Green Book 2018
The Best Picture winner. The hosts liked it fine on first viewing, a lighthearted crowd-pleaser, but say it hasn't aged well once you factor in the backlash over how it handled the real-life story.
The Big Picture · Discussion · Draft
February 24, 2022/ 76 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan
Sean Fennessey, Amanda Dobbins, and Chris Ryan draft 2018 across six categories (Drama, Comedy, Oscar Nominee, Action Horror, Blockbuster, and Wildcard), from Black Panther to Den of Thieves.
26 films across 2 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
2018, before the draft
The Best Picture winner. The hosts liked it fine on first viewing, a lighthearted crowd-pleaser, but say it hasn't aged well once you factor in the backlash over how it handled the real-life story.
Alfonso Cuarón's Netflix drama. Amanda saw it in a small screening room and calls it beautiful and harrowing; it lost Best Picture to Green Book even though Cuarón won Best Director.
Rami Malek won Best Actor for playing Freddie Mercury, a win the hosts remember as something of a punchline at the time.
Christian Bale's Dick Cheney transformation earned him a Best Actor nomination, in a field crowded with Cooper, Malek, and Dafoe.
Willem Dafoe's Van Gogh film picked up a Best Actor nomination that Sean says barely anyone actually saw.
Bradley Cooper's directorial debut, discussed here for its Best Actor nomination before it comes back later as Sean's draft pick.
The hosts call it the moment the MCU fully became 'the movies now': stars, directors, and studios all funneling into one franchise.
Steve McQueen's Chicago heist thriller made about $75 million, which felt disappointing in a year of $200 million blockbusters. The hosts say it was overlooked by awards bodies at the time.
The 2018 Movie Draft drafting 2018 movies
Alfonso Cuarón's Netflix film. She calls it beautiful and special, even if it's since become a punchline for every director's attempt to make their own version.
The funniest movie of the year for her, led by Jason Bateman and Rachel McAdams, whose deadpan 'Oh no, he died!' after a stunt gone wrong is her pick for the year's best line.
Her first-overall pick. She remembers a packed opening-weekend screening at the Hollywood Arclight and says it made her believe again that these movies could hold real ideas.
John Krasinski's directorial breakout with Emily Blunt. She caught part of it at South by Southwest and remembers it playing 'like a house on fire.'
Jon M. Chu's adaptation of Kevin Kwan's novel. She calls it smart and funny in a knowingly frivolous way, and wishes the delayed sequel had a bigger budget.
Paul Dano's directorial debut, adapted from a Richard Ford novel. She says Carey Mulligan's performance is the one that should have gotten her the recognition Promising Young Woman later did.
Steve McQueen's Chicago heist thriller, with Viola Davis and a villainous Colin Farrell, written by Gillian Flynn. He calls it a movie that felt like a slight disappointment on release and got much better on rewatch.
Armando Iannucci's satire of Politburo jockeying after Stalin's death. He calls it the last great political satire and one of the darkest movies he's ever seen.
Eligible off a visual-effects nomination. He admits he barely remembers the plot beyond the ending, but says it was the theatrical event of the year.
Alex Garland's adaptation of Jeff VanderMeer's novel. He didn't like it on first watch, partly from being too attached to the book, but came around to its ambitious, 2001-style third act.
The movie he had the most fun watching all year, seen at least twice in theaters, with the bathroom fight against Henry Cavill as the highlight.
Christian Gudegast's Gerard Butler heist movie, most of it two guys shooting at each other across a bridge. He's brought it up on the show for years since.
Damien Chazelle's Neil Armstrong film with Ryan Gosling. He underrated it after an empty-IMAX first viewing in Burbank, then came around on a rewatch while prepping to interview Chazelle.
Yorgos Lanthimos's Queen Anne court drama, written by Deborah Davis and Tony McNamara. Emma Stone won Best Actress for it, and Olivia Colman won Best Actress too, for a role the hosts debate was actually lead.
Bradley Cooper's directorial debut, one of his two favorite movies of the decade.
Ari Aster's family-trauma horror movie with Toni Collette. He saw it at a midnight South by Southwest screening in an empty Austin multiplex and calls Collette's performance one the Academy will never recognize.
He calls it a masterpiece of the decade, maybe the century, and credits it with raising the bar for what an animated movie could look like.
Paul Schrader's Ethan Hawke film about a reverend's crisis of faith. One of his favorite movies ever; he says he'd have felt wrong not drafting it.
On the board, undrafted honorable mentions
Jurassic World: Fallen KingdomBeirutSet It UpThe Kissing BoothIf Beale Street Could TalkBlacKkKlansmanMinding the GapMid90sThe First PurgeOverlordReady Player OneUnsaneFantastic Beasts: The Crimes of GrindelwaldFree SoloSorry to Bother YouThunder RoadCold WarShopliftersSolo: A Star Wars StoryBlockersRampageThe Equalizer 2Fifty Shades FreedA Simple FavorThe Ballad of Buster ScruggsBurningThe MuleMary Poppins Returns
Also mentioned raised along the way
In passing Apollo 13The Right StuffPromising Young WomanLa La LandWhiplashDon't Look UpIdiocracyIn the LoopThe Personal History of David CopperfieldGlengarry Glen RossVenomIncredibles 2AquamanDeadpool 2The GrinchAnt-Man and the WaspLong ShotThe Towering Inferno
Not films filtered out: TV, games, ads
TV VeepSuccessionThe GreatMayor of Kingstown1883WandaVisionDevs
Ads Boar's HeadNetflix FIFA World Cup Launch Edition