Don't Worry Darling 2022
Sean calls it one of the dumbest movies he's seen in a while and rates it a 4; Amanda agrees the satire never lands, though both liked the first 20 minutes and the production design.
The Big Picture · Review · Discussion · Interview
September 23, 2022/ 92 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda review Don't Worry Darling, argue about whether its offscreen chaos is doing the movie a favor, then Brett Morgen stops by to talk his David Bowie documentary Moonage Daydream.
37 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Don't Worry Darlingspoiler-free, then spoilers
Sean calls it one of the dumbest movies he's seen in a while and rates it a 4; Amanda agrees the satire never lands, though both liked the first 20 minutes and the production design.
What it's trying to be
Sean's comp for the movie's opening stretch of cocktails and clever young people.
The comparison everyone's making — and, they argue, the wrong one; Get Out earns its reveal, this doesn't.
Olivia Wilde cited it as an inspiration.
Also cited by Wilde as an inspiration.
Tim Simons' character gets the Dr. Sapirstein role.
The cast, compared
An earlier Florence Pugh lead, produced by The Rock.
Amanda's comp for the kind of old-school star vehicle this is meant to be.
Olivia Wilde's directorial debut, also written by Katie Silberman.
Harry Styles' other fall release; he reportedly got better notices for it.
Amanda accidentally sat through the first several minutes of this before realizing she was in the wrong theater.
Is this a fiasco, and which kind?the taxonomy of troubled productions
The true-disaster template: wildly expensive, injuries on set, then it flops.
The arduous-shoot-becomes-legend template.
The documentary about that shoot.
The press-predicts-disaster-then-it's-a-hit template.
The tabloid-drama-overshadows-the-movie template.
Same template, better movie, per Sean.
Amanda's comp for a movie that reads as reductive feminism in the moment and ages into something else.
Sean's example of a movie that improves with nostalgia.
In conversation
Morgen's David Bowie film, built from a scrapped 40-minute IMAX concert-experience concept rather than a biography.
Morgen's earlier documentary; opened with the highest per-screen average in documentary history at the time.
Cited as the film that broke that per-screen record and kicked off the documentary boom.
Morgen credits its Live Aid mix, by sound engineer Paul Massey, as the reason he brought Massey onto Moonage Daydream.
Brett's pick for the last great thing he's seen — he warns not to read anything about it going in.
Cited alongside Herzog's own documentary on the same volcanologist couple.
Also mentioned raised along the way
Up next week Blonde
Coming up this fall Tár
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