Interstellar 2014
Chris hated it on first viewing, then rewatched it this year and came around; still not calling it a masterpiece.
The Big Picture · Discussion · Draft · Interview
November 25, 2020/ 89 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan
Sean, Amanda, and Chris Ryan snake-draft the movies of 2014 across six categories, then Sean talks to Clea Duvall about writing, directing, and moving Happiest Season to Hulu.
33 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
How 2014 stacked uppre-draft reflections
Chris hated it on first viewing, then rewatched it this year and came around; still not calling it a masterpiece.
Won Best Picture for the year; Amanda names it as one of the consensus movies she just doesn't care for.
Amanda calls it a Linklater film she admires but doesn't enjoy; ran second to Birdman for Best Picture.
Amanda's 'sour memory' of the year: her now-husband made her watch an Eagles game, then took her to the Angelika, then they fought on the subway home.
Sean calls it 'incredibly dull,' part of what he sees as the last gasp of the Weinstein Oscar-campaign era.
Grouped with The Theory of Everything as prestige movies from a campaign playbook that stopped working.
Cited alongside Selma as a newer generation of filmmakers breaking through that year.
The 2014 movie draft drafting the movies of 2014
Opens the draft with it; puts it in the conversation for best MCU movie and best sequel of the decade. The Russo Brothers' 'director bullshit' name-checked The Parallax View and The Conversation, but Sean thinks it's closer kin to Extraction.
One of his five favorite movies of the last decade; says he relates to it in an unhealthy way.
Saw it at the New Beverly with Paul Thomas Anderson in the room; a woman in the front row dropped her Dr. Pepper during his remarks and PTA got her a new one. Calls it a real Easter-egg movie, not his favorite PTA film but very much in line with his specific sense of humor.
The only year he'd consider drafting two Marvel movies; likes the mix of comedy, action, and serialized story.
Delayed by Harvey Weinstein's meddling before finally reaching American audiences close to Bong Joon Ho's intended cut. Calls it the movie that put Bong on the map here.
His backup plan the whole draft; floats it as a question first ('would you guys consider Paddington to be an animated movie?') before taking it.
Cleared the $100 million domestic bar by exactly $206,256. His favorite late-period Tom Cruise, better than the Mission Impossible run because it leans into Cruise's self-aware charm; also praises Emily Blunt.
Says the whole cast 'fired on the same cylinders'; singles out Saoirse Ronan and Ralph Fiennes.
Part of Jake Gyllenhaal's Prisoners-Enemy-Nightcrawler run in a 16-month span. A gritty L.A. noir about ambition and media that does the most with what it has.
Thinks it tops the original; ties it back to Gareth Evans's later Amazon series Gangs of London.
More director bullshit: Apocalypse Now and Bresson name-checks that don't really apply. Likes Gary Oldman's post-collapse, Infowars-guy performance.
The pick the whole episode's cold open is built around. A remake of the James Toback/James Caan film; raves about Mark Wahlberg's largely invented Shakespeare lecture and John Goodman's 'fuck you' speech.
An easy, obvious No. 1 in the category, one of the few 2014 movies she says she genuinely loves.
Admits she barely remembers it: saw it once and it fell out of her head walking out of the theater, unlike Inception, which stuck.
82 minutes, no filler. Calls it close to a personality test: if someone doesn't like this movie, they're not friends.
Didn't rewatch before the draft but remembers the fake-sequel end-credits gag. Says it introduced her to Wyatt Russell.
Probably her favorite foreign-language film of the year; likes that it works as a parlor game, since you leave arguing about what you'd actually do.
A Gina Prince-Bythewood film she calls underappreciated, a Gugu Mbatha-Raw character study about image-making as much as the central mother-daughter relationship.
On the board, undrafted honorable mentions
It FollowsThe GuestUnfriendedBirdmanBoyhoodSelmaUnder the SkinWhat We Do in the ShadowsThe BabadookThe Hobbit: The Battle of the Five ArmiesFuryThe DropMaps to the StarsEnemyGodzillaThe RoverX-Men: Days of Future PastInto the WoodsWildObvious ChildTop FiveLove & MercyThe Unknown Known20,000 Days on EarthJohn WickBig Hero 6The Lego MovieIdaWild Tales
In conversation
Her second film as director, a holiday rom-com with Kristen Stewart and Mackenzie Davis, moving to Hulu after the pandemic scuttled a theatrical release. Written with Mary Holland; 29 shooting days, edited remotely for six months during lockdown.
Her directorial debut; she also acted in it, and decided afterward that directing and acting at once was 'too hard, too crazy making.'
A visual reference she used with her DP and production designer while prepping Happiest Season's look.
A winter movie rather than a Christmas one, another reference for capturing the season and the cold.
Also mentioned raised along the way
Director bullshit touchstones The Parallax ViewThe ConversationThe Battle of AlgiersAll the President's MenExtraction
The Woody Allen limbo years Magic in the MoonlightBlue JasmineIrrational ManCafé SocietyTo Rome with LoveA Rainy Day in New YorkAnnie HallManhattan
In passing SicarioA Quiet PlaceSouthpawThe DepartedFirst ManMoneyballApollo 13The Iron GiantDownhillOne More Time with FeelingPrisoners
Next week MankCitizen Kane
Not films filtered out: TV, games, ads
TV Game of ThronesThe UndoingThe West WingVeep
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