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‘Sinners’ Is for the Sickos, the Cinephiles and You, with Ryan Coogler!

April 17, 2025/ 103 min/ Sean Fennessey · Van Lathan · Amanda Dobbins

Sean, Van Lathan, and Amanda Dobbins spend an hour on Ryan Coogler's original vampire movie 'Sinners': the Delta blues, the musical centerpiece, the morality of who turns, and the box-office math on an R-rated horror movie. Then Coogler joins Sean to talk cameras, format, and the 25-year copyright deal he cut with Warner Bros.

5 films across 2 segments.

AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.

‘Sinners’with Van Lathan and Amanda Dobbins

Sinners poster

Sinners 2025

Coogler's first original film: 1932 Clarksdale, Mississippi, where twin brothers (Michael B. Jordan in a dual role as Smoke and Stack) come home to open a juke joint the same night a centuries-old Irish vampire, Jack O'Connell, starts building his flock. Three acts: 40 minutes of Delta-blues world-building, a musical set piece that folds a century of Black and Irish music into one shot, then a survival siege, shot on IMAX 65mm and 5-perf System 65. Newcomer Miles Caton plays Preacher Boy, alongside Hailee Steinfeld, Delroy Lindo, and Wunmi Mosaku. The group reads it as a movie about temptation and who counts as a sinner; the post-credits scene is set in 1992.

Ryan Coogler on ‘Sinners’

Sinners poster
Ryan Coogler on

Sinners 2025

Coogler on making something all his own after five studio pictures, and racing to shoot it before his longtime collaborators' lives pulled them elsewhere. On the cameras: Nolan told him not to be scared of the format, and the difference between the sync-sound System 65 body (too heavy to handhold) and the louder high-speed one. On the musical centerpiece, the moment that could 'only happen in a movie,' and pairing the vampires' cosmic horror with something cosmically beautiful. His Irish first name is why the Irish-folk-and-Delta-blues connection was on his mind.

Don't Look Now poster
Ryan Coogler on

Don't Look Now 1973

The film Coogler watched for himself before shooting; he'd owned it for years and it was 'clawing at' him.

One of Them Days poster
Ryan Coogler on

One of Them Days 2025

His pick for the last great thing he saw: Keke Palmer and SZA, written by Syreeta Singleton. He loved that it felt like 'Friday' but feminine, and how it celebrated the resourcefulness of Black women.

Bring It On poster
Ryan Coogler on

Bring It On 2000

The movie he and his producer-wife saw on their first date: Peyton Reed's cheerleading comedy, part of his case for the theatrical experience.

Also mentioned raised along the way

The vampire-movie lineage From Dusk Till DawnThe ThingTales from the Crypt: Demon KnightTwilightA Nightmare on Elm Street 4: The Dream MasterCrossroads

Coogler's other films Black PantherBlack Panther: Wakanda ForeverCreedCreed IIIFruitvale Station

The box-office and industry talk CompanionA Minecraft MovieThunderboltsSupermanThe Fantastic Four: First StepsOne Battle After AnotherOnce Upon a Time in Hollywood

In passing Joker: Folie à DeuxOppenheimerThe Princess BrideBlade8 MileMoonlightGhost Dog: The Way of the SamuraiBrigadoonDunkirkBen-HurThe Dark KnightThe Odyssey

Not films filtered out: TV, games, ads

TV In Living ColorThe Wire

Podcasts Higher LearningThe Midnight BoysJam SessionThe Press BoxThe RewatchablesThe Zach Lowe Show

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