The Full Picture

The Big Picture · Discussion · Interview

The 10 Actors Who Won 2022. Plus: ‘Bardo’!

December 20, 2022/ 77 min/ Sean Fennessey · Amanda Dobbins

Sean and Amanda run through the year's best performances, actor by actor, then Adam Nayman joins to fight about Alejandro González Iñárritu's Bardo.

22 films across 3 segments.

AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.

The Actors Who Won 2022

Top Gun Maverick poster

Top Gun Maverick 2022

Tom Cruise, whose real-life skydive test videos got nearly as much airtime this week as the movie. Miles Teller plays Goose's son more restrained than either host expected; Glenn Powell is pure movie-star id as Hangman; Jennifer Connelly gets the thankless love-interest role and makes every scene of it work anyway.

TÁR poster

TÁR 2022

Cate Blanchett as conductor Lydia Tár, the performance the whole movie is built around, down to the custom suiting.

Everything Everywhere All at Once poster

Everything Everywhere All at Once 2022

Michelle Yeoh holds a multiverse movie together on pure range: martial artist, laundromat owner, mother, sci-fi lead, and genuinely funny throughout.

Elvis poster

Elvis 2022

Austin Butler's first performance to really register beyond a small Once Upon a Time in Hollywood supporting turn: he has charisma and presence past the impersonator cliché. Sean liked the film less than Amanda did, mostly over its chopped-up flashback structure.

After Yang poster

After Yang 2022

Colin Farrell, quiet and restrained, in Kogonada's family sci-fi, the first of three performances from him this year.

The Batman poster

The Batman 2022

Farrell under latex as the Penguin, having a lot of fun hamming it up.

The Banshees of Inisherin poster

The Banshees of Inisherin 2022

Farrell's best of the three: a simple, charming man trying to understand why his best friend has abandoned him, a long way from the guy who played Bullseye in 2006's Daredevil.

Nope poster

Nope 2022

Keke Palmer, praised in brief.

X poster

X 2022

Mia Goth in dual roles for Ti West's slasher.

Pearl poster

Pearl 2022

Goth's origin story for one of her X characters, built around a six-minute monologue the camera just holds on her face.

The Menu poster

The Menu 2022

Hong Chau elevates a chef's-table satire the moment she starts herding the boat group off the dock.

The Whale poster

The Whale 2022

Chau finding layers in an underwritten role, meeting Brendan Fraser where he is.

Emily the Criminal poster

Emily the Criminal 2022

Aubrey Plaza doing character work: an accent, no makeup, a stripped-down performance far from the sarcastic Parks and Rec register she's known for.

Triangle of Sadness poster

Triangle of Sadness 2022

Dolly De Leon steals the film's third act; a likely Best Supporting Actress nominee if the film gets a Best Picture nod.

Armageddon Time poster

Armageddon Time 2022

Anthony Hopkins as James Gray's grandfather stand-in, maybe the film where he's most clearly playing himself, gravitas and all.

Honorable mentions

Barbarian poster

Barbarian 2022

Justin Long's entrance is the hardest either host laughed all year, in a movie that hadn't been comic up to that point.

Causeway poster

Causeway 2022

Brian Tyree Henry, in what plays as a two-hander with Jennifer Lawrence.

The Woman King poster

The Woman King 2022

Lashana Lynch and Thuso Mbedu, both terrific; Mbedu in particular takes the movie over in its back half.

Ambulance poster

Ambulance 2022

Jake Gyllenhaal, turned up to 13 opposite Michael Bay: not a good performance, but a fun one.

Aftersun poster

Aftersun 2022

Paul Mescal and his young co-star Frankie Corio, both wonderful.

In conversation

Bardo, False Chronicle of a Handful of Truths poster
Adam Nayman on

Bardo, False Chronicle of a Handful of Truths 2022

Critic Adam Nayman joins to argue about Alejandro González Iñárritu's quasi-autobiographical film about a documentarian caught between Mexico and Hollywood. Amanda watched the shorter theatrical cut and slept through parts of it; Sean saw the original three-hour version at Telluride before Iñárritu trimmed 15 to 20 minutes. Nayman, who has written at length about Iñárritu, calls the film a show of technical power in service of not much: self-aggrandizement over the sincere material (a dead child, a fractured national identity) buried inside it. All three agree the film's ocean sequence, dealing with the loss of a child, genuinely got to them, even as they otherwise found the movie insufferable.

Also mentioned raised along the way

In passing Once Upon a Time in HollywoodHustlersLightyearMinions: The Rise of GruTotal RecallRoald Dahl's Matilda the MusicalUnder the BoardwalkAsteroid CityGlass Onion: A Knives Out MysteryGuillermo del Toro's Pinocchio

Iñárritu's back catalog, discussed at length Amores Perros21 GramsBabelBirdmanThe Revenant

Comparison points RomaMankThe FabelmansLicorice Pizza

Oscar trivia (Ingrid Bergman's three wins) Murder on the Orient ExpressGaslightAnastasiaCasablanca

Not films filtered out: TV, games, ads

TV The White LotusAtlantaParks and RecreationWednesday

Ads FIFA World Cup Launch Edition (Netflix)FanDuelBoar's HeadStarbucks FrappuccinoShopify

Podcasts Gamblers