Boorman and the Devil 2025
Kittredge's portrait of Boorman and his misbegotten ‘Exorcist’ sequel. Letts: catnip for film dorks, mostly heads and clips with faux-zippy animated recreations; not a great doc, but a great subject.
The Big Picture · Review · Discussion
September 23, 2026/ 103 min/ Sean Fennessey · Tracy Letts
Sean Fennessey and Tracy Letts review the documentary ‘Boorman and the Devil,’ then survey docs and features that portray film directors at work.
79 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
‘Boorman and the Devil’David Kittredge's doc on John Boorman's ‘Exorcist II’
Kittredge's portrait of Boorman and his misbegotten ‘Exorcist’ sequel. Letts: catnip for film dorks, mostly heads and clips with faux-zippy animated recreations; not a great doc, but a great subject.
Both agree it's awful and, fatally, not scary. Praise reserved for Ennio Morricone's score (Boorman had him strip the melodic element) and its downstream influence on Italian horror. A worthy curiosity, best watched right before the doc.
Friedkin's documentary-realist approach, the opposite of Boorman's myth-and-symbol instincts; a claim on scariest film ever made. Boorman turned down directing it.
John Boorman's filmographythe second-tier British master
Five-star masterpiece; the blank check that let him make Zardoz. Voight and Reynolds's best; Ned Beatty and Ronny Cox's film debuts. Letts disputes Tarantino's gripe about casting Dickey as the sheriff.
Game-changing, prismatic L.A. crime film that redefined the noir.
Connery in a mankini; a cult sci-fi fantasia. One of Sean's physical-media white whales, out of print on Arrow/Twilight Time.
Mifune vs. Marvin; ruined for years by pan-and-scan that placed them on opposite edges of the Panavision frame.
His return to form after ‘The Heretic.’
Warm, autobiographical WWII childhood film; Roger Avary's favorite Boorman.
Irish crime film on Martin Cahill, with Gleeson and a Voight reunion.
le Carré adaptation; the studio reportedly reshot Boorman's ending in which Rush's character kills Brosnan's.
His Dave Clark Five debut, already a satire of the pop-machine that spawned it.
One of Boorman's 2000s films Sean hasn't caught up with.
Another of the mid-2000s Boorman films Sean hasn't seen; he kept working up to 2014.
Documentaries about filmmakers
Eleanor Coppola's record of Coppola taking the failure onto himself; the alpha of the everything-goes-wrong doc.
Les Blank on Herzog; the omega of the crisis doc. Both directors knew the buck stopped with them.
Peter Medak reckoning with his aborted pirate comedy and his own share of the blame, echoing Boorman's.
Medak's earlier success with Sellers and O'Toole.
A what-if on an unmade film; a fantasia of ideas too big to realize.
Sean's pick for the doc that shifted expectations toward loving a failure.
Not a sequel to ‘Troll’; a lovable fiasco set in Nilbog.
On Studio Ghibli.
The NHK doc released alongside the feature.
Workman-like Bergman in the flow on ‘Winter Light’; dry but procedurally revealing.
Gilliam's Don Quixote collapse.
Brando and Kilmer on one island: two maniacs, one doomed shoot.
Chris Smith on Mark Borchardt; bigger ideas about family and the American artist. One of Sean's favorites.
By Stevens Jr.; oddly given a 4K upgrade.
Bogdanovich; a portrait of an artist performing disinterest, plus backyard interviews with Wayne, Stewart and Fonda.
On Hal Ashby; Letts's happy place, two hours of smart people on a career.
Bogdanovich's Tom Petty doc.
Two hours of ornery Friedkin, who held Boorman in contempt for cashing in on ‘The Exorcist.’ Letts declined an interview for it.
Baumbach and Paltrow, camera fixed on De Palma going film by film. Sean's nightlight.
Kent Jones; you can see how the Finchers and James Grays absorbed the book into their work.
Comprehensive but a little dry.
Alexander O. Philippe on the ‘Psycho’ shower scene.
Philippe's four reflections on ‘The Texas Chain Saw Massacre.’
Philippe on ‘Alien.’
Philippe on Lynch's debt to ‘The Wizard of Oz’; more about film grammar than the filmmaker.
On Nora Ephron.
Varda's self-portrait.
Wenders and the dying Nicholas Ray on whether Ray can make one more film.
Wenders film Ray appeared in, shortly before ‘Lightning Over Water.’
Morgan Neville's chaotic mosaic on the making of Welles's last film.
Its ~45-minute making-of was a rare portal-of-curiosity bonus feature for Sean.
Scripted films about directors
Eastwood doing a John Huston impersonation on the ‘African Queen’ shoot; Letts's pick for his most underrated, still stuck on DVD only.
Fosse's barely-veiled self-portrait; film directing is the sideline nagging the Broadway man.
The film-within; here the comedian is renamed and played by Cliff Gorman, who played Lenny Bruce on Broadway.
O'Toole as the mythic idea of a director.
James Whale near the end.
Anthony Hopkins as Hitchcock.
Spielberg on arriving at directing.
Franco on the making of ‘The Room,’ released just as he was deleted from the culture.
Letts hasn't seen it and resists the so-bad-it's-good pitch; Sean says it only works in a theater with spoons.
Sean hasn't seen it; more interested in the crew's link to the older French masters than the ‘Breathless’ making-of.
Also mentioned raised along the way
Sequels and Friedkin, in passing The GodfatherThe Godfather Part IIThe French ConnectionFrench Connection II
Boorman's era and the famous bombs Star WarsSorcererHeaven's GatePlan 9 from Outer Space
Exorcist copycats, in passing AbbyLisa and the Devil
De Palma's films CarrieScarfaceBlow OutBody DoubleDressed to Kill
Eastwood, around ‘White Hunter Black Heart’ Heartbreak RidgeBirdUnforgivenDirty HarryThe Outlaw Josey Wales
In passing The BFGLethal Weapon 4The PostNetworkAll the President's MenThe ConformistTaxi DriverThe LiberationThe Boy and the HeronThe GirlHalloweenHalloween III: Season of the WitchPrimetimeThe Rocky Horror Picture Show
Not films filtered out: TV, games, ads
TV Carrie (series remake)The Stand (TV adaptations)The Shining (TV miniseries)Five Came Back (Netflix docuseries)Pinky and the BrainSpecial Ops: Lioness
Stage Who's Afraid of Virginia Woolf (Bergman's Swedish premiere)RhinocerosOrson's Shadow
Ads Auto insurance ad read