Godzilla vs. Kong 2021
the day-and-date release Esmail points to as proof the theatrical/streaming split doesn't cannibalize anything.
The Big Picture · Interview · Roundtable · Discussion
May 11, 2021/ 96 min/ Sean Fennessey · Amanda Dobbins
Sam Esmail stops by to fight about HBO Max's day-and-date gambit, run down his pandemic-year favorites, and play a thirty-year game of who actually agrees with the Oscars.
75 films across 6 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Streaming, Windows, and the Death of the Rom-Comon HBO Max's day-and-date gambit and what happened to movies for grown-ups
the day-and-date release Esmail points to as proof the theatrical/streaming split doesn't cannibalize anything.
that week's HBO Max day-and-date release; the hosts can't remember its title on air.
the streaming rom-com franchise nobody in the room watches but everyone concedes is a hit.
A Tour of Sam's New Home Theaterhis first watches in a brand-new Dolby Atmos screening room
Talented Directors, Swallowed by the Franchise Machine
Sam's Pandemic Year in Moviesfifteen months of daily watching, one favorite a night
his runner-up for the year and pick for best directorial debut of the decade so far; he calls Channing Godfrey Peoples a future great.
named as one of the Charlie Kaufman films he'll watch no matter what.
used as the contrast case — a plot-mechanics movie that doesn't work for him the way Kaufman does.
his comparison point for the surrender-to-the-experience feeling he got from 'I'm Thinking of Ending Things.'
watched cold off the Amazon Prime poster; his pick for best debut of the young decade.
Sofia Coppola, whom he watches unconditionally; he hated the ending but loved everything around it.
Kitty Green's narrative feature debut, praised as a horror movie that never shows the monster.
a favorite of the year that fell into HBO's TV-movie gray area and missed awards eligibility because of it.
Cory Finley's first film, the reason Esmail already followed him into 'Bad Education.'
The Best Picture Match Game since 1990 — whose pick actually matches the Academy's
one of only two years Amanda felt the Academy got it right.
her other all-time match; she misheard the prompt as unbounded by 1990.
his pick over Parasite, the actual winner — the same call the Golden Globes made.
that year's winner; Sam and Sean both say the Academy already knew Pulp Fiction was the more important film and gave it to Gump anyway.
that year's winner, over Goodfellas.
beat Citizen Kane — Amanda's counter to the idea that only recent Oscars get it wrong.
that year's winner.
that year's winner.
cited again as an also-ran nobody remembers as a 1999 contender.
his personal favorite of Moonlight's year, separate from the actual match.
beat The Social Network — the group's long-running grievance.
the film everyone in the room knew was winning the moment it came out.
that year's winner, described as looking a lot like Driving Miss Daisy.
that year's winner, over Lady Bird and Get Out.
the actual winner in a year all three call stacked.
Sam calls it the best film of the 21st century.
the most recent winner, discussed as proof the Oscars still drive awareness even when nobody actually streams the movie.
Way-Too-Early Oscar Predictions
Paul Thomas Anderson's next, still only known by its working title, 'Soggy Bottom,' at the time of taping.
Spielberg's remake.
Amanda's self-declared hive; Sean opts out.
Also mentioned raised along the way
In passing Gone with the WindMy Fair LadyThe GodfatherThe Godfather Part IIDriving Miss DaisyCatsThe Big SickLawrence of ArabiaBlade Runner
1999's other Best Picture nominees The Green MileThe Cider House RulesThe Sixth SenseThe Insider
Not films filtered out: TV, games, ads
TV High FidelityNormal PeopleThe MandalorianThe Falcon and the Winter SoldierWandaVisionThe SopranosThe WireBreaking BadGirls5Eva
Ads Boar's Head
Promos 60 Songs That Explain the '90s