The Irishman 2019
Sean's take: it is not too long. The runtime is purposeful, and Scorsese doesn't need Twitter's edit notes.
The Big Picture · Awards · Discussion · Interview
December 3, 2019/ 103 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda predict every Golden Globe nomination in one sitting, launch a new segment called Hark to declare The Irishman's runtime correct, bring in resident dad Jason Gallagher to relitigate Frozen II, and Sean sits down with Todd Haynes to talk Dark Waters.
76 films across 6 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Predicting the Golden Globe Nominationsahead of the December 9 announcement
Harka new segment: one quick opinion about movies
Sean's take: it is not too long. The runtime is purposeful, and Scorsese doesn't need Twitter's edit notes.
Stock Up, Stock Down
$40 million over the holiday weekend, a big number for an original film.
One of several 2019 studio originals cited as proof that 'movies are good' right now.
Amanda took her husband's family's kids to see it over Thanksgiving. The showtimes for Knives Out didn't work out.
Jason Gallagher on 'Frozen II'
Best Original Screenplay"the cool kids category": where the movies they actually like get honored
Todd Haynes on 'Dark Waters'
Came together fast for Haynes: Mark Ruffalo brought him the script in 2017, less than two years after the first New York Times exposé on DuPont. Shot on location at Taft Law in Cincinnati; Rob Bilott was on set to answer questions.
Cited with The Insider as the template for this kind of process-driven thriller.
His reference point for withholding the reveal: half the film passes before you know what Rob is holding.
His previous film. Dark Waters came together unusually fast by comparison.
He and cinematographer Ed Lachman invested in a 35mm print, screened annually at Metrograph.
His Dylan film; it comes up alongside the Scorsese Dylan documentary he'd just watched.
He notes its fans are a distinct, devoted tribe from his other films' audiences.
Just watched it: "genius."
The Don Siegel version, his pick for a Dark Waters double feature: "just so gorgeously shot."
The Philip Kaufman version, recently seen on a worn print at BAM.
His answer for the last great thing he's seen: the John Garfield film Scorsese saw as a kid and never forgot.
Also mentioned raised along the way
Cited in the Todd Haynes conversation KluteThe Parallax ViewSilkwoodGentleman's Agreement
Mentioned in passing Queen & SlimAtlanticsMotherless BrooklynJust MercyMoanaTangled
Not films filtered out: TV, games, ads
TV The Great British Baking Show
Ads Today Tix