Sakura Ando's performance in the film's back half, Amanda's second pick.
Anne Hathaway playing on her own reputation for trying too hard, Sean's last pick.
the Julia Roberts self-referential cameo Hathaway's bit is compared to.
Also mentioned raised along the way
In passing The WifeThe Social NetworkThe King's SpeechZero Dark ThirtyAvatarMoonlightLa La LandBeasts of No NationOutlaw King
Not films filtered out: TV, games, ads
TV AtlantaTrue Detective
Theater Lobby HeroThe Waverly Gallery