Godzilla vs. Kong 2021
The trailer dialogue gets read as some of the best writing Sean's heard in years; Chris compares it to shit-town Kyle Chandler yelling that Godzilla is angry and nobody knows why.
The Big Picture · Discussion · Draft · Interview
January 26, 2021/ 93 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan
Sean, Amanda, and Chris Ryan snake-draft the movies of 2015 across six categories, then Sean talks to Amanda Seyfried about playing Marion Davies in Mank.
31 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Cold open: Godzilla vs. Kong and a Snyder Cut watch-along teasebefore the draft
The trailer dialogue gets read as some of the best writing Sean's heard in years; Chris compares it to shit-town Kyle Chandler yelling that Godzilla is angry and nobody knows why.
The Gareth Edwards/Bryan Cranston one. Amanda's contemporaneous verdict, texted to Chris after seeing it: 'don't see it. We will not be discussing it on the podcast.'
Michael Dougherty's sequel, with Vera Farmiga.
An important one for Sean and Chris, who read it as a Vietnam movie minus the actual Vietnam-movie part. John C. Reilly gets singled out.
Chris pitches recording a live four-hour commentary track for the eventual HBO Max cut; Sean is not on board with prepping, just drinking milk.
The 2015 movie draft drafting the movies of 2015
Not his favorite Tarantino, but far better than almost anything else in theaters that year. Prefers the extended, chapterized Netflix roadshow cut.
One of the best horror movies of the last decade for him: David Robert Mitchell's dread about STDs and a hollowed-out urban landscape. Says the pandemic has given it new resonance, and calls Maika Monroe the new Jamie Lee Curtis.
Christopher McQuarrie's first in the series, before he'd go on to direct Fallout. Credits it with reviving the franchise and introducing Rebecca Ferguson.
One of his favorite movies, period. Says he had a full evangelizing reaction in the theater. Pete Docter also just co-directed Soul.
Ryan Coogler's Rocky follow-up. Amanda's husband apparently has a rare bad take that the movie isn't good; Sean's rewatched it and still loves it.
Amanda and Chris talk him into it. He calls it basically a remake of California Split, a top-ten movie of all time for him.
His pick for best movie of the year, punctuated by the recurring bit about a stranger yelling 'Sicario!' out a car window at him in 2015.
One of his most-rewatched movies of the last five years thanks to its Netflix run. Loves the vignette structure and Ryan Gosling's Jared Vennett; Steve Carell's central performance is the one part that doesn't land for him.
Breaks his stated plan to avoid drafting any MCU movies. Calls it a disposable but fun Paul Rudd/Michael Douglas heist comedy that made $190 million anyway.
A Mexican road movie directed by Alonso Ruizpalacios, described as a French New Wave-inflected portrait of 1999 Mexico City. Says it's grown in his estimation on a recent rewatch.
Called out by the others as the draft's first bad pick. He defends it as a fun romp built on the nostalgia of finally seeing Harrison Ford back as Han Solo.
Aaron Sorkin's script; a movie he says was overlooked on release but has built a growing cult following since.
Saw it alone at BAM; singles out the closing title card tallying the places the investigation spread to as a gut punch. Notes it also just won Best Picture.
Nancy Meyers; likes the Robert De Niro/Anne Hathaway chemistry and reads it as a kind of response to Meyers's own Baby Boom.
A one-man-show Matt Damon performance she loves without reservation: 'you're just like, sure, I'll watch you grow potatoes for a while.'
Triple-checked the US release date against a New York Times review before taking it, given how messy foreign-film release dates get. Praises Kristen Stewart's performance opposite Juliette Binoche.
Takes it with the very first pick of the draft. All three call it one of the best movies of the decade; ends up crowned the draft's overall winner.
A Will Smith/Margot Robbie con-artist movie she says is underrated: charming leads, plausible enough heist mechanics.
On the board, undrafted honorable mentions
Ex MachinaBlackhatThe Man from U.N.C.L.E.CarolBridge of SpiesAmyBrooklynThe LobsterStraight Outta ComptonMagic Mike XXLFurious 7AnomalisaThe AssassinThe GiftWild TalesMustangUnfriendedThe InvitationGreen RoomDopeThe GunmanMistress AmericaWhile We're YoungLove & MercyThe VisitSpectreThe Revenant
In conversation
Plays Marion Davies opposite Gary Oldman's Herman Mankiewicz. Talks through getting the script in pieces on another set, David Fincher's rehearsal process, and shooting the long Sans Simeon walk-and-talk.
The film Mank is about the writing of; Seyfried talks about how Davies's real legacy got flattened by Kane's version of her.
One of the real Marion Davies pictures Seyfried rewatched to prep, singling out an elevator-hallway scene opposite Robert Montgomery.
Where she played another real person, Linda Lovelace; comes up when discussing the line between impersonation and embodiment.
Cites it as a deliberate swing against typecasting, taken specifically because Atom Egoyan was directing.
Calls it one of her absolute favorite films; part of the case Sean makes that she could've coasted as a rom-com lead but chased directors like Paul Schrader instead.
Her answer to the last-great-thing-she's-seen question. Says the birth scene is as real as anything she's seen that isn't real, and singles out Shia LaBeouf's performance.
Not films filtered out: TV, games, ads
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