Ready Player One 2018
The new release prompting the conversation; Chris hasn't seen it going in.
The Big Picture · Discussion · Top Five · Interview
March 30, 2018/ 65 min/ Sean Fennessey · Chris Ryan
Chris Ryan and Sean Fennessy each build a Spielberg top five, then Bill Simmons drops in to argue with both of them.
35 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Ready Player One Daysetting up the countdown
The new release prompting the conversation; Chris hasn't seen it going in.
Namechecked as the Best Picture nominee Spielberg made four months earlier.
Chris Ryan's Top 5 Spielberg Moviesrevealed worst to best
His pick for a perfect movie: 'drama, humor, scares, laughs, tension, humanity, great performances, great music.'
The 'small adventure story' he says spawned a whole unraveling world of IP without meaning to.
A personal pick: his dad's WWII childhood tracked Christian Bale's. Praises Tom Stoppard's script and Malkovich.
Calls the first 40 minutes the most virtuosic combat filmmaking ever shot, but says the back half runs baggy.
Praised for being lean, 'a three or four-hander' that still goes hard for a spectacle movie.
Sean Fennessy's Top 5 Spielberg Moviesrevealed worst to best
Calls it the 'median point' of Spielberg's career: spectacle, childhood, and pure IP at once.
The child-of-divorce movie, he says, with Truffaut's performance and Dreyfuss anchoring what he calls the most 70s American film in Spielberg's filmography.
Comes with the story of Billy Wilder wanting to make this himself before Spielberg won the rights.
'The best action hero star performance': Harrison Ford as 'Clark Kent and Superman at the same time.'
Beyond the Top Fiveping-ponging around the filmography
Chris's No. 6, 'shockingly cynical,' the darkest popcorn movie Spielberg made.
Grouped with Munich and Empire of the Sun as one of the 'master manipulator' serious films.
Chris says it almost cracked his top five.
A soft spot for both: Dustin Hoffman's Captain Hook and the Julia Roberts tabloid chaos around the shoot.
Filed under 'frivolous.'
Called 'completely uninteresting and bad.'
Same verdict as The BFG: hard to watch.
The one they'd rather forget, cast without Shia LaBeouf's arc paying off.
Where Spielberg met Kate Capshaw, on a timeline Bill later disputes in the bonus segment.
Chris's answer for where the franchise should have ended.
Sean's lukewarm and knows it'll get him in trouble at home; Chris would rather rewatch Lincoln.
Sean's high on it; Chris calls it overrated but says the opening 35 minutes silence the room.
Chris's pick for best Spielberg performance: DiCaprio 'turned on to 100,' rare for him outside Django.
Daniel Day-Lewis gets the same 'take my money' treatment as DiCaprio in Catch Me If You Can.
Cited as basically a stealth Hook remake with Ewan McGregor.
Bonus: Bill Simmons on Spielbergthe podfather's first Big Picture appearance
Bill's pick for the best movie Spielberg ever made, and the first modern movie that still fully holds up.
Bill's case for one of the five greatest movies ever, especially once he watched it with his own kids.
'He made the best movie of anybody that decade out of all those young guys.'
On the first 20 minutes: 'absolutely one of the best 20-minute stretches ever.'
Bill's take: it hasn't aged as well as the others, and drags watching it now with his kids.
Bill's conflicted: 'a movie I'd never watch again,' though Chris disagrees.
Bill likes it 'a lot less than most people' and wishes a director like Michael Mann had taken the assassination-thriller angle.
Bill agrees it's a real swing, even among the Spielberg movies he doesn't fully buy.
Also mentioned raised along the way
In passing Star WarsLawrence of ArabiaThe MatrixThis Boy's LifeTitanicDjango UnchainedThe VerdictGet OutHugoThe IrishmanSilenceAmerican MadeShutter IslandCape FearApocalypse NowVisions of LightSpielberg
Not films filtered out: TV, games, ads
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