The Untouchables 1987
Brian De Palma sees 'Silverado' and casts him as Eliot Ness. First time carrying a movie on his own shoulders, opposite Sean Connery and De Niro. Sean's automatic green; Amanda needed convincing.
The Big Picture · Hall of Fame · Discussion
June 25, 2024/ 117 min/ Sean Fennessey · Amanda Dobbins
Ahead of 'Horizon,' Sean and Amanda walk Kevin Costner's whole filmography to build a Hall of Fame. They induct ten films, all from a 1987-1996 run, and argue about the rest, including a heated last stand for 'Molly's Game.'
56 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The Kevin Costner Hall of Famethe greens: ten films, every one from 1987-1996
Brian De Palma sees 'Silverado' and casts him as Eliot Ness. First time carrying a movie on his own shoulders, opposite Sean Connery and De Niro. Sean's automatic green; Amanda needed convincing.
A remake of 'The Big Clock,' and Amanda's personal must-green: real chemistry with Sean Young, plus Gene Hackman and a wild Will Patton. The naughty-thriller mode Sean wishes he'd done more of.
'The greenest of the green.' Ron Shelton's jock-poetry works only because Costner sells it. The soulful sexy-jock myth is born here, and he mostly never does it again.
His 'It's a Wonderful Life': a magical-realist boomer plea, sincere true-believer with a dad wound. Costner himself called it right when the Vanity Fair profiler called it dead on arrival.
The $425M bet-on-himself that won Best Picture and Director over 'Goodfellas.' Both hosts find it dull and self-congratulatory, and agree it has to go in anyway.
Miscast, bad accent, start of the troubling hair. Sean couldn't finish a rewatch. In purely because it was a $390M phenomenon that a generation loved (and the Bryan Adams song).
Loquacious, paranoid, obsessed, the furthest thing from his usual register. Sean's pick for his best performance outside 'Bull Durham'; Oliver Stone turns Costner's all-American image against him.
Not good, and no real chemistry between the leads, but a smash anyway: best-selling soundtrack of all time. Kasdan wrote it for Steve McQueen and Diana Ross. The one they nearly swap out at the end.
Near Sean's top five. Clint Eastwood directs; Costner is a fugitive who bonds with the kid he's abducted. 'If he made a million movies like this he would be our greatest actor.'
The most watchable movie on the list, a warm bath. Reunion with Ron Shelton, credible as a golfer, one of the best golf movies ever after 'Caddyshack.' The latest film in the Hall.
The yellowsweighed hard, left out
He's not in it. Cast as the friend whose funeral it is, then cut; only his wrist survives, carrying the casket. Kasdan made good with 'Silverado.' The animating myth of his career, so it gets a nostalgic yellow it can't really claim.
First team-up with writer-director Kevin Reynolds, Amblin-produced. A charming-rogue quartet movie; young-McConaughey energy. He's the best thing in it.
Kasdan's ode to Ford and Mann. Sean finds it a photocopy, but Costner as the hot, dumb, charismatic one steals it, and it leads to everything.
The 'Kevin's Gate' fiasco, 'Mad Max' on water. He pushed the director off and took it over. Yellowed for how much power he had.
Sean's pick for his best film as a director, beloved by a certain class of person; Robert Duvall is great. Amanda keeps it a yellow to move things along.
Two scenes as Molly's dad, and he walks away with them, dadding out on a park bench. Amanda's heated last stand for a green; Sean grants a grudging yellow.
Walked and cutthe rest of the filmography, from the early bit parts to 'Horizon'
One of the early bit parts, an exploitation credit as John Logan.
Neither host tracked it down.
Ron Howard comedy; Costner is a frat boy partying at the morgue-brothel with no lines.
AKA 'The Touch.' Low-budget gambling movie, but directed by future producing partner Jim Wilson and written by 'Dances with Wolves' author Michael Blake, his eventual script fixer.
A newlywed husband, no lines.
Small part as a young father in maybe the saddest movie ever made; a nuclear-war drama seen through one town.
A slasher Sean couldn't find. Red.
John Badham cycling drama; his first sports movie, on the edge of sport and soap.
Jesse Kornbluth's favorite Costner movie. Nasty, gorgeous Tony Scott crime picture; 'the script is terrible but the story is so good.'
Neither host has seen it; not on Blu-ray.
A three-and-a-half-hour Kasdan Western that 'Tombstone' ate a year earlier. Audiences rejected it.
Solid, with a good young Elijah Wood; Costner as a Vietnam vet with PTSD.
Another three-hour post-apocalyptic bet on the idea of America; a fake mailman doing Shakespeare. A noble failure.
Nicholas Sparks weepie with Robin Wright and Paul Newman; a $118M hit that doesn't need to go in.
Sam Raimi; a credible aging pitcher, but the baseball and the romance don't hold up.
A tiny cameo.
A compelling Cuban Missile Crisis docudrama, but his Boston-Kennedy accent doesn't work.
Elvis-impersonator heist with Kurt Russell; possibly the worst movie he's ever made. Opens on a CGI scorpion, closes on Uncle Kracker.
Tom Shadyac movie neither host really remembers; scrubbed from society.
Mike Binder movie built around Joan Allen; Costner as an ex-ballplayer radio host and drinking buddy. One of the great twists.
Rob Reiner's 'sequel' to 'The Graduate' with Jennifer Aniston. Soderbergh fired the writer ten days in. Amanda's white whale, 'the reddest red,' which she still begs everyone to study.
Coast Guard rescue-swimmer movie; the diving sequences rip, everything Ashton Kutcher sinks it.
Costner as a serial killer; unavailable to stream, which Sean jokes is on purpose.
A drunk becomes the literal deciding vote in a presidential election. Sean found it reprehensible. Red.
A horror movie so obscure four critic friends had never heard of it. Red by default.
'What about executives?' A very small brother-in-law part; he's the drywall of the movie.
Jonathan Kent, good casting in a movie Sean despises.
Branagh spy movie; Costner is the stoic CIA recruiter. A watchable two-and-a-half-star film.
McG / Luc Besson assassin-with-cancer shoot-em-up. Not good.
Entertainingly bad; not how any of this works. Features friends Griffin Newman and Tim Simons.
Binder again; a white grandfather raising his Black grandkids. Wouldn't get made today. Red.
Earnest Disney cross-country coach movie; fine, bland, red.
Jonathan Kent again.
Another crime-movie fiasco.
The paternal NASA figure; not bad, not in.
John Lee Hancock's Bonnie-and-Clyde manhunt. Not in.
He voices Enzo, the dog.
A pandemic watch; he's actually trying, with a good Lesley Manville. Solid.
Jonathan Kent, joked in as an 'auto green.'
The $38M self-financed Western that occasioned the whole episode; a Friday review with Chris Ryan to come.
Also mentioned raised along the way
Turned down or exited The Hunt for Red OctoberDjango Unchained
The Western revival around him TombstoneUnforgivenHeaven's Gate
In passing The Big ClockThe GraduateOcean's ElevenCaddyshackThe Legend of Bagger VanceBody HeatSaturday Night FeverBreaking AwaySleepless in SeattleGlengarry Glen RossWorking GirlMarried to the MobMiami BluesThe ContenderBeing the RicardosThe Trial of the Chicago 7OppenheimerUnfrostedTenetThe Fugitive
Not films filtered out: TV, games, ads
TV Amazing StoriesHatfields & McCoysYellowstoneThe BearStation ElevenThe West WingGood Morning AmericaPardon the InterruptionJeopardy!
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