Jay Kelly 2025
Sean fought his way to the Venice premiere and has now seen it twice; he thinks it's 'a real mess' he wants to like more, because the movie-star/daughters thread and the Jay/Ron manager thread never fuse and the farce keeps undercutting the sadness. Amanda's the inverse: the family melodrama is the weaker, un-Baumbachian half, while the film works whenever people talk about the 'empty vessel' star rather than when he talks. Both love Sandler as Ron (heartbreaking), and rate the family-therapy scene, the woods scene with Riley Keough, and Billy Crudup's menu monologue; both are cooler on the train set piece and the cinema-tribute ending, and both catch the daughters aging inconsistency. Clooney maybe very good. Shot by Linus Sandgren, scored by Nicholas Britell, co-written with Emily Mortimer, and in conversation with 'Sentimental Value.'