Being the Ricardos 2021
The Ace Eddie nominee they agree is 'the ultimate SAG movie,' built for guild recognition even if neither is a fan.
The Big Picture · Discussion
January 27, 2022/ 80 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda pick through the PGA, WGA, and Ace Eddie nominations, lock in Amanda's final Best Picture ten, clear out a backlog of streaming recommendations, and close with an Ask Amanda mailbag before she heads out on leave.
64 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The Guild NominationsPGA, WGA, and Ace Eddie
The Ace Eddie nominee they agree is 'the ultimate SAG movie,' built for guild recognition even if neither is a fan.
Kenneth Branagh's film was ineligible for the WGA on a technicality, but they assume it lands in original screenplay anyway.
Premiered at Sundance in January 2021; Sean calls the Apple TV+ release one of the least-seen movies ever nominated for Best Picture.
Sean's pick for the contender in the most comfortable position: a streaming event movie from a filmmaker (Adam McKay) on his third straight awards-season run.
Denis Villeneuve's film had a 30-day HBO Max window and then vanished; they debate whether that helps or hurts it with Oscar voters.
Also caught in the day-and-date HBO Max window with Dune, now available only as a pricier VOD rental.
Called a 'lock' after picking up a Best Edited Feature (Comedy) Ace Eddie nomination.
Jane Campion's film was ineligible for the WGA; they expect it in adapted screenplay regardless.
Andrew Garfield stars in Lin-Manuel Miranda's directorial debut; Amanda argues it's a desperate grab at 'Hamilton magic dust' and the most vulnerable of the ten PGA nominees.
Steven Spielberg and Tony Kushner's remake of a film that already won Best Picture; strong on paper, but nobody's actually going to see it in theaters.
Missed the PGA's top 10 (the group that historically rewards a blockbuster), which Sean reads as a bad sign for its Best Picture chances.
Also shut out of the PGA nominations.
The 'critical darling,' but ineligible for the WGA; neither host believes it actually cracks the Best Picture ten.
Maggie Gyllenhaal's film was also WGA-ineligible; Amanda's pick to replace Tick, Tick... Boom! in the final ten.
Named as one of three smaller films that could still slide into a PGA snub's spot.
Sean eulogizes it ('pour out a gigantic magnum of Barolo') after it missed the PGA nominations entirely.
Guillermo del Toro's film got a late awards push (Martin Scorsese wrote an op-ed praising it) but only mustered the one WGA adapted-screenplay nomination.
Wes Anderson's film picked up a WGA original screenplay nod and an Ace Eddie comedy-editing nomination.
The surprise Ace Eddie comedy-editing nominee; neither host is sure why.
Best Picture Power RankingsAmanda's predicted final ten
Amanda swaps this in for Tick, Tick... Boom!, the one change she makes from the PGA lineup.
Ten Movies to Streamnot a lot in theaters right now, so here's what to watch at home
Asghar Farhadi's Amazon Prime drama about a debtor's-prison inmate who finds a bag of money; Sean calls it one of the best movies of the last twelve months.
Mia Hansen-Løve's film, on Hulu, about two screenwriters (Tim Roth and Vicky Krieps) staying on Bergman's Fårö; Amanda's 'strong recommend.'
Coming to theaters February 4th; Anders Danielsen Lie, who also appears in Bergman Island, gets singled out for both performances.
Benjamin Cleary's Apple TV+ film has Mahershala Ali playing both an original and a clone of himself after a terminal diagnosis.
Maria Schrader's German film, on Hulu, with Dan Stevens as a pleasure robot and Maren Eggert as the woman testing a relationship with him.
Back on HBO Max via the old Fox/Disney output deal despite never having been a Warner release; Ridley Scott's Matt Damon/Ben Affleck/Jodie Comer medieval trial drama.
James Wan's HBO Max horror movie, back after its 30-day window; Sean calls it a Brian De Palma homage.
Amanda's pick, with Jeremy Irons as Neville Chamberlain; she and Sean both find its take on Chamberlain surprisingly generous.
A stop-motion anthology on Netflix with multiple directors.
Directed by Megan Park, about the aftermath of a school shooting; premiered at SXSW 2021.
A period horror film on Shudder that Sean watched at 1 a.m.
Michel Franco's film, in theaters, with Tim Roth as a man who abandons his family's return trip home from Acapulco.
Ask Amanda Mailbaglistener questions before Amanda heads out on leave
Amanda's pick for a Donna Tartt adaptation redo, with Joe Wright directing.
Cited as one of Joe Wright's literary adaptations Amanda loves.
Also cited as a Joe Wright adaptation; Amanda separately recommends the Ian McEwan novel it's based on.
The third Joe Wright literary adaptation Amanda name-checks.
Amanda's dig at 'a weird musical of an old book' while wishing for more straight adaptations.
Amanda's dream-biopic answer starts with 'Spencer wasn't it for me,' before she pitches an Agatha Christie biopic instead.
Amanda and her dad saw Aaron Sorkin's film in theaters at least four times in 1995.
One of the films Amanda's dad got swept up in wondering if it could win Best Picture.
Another of her dad's Best Picture false alarms.
Amanda's favorite-theater-experience answer: an opening-weekend Valentine's Day screening in Brooklyn.
A blizzard screening with Zach that Amanda calls one of her favorite movie theater memories.
A Chinese Theatre premiere Amanda and Zach attended with assigned seats apart.
Referenced collectively with its sequel as Andy Greenwald's favorite movies to bring up unprompted.
Amanda's answer for the first movie her child will see, ideally by age six or seven.
Amanda's pick for around age nine or ten, cited for its dog, leopard, and 'a dinosaur.'
Zach's suggestion that Amanda vetoes as too old a watch for a kid.
One of two films Zach's dad showed him before age ten.
The other early Zach-as-a-kid watch, despite Zach not otherwise being a horror fan.
Zach's earliest movie-theater memory, watched as a small child.
Amanda's own family holiday tradition she plans to pass down.
Amanda quotes the film answering how it feels to always be right: 'it's awful.'
Referenced via the movie-draft-rules blowup: Amanda's 'fealty to Maverick' when Sean bent the rules on a past auction.
The film a listener asks whether Amanda will eventually let her kid watch, courtesy of Chris Ryan.
Also mentioned raised along the way
In passing Marriage StoryThe FatherParasiteLa La LandMoonlightNomadlandWhite NoiseMaestroBorat Subsequent MoviefilmKnives OutCrazy Rich AsiansWonder WomanDualThe Night House
Not films filtered out: TV, games, ads
TV Squid GameThe Crown
Ads FanDuelBoar's HeadNOS EnergyCarvanaNetflix (FIFA World Cup Launch Edition)
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