Better Man 2024
Amanda's guess for Best Picture; not actually nominated.
The Big Picture · Discussion · Review
February 18, 2025/ 77 min/ Sean Fennessey · Amanda Dobbins · Yasi Salek
Sean, Amanda, and Bandsplain's Yasi Salek review 'Bridget Jones: Mad About the Boy' and 'Paddington in Peru,' then build a canon of 21st-century British movies Americans actually like, split five ways, from the lads to Gen Z.
72 films across 8 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
BAFTA weekendhandicapping the field
Amanda's guess for Best Picture; not actually nominated.
The consensus pick, a Pope movie the table stans.
If it wins, they joke, they can just go home.
Snubbed at the BAFTAs; nobody at the table minds.
Outstanding British Film nominee.
Outstanding British Film nominee.
Sean's pick of the British field; they're saving a full episode for after the Oscars.
Outstanding British Film nominee.
A Belfast film, cited as best British film, which prompts a Northern Ireland vs. Ireland caveat.
Outstanding British Film nominee.
Rose Glass's bodybuilding noir, set in Arizona: an odd 'British film' nominee.
Outstanding British Film nominee.
Outstanding British Film nominee.
‘Bridget Jones: Mad About the Boy’streaming on Peacock
Fourth film, first directed by a man (Michael Morris). A movie about grief and middle-age single parenthood; the two romances aren't the center. Chiwetel Ejiofor is the new Darcy; Leo Woodall the younger fling. Long for the genre.
The 2001 original: a light Pride and Prejudice, and Hugh Grant right after Notting Hill. The 'I like you just as you are' speech was read at a wedding.
The one they rate Mad About the Boy 'on par with.'
Nine years ago; ends with Mark Darcy alive and a 'publisher found alive' newspaper gag that set up film four.
Floated as a double feature: a Harris Dickinson / age-gap 'very French' movie that played bigger in Europe.
Michael Morris's earlier film, of the surprise Andrea Riseborough call-in campaign.
‘Paddington in Peru’
Third film, first not directed by Paul King (Dougal Wilson takes over). An adventure back to Peru, called the 'Apocalypse Now of Paddington movies.' Anti-capitalist, pro-immigration; Sally Hawkins recast with Emily Mortimer, unacknowledged. Olivia Colman as a suspicious nun.
The 2014 original, drawing WWII-evacuee parallels not in the slim source book.
Called one of the most beloved movies of the 21st century, the reputation the third had to live up to.
The canon: For the ladsthe easiest list to write
Sean concedes this one's really for the music-loving people.
Barely features a single woman, filed under 'lad dads.'
'For anyone who likes to laugh.'
Guy Ritchie, best watched with subtitles.
The Cornetto trilogy, Edgar Wright.
The Cornetto trilogy.
The Cornetto trilogy.
Chris would take a bullet for Sienna Miller in it.
Martin McDonagh straddles the Irish/British line.
Jonathan Glazer: some Glazer is for the lads, some for the cinephiles.
Ben Wheatley.
Danny Boyle.
Chris Morris's comedy.
The canon: For the lasses
Yasi is a self-declared truther; Sean thinks it should be abolished. Emma Thompson's scene gets its due either way.
Joe Wright; the buried last-paragraph twist wrecked Sean 30 minutes after the book.
Andrea Arnold.
Joe Wright, Keira Knightley: a Hall of Famer of these movies.
The Hugh Grant of it all.
Undeniable but not endorsed; a misuse of Kate Winslet.
Emily Blunt, pre-Crown but Crown-esque.
The canon: The normiesthe ones that break through
The first, so the more 'normie' Bond.
Amanda's stand: about the empire, mommy issues, the coffins, Tennyson. Arguably the cinephile Bond.
Churchill during WWII.
Dreadful reputation for beating The Social Network, but not bad.
A tougher call: English filmmaker, set in India, empire-adjacent via history.
The series, normie and Gen Z at once, tinged by a Weinstein afterglow.
The rare tic-tac-toe: lad dad, lasses, normies, and Gen Z all claim it.
The canon: For the cinephiles
Joanna Hogg.
Andrew Haigh.
Andrew Haigh.
Andrew Haigh again.
Andrea Arnold.
Steve McQueen's first film.
Sean's Mike Leigh pick, the most British until Hard Truths.
Lynne Ramsay.
Paul Greengrass's first movie.
The late Terence Davies, with Rachel Weisz.
Cinephiles or lasses? Amanda's wife's favorite; they refuse to gender it.
PTA, but British: a Sean all-timer.
The canon: For Gen Z
Amanda Bynes finds out her dad is Colin Firth. If Colin Firth is in it, it counts.
Parminder Nagra; also for the normies.
Also mentioned raised along the way
Floated for the canon, ruled out Mamma Mia!Sing StreetFour Weddings and a FuneralBirthThe Parent Trap
Also mentioned Notting HillPhilomenaThe TripWonkaIndiana Jones and the Dial of DestinyCaptain America: Brave New WorldThe Incredible Hulk
Criterion's banner morning Withnail & IHow to Get Ahead in AdvertisingThe Three MusketeersThe Four MusketeersA Hard Day's Night
Homages and older touchstones Raiders of the Lost ArkApocalypse NowAfter HoursFollow That Bird
Not films filtered out: TV, games, ads
TV One DayThe White LotusPrime TargetThe CrownSay NothingLandmanIndustrySofia the FirstSesame StreetThe Fresh Prince of Bel-Air
Stage Sunset Boulevard
Podcasts BandsplainGood Hang
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