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Steve McQueen on ‘Widows’ and Reinventing the Heist Movie | Interview (Ep. 100)

November 19, 2018/ 33 min/ Sean Fennessey

Sean Fennessey talks with Steve McQueen about turning a 1983 British miniseries into a Chicago heist movie about four women, and why he thinks the genre had no rules to begin with.

3 films across 1 segment.

AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.

In conversation

Widows poster
Steve McQueen on

Widows 2018

McQueen saw the Lynda La Plante TV series at 13 and identified with the widows; he and Gillian Flynn moved the story to Chicago to fold in race, politics, and gender.

Ocean's Eleven poster
Steve McQueen on

Ocean's Eleven 2001

The heist template McQueen is deliberately not making: he wanted the domestic stuff, like childcare and dogs, that heist movies usually skip.

Some Like It Hot poster
Steve McQueen on

Some Like It Hot 1959

His answer to the last-great-thing-you've-seen question. He rewatched it and marveled at how fast Billy Wilder gets moving: a train to Florida inside ten minutes.

Also mentioned raised along the way

McQueen's filmography, cited in the intro HungerShame12 Years a Slave

In passing Creed II

Not films filtered out: TV, games, ads

TV Widows (the 1983 Lynda La Plante ITV miniseries Widows is adapted from)

Cross-promo Villains (new Ringer podcast promoted in the cold open)