The Master 2012
Paul Thomas Anderson's film; Sean says he's returned to it at the Arclight more than once.
The Big Picture · Draft · Interview
September 29, 2020/ 126 min/ Sean Fennessey · Amanda Dobbins
Sean, Amanda, and Chris Ryan re-run the movie draft, six categories deep, with new rules written in the wake of last time's scandal. Billy Ray joins after to talk The Comey Rule.
29 films across 2 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The 2012 Movie Draft drafting 2012 movies
Paul Thomas Anderson's film; Sean says he's returned to it at the Arclight more than once.
By his own count, not even a top-five MCU movie for him. Amanda calls it a weird pick.
Ruled eligible as a prequel; Ridley Scott's first Alien-franchise film in almost 35 years.
Wes Anderson, with Bill Murray, Frances McDormand, Edward Norton, and Bruce Willis.
Scott Derrickson and Ethan Hawke, before Derrickson went off to direct Doctor Strange.
Don Hertzfeldt's stick-figure trilogy, released as one film this year.
One of her favorite movies of the decade; she rewatched it the night before the draft.
A studio comedy she says has made her laugh consistently for a decade.
Joe Wright's stage-bound adaptation, with Keira Knightley and Alicia Vikander.
Michael Haneke; she saw it at BAM early on with the man she'd go on to marry.
Calls it Jennifer Lawrence's better 2012 performance, over Silver Linings Playbook.
Filed under drama despite calling it a stretch; he also calls it very funny and an action movie.
Loves Jeremy Renner and especially Edward Norton: 'putting your hand on a train track.'
The horror anthology from Ti West, Adam Wingard, David Bruckner, and others.
Marion Cotillard, in a category he says is 'full of pain' next to Amour.
On the board, undrafted honorable mentions
Zero Dark ThirtyChronicleThe Hobbit: An Unexpected JourneyLincolnKilling Them SoftlyTedThe CampaignFlightSilver Linings PlaybookCloud AtlasDamsels in DistressSearching for Sugar ManJiro Dreams of SushiThe Five-Year EngagementHoly MotorsThe HuntWreck-It RalphBraveParaNormanBattleshipJohn CarterSavagesLawlessThe Dark Knight Rises
In conversationThe Comey Rule screenwriter-director on adapting Comey's story, and on the movies behind his own work
The film Ray is still best known for; Sean says journalism students of his generation owe it a debt.
His FBI drama with Chris Cooper and Ryan Phillippe, the first film ever allowed to shoot inside the FBI building.
Directed by Clint Eastwood; Ray calls an invented detail in the script a 'deep regret.'
His structural touchstone for what he calls 'people talking in rooms' movies.
Studied for how it withholds the shark; modeled The Comey Rule's first half on that reveal.
Its Salieri narration gave him the idea to frame The Comey Rule through Rod Rosenstein.
His example of a film that, without Spielberg attached, wouldn't get made as a theatrical feature today.
Also mentioned raised along the way
Banned from this draft (penalized from the 2011 episode) The Cabin in the WoodsThe Raid
Cited in the rules argument X-Men: First ClassCasino Royale
Jessica Chastain's post-Zero Dark Thirty run AvaIt Chapter TwoDark PhoenixMolly's GameThe Zookeeper's Wife
Not films filtered out: TV, games, ads
TV The Comey RuleThe WirePen15All or Nothing: TottenhamChef's Table
Ads CarvanaBoar's HeadHeinekenQuakerPepsi
Games FIFA World Cup Launch Edition