Justice League 2017
Zack Snyder left mid-production after his daughter's death; Joss Whedon finished it, and the result reads nothing like Snyder's earlier DC movies.
The Big Picture · Discussion · Interview
June 14, 2019/ 74 min/ Sean Fennessey · Rob Harvilla
Sean and Rob Harvilla dig into the #ReleaseTheSnyderCut movement and Scorsese's Bob Dylan mockumentary, then Sean sits down with Jim Jarmusch to talk zombies.
37 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
#ReleaseTheSnyderCutwith Rob Harvilla
Zack Snyder left mid-production after his daughter's death; Joss Whedon finished it, and the result reads nothing like Snyder's earlier DC movies.
First of Snyder's DCEU trilogy, with Henry Cavill as Superman.
Second entry in the trilogy; both hosts call it a critical low point for Snyder.
Snyder's remake, cited as a movie some fans genuinely rate.
Cited as precedent for a fan-championed cut eventually reaching release.
The Richard Donner Cut is the closest analogue to what Snyder Cut fans want.
Part of the DCEU's recovery since Justice League.
Crossed $1 billion worldwide, cited as evidence the DCEU has moved past the Snyder era.
Mentioned as the DCEU's next big swing, out that fall.
Cited as the next tentpole, secure enough that WB isn't bringing it to Comic-Con.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsesewith Rob Harvilla
Scorsese's mockumentary about Dylan's 1975 tour, mixing real footage with invented characters like the fake documentarian "Stefan von Dorp" and Sharon Stone's phony backstage story.
Scorsese's earlier, straighter Dylan documentary.
Dylan's own four-hour film from the same tour, partly written by Sam Shepard; Rob: 'not a rewatchable, is my take.'
Cited alongside Chronicles and Blonde on Blonde as other ways into the Dylan mythos.
Ronee Blakley, fresh off this film, is one of the tour's musicians.
Sean compares the Dylan/Ginsberg graveside scene to Spinal Tap's Graceland bit, beat for beat.
In conversation
Jarmusch's zombie comedy, made in the Romero mold with Bill Murray and Adam Driver; the only music is an original Sturgill Simpson title song.
Jarmusch's vampire film; he says he'd been thinking about a zombie movie ever since.
The vignette structure Jarmusch originally wanted to riff on for this film.
Sean's point of comparison for shooting so much of the film inside cars.
Jarmusch and Adam Driver's running joke about a nihilistic spinoff, 'Peterson,' started on this shoot.
Where Jarmusch started giving Bill Murray's characters joke names; here he's Cliff Robertson.
Romero's mall-set sequel, Jarmusch's reference for the zombies returning to their old habits and devices.
Jarmusch's guide for turning budget constraints into style; he and DP Fred Elms shot day-for-night on purpose.
Fab Five Freddy's documentary; Jarmusch calls out his longtime friend's film.
Also mentioned raised along the way
In passing The Kitchen
Not films filtered out: TV, games, ads
TV The Walking DeadTanner '88Twin Peaks: The ReturnBig Little Lies
Ads BMW 3 Series