Adam Nayman on
Critic Adam Nayman joins to argue about Alejandro González Iñárritu's quasi-autobiographical film about a documentarian caught between Mexico and Hollywood. Amanda watched the shorter theatrical cut and slept through parts of it; Sean saw the original three-hour version at Telluride before Iñárritu trimmed 15 to 20 minutes. Nayman, who has written at length about Iñárritu, calls the film a show of technical power in service of not much: self-aggrandizement over the sincere material (a dead child, a fractured national identity) buried inside it. All three agree the film's ocean sequence, dealing with the loss of a child, genuinely got to them, even as they otherwise found the movie insufferable.