No Time to Die 2021
Apple reportedly made a serious streaming bid; the Broccoli family held firm on a theatrical release.
The Big Picture · Discussion · Draft · Interview
October 30, 2020/ 105 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan
A No Time to Die/Apple detour opens into a snake draft of 2013 across six categories, then Sean and Amanda talk to Sofia Coppola and Rashida Jones about On the Rocks.
52 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
No Time to Die and the streaming questionApple's bid for the new Bond film
Apple reportedly made a serious streaming bid; the Broccoli family held firm on a theatrical release.
Cited in the Daniel Craig box-office rundown: $594 million worldwide.
$591 million worldwide, almost identical to Casino Royale.
$1.1 billion worldwide, the high point of the Craig run.
Almost $900 million, the basis for the Broccolis' asking price.
Named alongside Fast 9 and No Time to Die as a movie the public has known about for years.
The counterexample: tried the one-time theatrical event and it didn't work.
Made over $400 million domestically; cited on the question of how much a sequel needs to clear.
Was 2013 an exceptional year for movies?
The Best Picture winner; how the year gets remembered.
Cited as one of several arthouse films that year from new directors.
Ryan Coogler's debut.
Brought up for Roger Deakins' visual-consultant work on the franchise.
Listed among the year's biggest box-office titles.
Sean and Chris's own top-10-list story, told alongside Amanda's Wolf of Wall Street one.
Cited as one of the 'decapitating movie stars / decline of American masculinity' pair with Only God Forgives.
The 2013 movie draft drafting the movies of 2013
His No. 1 overall pick, to loud objections from Sean and Amanda; a Shane Black-directed favorite and, he says, Downey's best performance in the role.
Went in expecting a Coen ensemble romp and got one of the saddest movies he's seen; grown on him since.
A personal pick over a horror-category slot; calls it an overlooked comedy of its moment.
Adam Wingard's home-invasion movie; the apex, per Chris and Sean, of the era's indie horror wave.
One of his favorite Jake Gyllenhaal performances; a hit despite a bleak ending he doesn't fully endorse the politics of.
Johnnie To's cop-and-gangster film, a late discovery; praises the shootout choreography.
His favorite rewatch of the three of them; taken as a blockbuster since it cleared the $100 million bar.
The third Linklater/Hawke/Delpy film; he's aged into Jesse's age since seeing it, which changed how it plays.
Picked for the theatrical experience above all; singles out the Bullock/Clooney separation sequence.
Calls it one of the best horror movies of the decade and the start of its own franchise.
Ridley Scott/Cormac McCarthy; a pick he'd been saving all draft. Cast includes Cameron Diaz, Bardem, Brad Pitt, Penelope Cruz, Michael Fassbender, Natalie Dormer.
Nearly took The Wind Rises here but it was disqualified (2014 U.S. release); praises Adele Exarchopoulos and Lea Seydoux.
One of her favorite movies of the decade; calls out the sci-fi's light touch and the Spike Jonze production design.
Slotted into comedy on the strength of the Puss in Boots line; a sentimental pick she says means a lot to Sean too.
A freestyle pick after her other blockbuster options were taken; remembers it as simply effective.
Nicole Holofcener; James Gandolfini's last role, with Julia Louis-Dreyfus.
A vivid Thanksgiving-with-her-father memory; a sequel arriving well after its original.
On the board, undrafted honorable mentions
12 Years a SlaveSide EffectsAmerican HustleNebraskaAll Is LostFruitvale StationThe PurgeThe HeatIdentity ThiefI Give It a YearWorld War ZThe Spectacular NowLone SurvivorAnchorman 2: The Legend ContinuesThe Hobbit: The Desolation of Smaug
In conversation
Coppola's father-daughter buddy story, written around a friend's tale of spying on her husband alongside her own "Playboy dad." Shot in New York, wrapped just before the March 2020 shutdown, and released on Apple TV Plus with Bill Murray and Rashida Jones.
Referenced for the Bill Murray casting story (the hotline/voicemail) and as a comparison point for On the Rocks' themes.
Cited in a question about the recurring extroverted-friend role in Coppola's films.
Same question, re: Leslie Mann's character type.
Coppola cites it among the glamorous-New York movies she grew up on and drew from for On the Rocks.
Coppola's answer to the show's closing question, watched with her kids.
Also mentioned raised along the way
In passing RangoTop Gun: MaverickThe Maze RunnerAnchorman: The Legend of Ron BurgundyPatriots DayDeepwater HorizonBorat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of KazakhstanGreyhound
Not films filtered out: TV, games, ads
TV I May Destroy YouFargo
Video games FIFA World Cup Launch Edition
Ads Boar's HeadPepsiSam's Club
Books The Custom of the Country