Oppenheimer 2023
Its 4K sold out and made the trade press; Sean also hosted a live IMAX screening with the cinematographer, editor, and composer.
The Big Picture · Discussion
February 2, 2024/ 89 min/ Sean Fennessey · Tim Simons
Sean and actor Tim Simons pick up their disc-collecting conversation 14 months later: Best Buy pulling the racks, whether a director gets to recut a movie after it's out, and the repertory titles worth chasing on 4K.
74 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
We're so backwhy the discs matter again
Its 4K sold out and made the trade press; Sean also hosted a live IMAX screening with the cinematographer, editor, and composer.
Both own it on DVD and Blu-ray; Sean weighs whether the $55 Arrow 4K is worth a re-buy of a movie he'd just stream anyway.
Sean bought the 4K to prep a planned Kevin Costner episode, granting it 'movie history' value even if it's not good.
The line-item both did the math on and passed: loved it at 17, doesn't watch it now, and the Affleck character 'is comically canceled.'
Tim's recent Michael Mann completion buy.
On pre-order: 'it feels fun to hit a pre-order button.'
A childhood favorite Tim picked up in Arrow's box set.
Tim owns the Arrow box; one of the emotionally-attached titles he'd consider cycling out.
Another Arrow release Tim holds onto for the attachment, not the art.
Tim found it used at CD Trader in Tarzana for $5.99; a movie that spiked way up for him.
A $4 pawn-shop find on a family vacation in Maine.
Sean's example of the McQuarrie disc he'd never give away in a listener contest.
The 'Cinema Speculation' projectspinning the repertory roulette wheel
The blind pick that kicked off Tim's viewing project, maybe the best movie he saw this year.
Schrader/George C. Scott; on Tim's list because Tarantino wrote about it in 'Cinema Speculation.'
A borderline-exploitation veteran-revenge movie Sean links, straight-faced, to Con Air.
Sean's bit: a disrespected veteran who goes to prison and needs vindication and reunion, 'they're the same movie' as Rolling Thunder.
Ken Russell's banned church horror; got the project back on the grimy track, and Tim paused it early to ask if it was the best movie he'd ever seen.
The Zulawski freakout they watched next; only on Shudder, so Tim wants a disc of it.
In the Eureka Zulawski box Sean bought on sale.
Also in the Zulawski box.
The box's centerpiece: 'one of the craziest science fiction movies ever made.'
The 'hit bottom' pick: a great movie, but too tasteful for the grimy run they were on.
Where editor Lindsay Clingman (subject of Tim's through-the-editor project) started.
Clingman's next credit after 'Hearts and Minds.'
Clingman was fired off it by Michael Mann.
Another Clingman edit Tim worked through.
Shot by Richard Pearce, Clingman's collaborator.
Also in Pearce's camera credits.
Recuts, restorations, and lossless soundwho owns the movie after it's out
The Criterion 4K's very green grade is where Sean first noticed color 'corrections' that don't look like the movie he grew up on.
The new recolored 4K, cited as part of the transfer controversy.
Among the James Cameron 4Ks people are frustrated by.
Looked great on film, disappointing on the 4K disc.
Sean burned the fan 'de-specialized' original-color trilogy to Blu-ray, 'because I'm a fucking psychopath.'
Wim Wenders told Sean the negative was 'all wrong' and the restoration is what he always intended. Sean isn't sure he wants to see it.
The Arrow 4K moves a key sequence earlier and plays more coherently; Sean thinks the movie makes no sense, Tim insists he's '100% wrong.'
Sean loves the theatrical cut for throwing you into the club with no setup; Mann later added earlier scenes.
Sean saw it four or five times this year, once on a red-shifted print at the New Beverly.
The four-hour cut, cited as the model for the coming era of extended editions.
Sean's joke about the inevitable maximalist long cut of everything.
The 'Apatow expansion' of extra dick jokes as a preview of endless special editions.
Went to Criterion immediately; Sean wonders what its edition looks like in 20 years.
The counterexample: whenever the four-and-a-half-hour cut lands, Sean will happily watch the whole thing.
Seeing it in a theater is where Sean started to understand how a score works and matters.
Terrifying alone on a laptop, silly in a chatty theater: Sean's case that format and setting change the movie.
The lossless-sound argument: don't watch it on TV speakers off a streaming service.
Goals, great buys, and family movie nightquality over quantity
Sean's favorite recent buy: Radiance Films' 4K hardbox of a hard-to-see cult horror movie.
Bought at Fopp in London, first exposure to the Radiance label.
Radiance's edition of the 'lost' Altman, the stuff Sean's always been looking for.
Screenwriting credit for Messiah of Evil's Willard Huyck and Gloria Katz.
Huyck and Katz's best-known and much-maligned credit.
The one Ken Russell film in the Criterion Collection: Tim eyeing a Russell deep dive.
One of Russell's operatic composer biopics; Sean calls it a Tar precursor.
A Russell title you can stream right now.
Another Russell film in a different genre, same 'Russellian insanity.'
Invoked via the Mahler-in-the-church gag.
What clicked Todd Haynes into place for Tim: his director-of-the-year deep dive.
One of the Haynes bookends Tim's already seen.
On Kino; part of the Haynes catalog to work through.
Haynes' documentary, the one Apple film that got a physical release.
Sean re-watched it on Apple TV, wants to own it, and notes Apple doesn't press its films, hoping for an eventual Criterion partnership.
Netflix film licensed to a boutique edition, per Sean.
Another streamer title available on disc.
The Amazon movie that got a Criterion edition.
The documentary Sean thinks is available from Criterion.
The Netflix/Criterion partnership Sean hopes Apple copies.
A top-five family movie-night moment; the kids requested it again.
The Ghibli entry point Sean hasn't bought the Steelbook of yet.
Gets a lot of play at Tim's Papa Movie Night.
The kids saw it dubbed; landed less cleanly than the linear Spirited Away.
Sean's joke DiCaprio interview subject and part of the Miyazaki thread.
The premiere Tim cater-waited, where he once glimpsed DiCaprio.
Not films filtered out: TV, games, ads
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