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'TÁR' Is the Movie of 2022. Here’s Why.

October 28, 2022/ 121 min/ Sean Fennessey · Amanda Dobbins

Sean and Amanda spend the hour on TÁR: Cate Blanchett's fictional maestro, the genius myth, and whether the film can actually win Best Picture. Then Todd Field joins to talk about Lydia Tár's decade-long gestation, the film's subjectivity, and Kubrick.

16 films across 3 segments.

AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.

TÁRspoilers past the halfway point

TÁR poster

TÁR 2022

Cate Blanchett plays Lydia Tár, the first woman to lead a major German orchestra, an EGOT winner undone over the course of the film by her own abuses of power. Sean has it locked into his top two of the year already. Both hosts single out the reverse-running opening credits, the Juilliard classroom scene as the film's best-written sequence, and Hildur Guðnadóttir's score. Reservations: the dream sequences in the back half, an out-of-character accordion scene, and an ending Amanda finds a little too neat even as she admits it sticks the landing. Cate Blanchett is the Best Actress front-runner; the hosts doubt the film itself can take Best Picture given how cold and unresolved it is.

Top Gun: Maverick poster

Top Gun: Maverick 2022

Sean's other lock for his year-end list, and the opposite kind of movie-going experience: warm and emotionally direct where TÁR is cold and cerebral.

Eyes Wide Shut poster

Eyes Wide Shut 1999

Todd Field acted in it, playing Nick Nightingale, and studied Stanley Kubrick on set; the hosts trace a throughline from that experience to TÁR's control and precision.

The Social Network poster

The Social Network 2010

Amanda's closest comparison on a rewatch: tightly paced, morally gray, about what it costs to succeed.

The Shining poster

The Shining 1980

Amanda's other touchstone, for the isolation of a mind coming apart while trying to create something.

Can TÁR actually win?the awards-season case

TÁR poster

TÁR 2022

Loaded up for eight-plus nominations and a Blanchett win, but Sean doubts Best Picture: Oscar voters tend to reward films that let them feel good about their own values, and this one implicates the audience instead.

Nomadland poster

Nomadland 2020

The comparison Sean reaches for: a film that sweeps the awards conversation while almost nobody actually watches it.

The Power of the Dog poster

The Power of the Dog 2021

The other recent example of an acclaimed, ambiguous film that landed quietly with audiences at home.

Green Book poster

Green Book 2018

Cited as the kind of morally tidy Best Picture winner that TÁR is not.

Moonlight poster

Moonlight 2016

Same category, though the hosts rate it well above the others named here.

CODA poster

CODA 2021

The prior year's Best Picture winner, brought up as proof of how unpredictable the Academy has gotten lately.

The Fabelmans poster

The Fabelmans 2022

Neither host has seen it yet, but it won the TIFF People's Choice Award, and a personal Spielberg film about the power of moviemaking is the presumed front-runner.

Babylon poster

Babylon 2022

The wild card nobody has seen yet: "we have no idea what that is."

In conversation

TÁR poster
Todd Field on

TÁR 2022

Field describes Lydia Tár as a character who followed him around for roughly a decade before he wrote her, and explains why he made the story's abuser a woman: classical music's abuses of power have historically been perpetrated by men, and making the lead a woman forces the audience to reconsider how it responds to the same behavior. He walks through the film's three points of view (an unseen observer, Lydia herself, and her partner Sharon), his research process with author John Mauceri, and why the reverse-running opening credits foreground the crew before the star.

White Noise poster
Todd Field on

White Noise 2022

Field's answer to the show's closing question, the last great thing he's seen: Noah Baumbach's adaptation, praised for how it braids tone without losing control of it.

Also mentioned raised along the way

In passing 2001: A Space OdysseyPhoenixBlue JasmineRuby in Paradise

TIFF People's Choice trivia BelfastJojo RabbitThree Billboards Outside Ebbing, MissouriLa La LandRoom

Next week Armageddon Time

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