Tenet 2020
Pushed two weeks, which Sean thinks is nowhere near enough runway for theaters to actually reopen safely.
The Big Picture · Discussion
June 15, 2020/ 65 min/ Sean Fennessey · Amanda Dobbins
Tenet moves two weeks, the Oscars move two months, and Sean and Amanda try to figure out what a 2020 movie even is anymore.
25 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Tenet's Two-Week Delay and the Domino Effect on Summer Moviesmoved from July 17 to July 31
Pushed two weeks, which Sean thinks is nowhere near enough runway for theaters to actually reopen safely.
Warner Bros. is re-releasing it July 17, the date Tenet vacated, as a 10-year-anniversary placeholder.
Now technically the first wide theatrical release, July 24, though neither host expects that date to hold.
Moved from August to October.
The first major 2020 tentpole to move, now nudged five more days.
Universal moved it to April 2021, one of the earliest dominoes to fall.
Russell Crowe road-rage thriller, one of two "sacrificial lamb" films opening July 10 to test whether audiences will show up.
The other July 10 test case; neither host could even find a trailer for it.
This Weekend's At-Home Triple FeatureNetflix, VOD, and Disney+, three different paths around theaters
Spike Lee's Netflix film; Amanda suspects it would've gotten a theatrical run and a real awards campaign in a normal year.
Judd Apatow's Pete Davidson vehicle, $20 on VOD; Sean floats a real (if long-shot) awards case for Bill Burr and Marisa Tomei.
Kenneth Branagh's Disney+ adaptation; Sean says it's worse than the reviews suggested and blames Josh Gad and a neutered, de-fanged lead.
Should Sean Go to Telluride? And What Cannes Did Insteadfestivals try to figure out what they are without a room to gather in
One of the films that made Cannes's 2020 label list even though the festival itself didn't happen.
Oscars Overhaul: A Diversity Task Force, 10 Best Picture Slots, and a New April Dateeligibility window now runs through February 28, 2021
Widely seen as the film that would've taken a 10th Best Picture slot last year, had one existed.
Sean's example of the Academy finally getting international cinema right, after decades of not.
Comparison point for whether a superhero movie could ever compete again.
Amanda's still looking forward to it, whenever it arrives; floated as a hypothetical beneficiary of the expanded field.
One of several early-2020 films Sean argues are worthy despite getting buried by the calendar reshuffle.
Amanda jokes about it being a redundantly titled documentary.
Sundance doc already tabbed for Oscar attention, now with a much longer runway to stay in voters' minds.
HBO Max documentary Sean wonders will be forgotten by the time the pushed-back season actually votes.
The Taylor Swift documentary; premiered at Sundance, hit Netflix a couple weeks later.
Amanda's joke about "Bad Boys 3" losing Oscar eligibility became the running bit about how absurd the extended calendar is.
Sean asks, half-seriously, if the Snyder Cut could be a Best Picture nominee. Amanda: no.
Also mentioned raised along the way
In passing DunkirkEnder's GameMoonlightGreen Book
Not films filtered out: TV, games, ads
TV The Last Dance