Boyz n the Hood 1991
First pick of the draft: John Singleton's South Central debut, which hit Chris and his friends as movies that finally looked like real life.
The Big Picture · Draft · Interview
February 9, 2024/ 135 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan
Sean Fennessey, Amanda Dobbins, and Chris Ryan snake-draft the movies of 1991 across six categories, then Sean talks to Wim Wenders about Perfect Days and Anselm.
20 films across 2 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The teams drafting the movies of 1991
First pick of the draft: John Singleton's South Central debut, which hit Chris and his friends as movies that finally looked like real life.
Kenneth Branagh and Emma Thompson in a Hitchcockian reincarnation thriller from an early Scott Frank script, with a Robin Williams supporting turn. Sean had never seen it.
The Coens' black comedy, drafted as a comedy; John Turturro as the blocked screenwriter, John Goodman next door, John Mahoney as a Faulkner stand-in.
Ron Howard's Chicago-firefighter movie and 14-year-old CR's favorite of the year; Kurt Russell, William Baldwin, and a stripped-down De Niro as the arson inspector.
Jonathan Demme's film swept the top five Oscars, the last to do it, so Chris takes it here rather than in thriller.
Eleanor Coppola's documentary on the making of Apocalypse Now; for a stretch Chris rated it above the film itself.
Anthony Minghella's debut: Alan Rickman comes back as Juliet Stevenson's dead husband, a gentle magical-realism grief movie.
Taken a slot before Chris expected to lose it; Amanda came to it through a Big Picture movie-swap episode.
Amanda's favorite film of 1991; the Nancy Meyers and Charles Shyer remake with Steve Martin, and the still-unsolved hot-dog-bun math.
The last animated film nominated for Best Picture for a long stretch; Amanda quotes Lumiere from memory.
Ridley Scott's road movie, one of the few 1991 nominees not swallowed by the Silence of the Lambs sweep.
Macaulay Culkin and Anna Chlumsky; the bee-sting ending that still wrecks Amanda.
Mario Van Peebles' crime drama, Wesley Snipes as Nino Brown, with Ice-T, Chris Rock, and the Judd Nelson turn the Rewatchables named an award after.
Kathryn Bigelow's surfing-heist movie, Keanu Reeves and Patrick Swayze; producer Bobby Wagner had just seen it in theaters the night before.
Albert Brooks' afterlife comedy opposite a pre-comedy-star Meryl Streep, with Rip Torn as his lawyer. Sean calls Brooks his goat.
Scorsese's remake of the 1962 thriller, De Niro as Max Cady and Nick Nolte as his target; Spielberg produced and nearly directed it. It cleared $75 million.
Oliver Stone's assassination epic, Kevin Costner as Garrison, Hank Corwin's editing; the subject of a Sean-and-Chris pod Amanda listens to once a year.
Zhang Yimou's 1920s-set drama, taken to spread the word on international film; the first movie Sean was shown in his college Film 101.
On the board, undrafted honorable mentions
Robin Hood: Prince of ThievesCity SlickersHookThe Addams FamilySleeping with the EnemyThe Naked Gun 2½: The Smell of FearTeenage Mutant Ninja Turtles II: The Secret of the OozeAn American Tail: Fievel Goes WestL.A. StoryRosencrantz & Guildenstern Are DeadCareer OpportunitiesWild Hearts Can't Be BrokenUntil the End of the WorldThe Double Life of VéroniqueThe Lovers on the BridgeA Brighter Summer DayLife Is SweetMy Own Private IdahoThe Fisher KingNight on EarthCenter StageDelicatessenCity of HopeHomicideBugsyBilly BathgateThe Last Boy ScoutMississippi MasalaJungle FeverThe CommitmentsDaughters of the DustOne False MoveOnce Upon a Time in ChinaNaked LunchSki SchoolHigh HeelsThe Five HeartbeatsPoisonThe DoorsThe People Under the StairsBill & Ted's Bogus JourneyRushSlackerStraight Out of Brooklyn
In conversation
His Tokyo film about a toilet cleaner who lives in the present; Koji Yakusho's near-wordless performance won Best Actor at Cannes, and it was Japan's international-feature Oscar entry. Wenders shot it in 17 days, mostly in chronological order, with the music playing live in the scenes.
His 3D documentary on the artist Anselm Kiefer, shot in seven sessions over two and a half years and finished the same year as Perfect Days; an official Cannes entry.
Also mentioned raised along the way
Wenders on his own work Wings of DesireParis, TexasBuena Vista Social ClubPinaAlice in the CitiesTokyo-Ga
Named in the interview VertigoShall We DanceThe Zone of InterestAnatomy of a Fall
In passing GoodfellasDances with WolvesPretty WomanPulp FictionOne from the HeartBob Marley: One LoveArgylleThe BeekeeperTop Gun: MaverickThe Lion KingLa Belle et la BêteIron Man 3PhiladelphiaThe FugitiveSchindler's ListThe Da Vinci CodeApollo 13WillowParenthoodApocalypse NowRoundersFernGully: The Last RainforestCity Slickers II: The Legend of Curly's Gold
Not films filtered out: TV, games, ads
TV Curb Your EnthusiasmMonsieur SpadeThe SimpsonsClariceHannibalOne Against the Wind
Podcasts The RewatchablesJMO
Ads The Ringer NFL Draft ShowWells Fargo Autograph JourneyState FarmTremfyaNetflix FIFA World Cup