The Irishman 2019
3 hours 20 minutes, based on Charles Brandt's 'I Heard You Paint Houses,' de-aging tech on Pacino, De Niro, and Pesci. Premiered to rapturous reviews at NYFF; hosts haven't seen it yet but call it the Best Picture frontrunner.
The Big Picture · Discussion · Awards · Roundtable · Review · Interview
October 1, 2019/ 75 min/ Sean Fennessey · Amanda Dobbins
The Irishman claims its Oscar frontrunner status out of NYFF, Eddie Murphy makes his awards case with Dolemite Is My Name, and Asif Kapadia closes his documentary trilogy with Diego Maradona.
56 films across 8 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The Irishman LandsNYFF reception and the Oscar math
3 hours 20 minutes, based on Charles Brandt's 'I Heard You Paint Houses,' de-aging tech on Pacino, De Niro, and Pesci. Premiered to rapturous reviews at NYFF; hosts haven't seen it yet but call it the Best Picture frontrunner.
One of two other Netflix films in the Best Picture conversation alongside The Irishman.
Premiered to acclaim at Telluride; the third potential Netflix Best Picture nominee.
Last year's streaming-anxiety precedent, cited as the reason people underestimate how the Academy will treat The Irishman.
The safe, familiar winner voters picked over Roma; the comparison point for how The Irishman might play.
Tarantino's Best Director case, framed as a face-off with Scorsese this season.
Sam Mendes floated as the classic Academy compromise pick over both Scorsese and Tarantino.
The Best Actor Fieldearly frontrunners, not predictions
Stock Up: Eddie MurphyDolemite Is My Name and the career-comeback rollout
Opens in one LA theater (the Alamo Drafthouse) before Netflix on October 25; a dramatic-but-funny turn the hosts think is a real Oscar performance.
The original Rudy Ray Moore film being dramatized; boom mics fall into frame and the crew keeps rolling anyway, so it's unclear how much of it is intentionally bad.
Cited as some of the funniest work Murphy's ever done, and the kind of comedy performance the Academy never recognizes.
Referenced via a recent Rewatchables episode; not a great movie overall but a showcase for Murphy's screen presence.
Murphy's last live-action film before this one, a forgettable sentimental drama.
The last time Murphy went dramatic and got an Oscar nomination out of it.
Kevin Kline's Best Supporting Actor win is cited as one of the rare times the Academy has rewarded a comedy performance.
Peter Farrelly's pivot from broad comedy to Oscar-friendly sincerity, offered as a precedent for Murphy's own turn.
Called vastly better than Green Book.
Marks the family-movie stretch of Murphy's career.
Marks the family-movie stretch of Murphy's career.
One of Murphy's two famous stand-up specials, singled out as the material that's aged the worst.
The other of Murphy's two famous stand-up specials, singled out as the material that's aged the worst.
The DocsNYC Documentary Shortlist 15 films the festival is spotlighting ahead of the Academy shortlist
Entirely archival footage; called an incredible feat of filmmaking.
Could have done solid indie box office if it hadn't gone straight to Netflix.
Called more of a 'wallpaper' watch than a favorite, but effective at explaining Cambridge Analytica.
Called genuinely cinematic; watching it at home instead of in a theater felt like a loss.
American Factory
Directors Julia Reichert and Steven Bognar follow a Chinese company reopening a shuttered Dayton, Ohio GM plant; glass becomes a running metaphor for the whole film. Empathetic to both sides without picking one.
Diego Maradonathe final chapter of Kapadia's trilogy
Focuses on Maradona's mid-to-late-80s run at Napoli, built from an enormous private archive; a portrait of fame, doping, and self-destruction rather than a highlight reel.
The Fyre Snubwhy the internet's favorite doc of the year isn't on the DocsNYC list
Missed the DocsNYC list, probably for skipping a theatrical release, despite being one of the year's most talked-about documentaries.
Director Chris Smith's prior Netflix documentary.
Director Chris Smith's earlier, much-loved documentary.
In Conversation: Diego Maradona
The final entry in his 'Child Genius' trilogy; nine hours of interviews with Maradona in Dubai, most of the archival footage from his years in Naples.
His first film in this style, told entirely through archival footage; took five years to make.
Made a year after Amy Winehouse's death, when almost no one close to her would talk; won the Oscar for Best Documentary.
Kapadia's pick for the last great thing he's seen; saw it at its Cannes premiere and predicted it would win.
Also singled out as one of the best things he's seen recently, from a Telluride screening.
Also mentioned raised along the way
In passing The InternThe LaundromatThe FarewellThe KingIcarusPavarotti
2018's theatrical doc hits Three Identical StrangersFree SoloWon't You Be My Neighbor?RBG
Related work The Last Truck: Closing of a GM Plant
Not films filtered out: TV, games, ads
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Podcasts The Road Taken