Judy 2019
Renée Zellweger's SAG win for this makes her the shakiest of the four acting locks, per Sean and Amanda.
The Big Picture · Discussion · Interview · Rankings
January 21, 2020/ 80 min/ Sean Fennessey · Amanda Dobbins
SAG hands Best Ensemble to Parasite and shuts out Once Upon a Time in Hollywood and The Irishman; 1917 takes the PGA anyway and still looks like the frontrunner. Plus: Shea Serrano stops by for Bad Boys for Life, and a mailbag that reaches back to 1938.
124 films across 11 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Tea Leaves: SAG, the PGAs, and the Parasite-1917 Showdownreading the weekend's guild results
Renée Zellweger's SAG win for this makes her the shakiest of the four acting locks, per Sean and Amanda.
Upset winner of the SAG Best Ensemble award; Amanda calls it her favorite film of the year.
Won the PGA Award. No screenplay or acting nominations and no editing nod, which historically doesn't square with being the Best Picture frontrunner - and yet.
Went into SAG with frontrunner buzz for Best Ensemble and lost, then also lost the Ace Eddie editing prize.
Also shut out of Best Ensemble; ten nominations total with a real chance of winning nothing.
Wasn't even nominated for the SAG ensemble award.
Also absent from the Best Ensemble field.
Cited as precedent: last year's Best Picture winner wasn't nominated for the SAG ensemble either.
"The giant fish movie" - same precedent, a Best Picture winner with no SAG ensemble nod.
Scott Feinberg's comp for a film that swept the back half of a season on momentum with no acting noms.
Won the Ace Eddie editing award last year en route to its Best Picture-adjacent Oscar win - an odd precedent Sean calls "preposterous."
Tom Eagles won the Ace Eddie for comedy/musical editing, upsetting Once Upon a Time in Hollywood.
Stock Up, Stock Downwith Shea Serrano
Shockingly good, per all three; the fan-service moment in the first ten minutes gets near-cheering.
Reference point for Michael Bay's Netflix output, called back to by Shea's prior listening.
Ranking the Bad Boys TrilogySean, Amanda, and Shea all land in the same order
No. 3, though no disrespect intended - Sean and Amanda both liked it a lot.
The Bad Boys for Life Six Degrees Detourwith Shea Serrano
Amanda didn't love it, but all three agree the action sequences are terrific.
Jacob Scipio has a tiny role - one node in Shea's web of recurring actors.
Common co-stars here, connecting the web back to Kate del Castillo.
"Basically Mexican Batman" - not a good movie, but Kate del Castillo's fiery finale cameo is the highlight.
Common and Will Smith co-starred here too.
Mailbag: Ranking the Best Picture Discourseworst potential discourse first, per JubJub's question
Amanda's next pick - not a fun discourse, despite her being thrilled if it won.
Still plenty of people unhappy with the film's ending and its violence.
Mailbag: The Best (and Worst) Best Picture Lineups Evera reader asks for the strongest year top to bottom
Part of the 1975 field both hosts call "unassailable" - five for five.
1978 field.
1979 field.
1976 field, Amanda's addition - four of five are all-timers.
Sean's 1945 pick - Sinatra, Bing Crosby, Wilder, and Hitchcock all represented.
Amanda's 1993 shortlist pick.
1994, Sean's pick despite the Best Picture win being one of his own reversal targets.
Winner of the field both hosts call famously weak - maybe three of nine nominees worthy of the conversation.
Called a disaster.
A movie Sean says he doesn't like.
One of Sean's three least favorite Scorsese films.
Both hosts love this one, and feel it's overlooked.
Called "eminently forgettable."
2017 field - the other contender for best-ever alongside 1975.
Amanda loved it; Sean says he's not as high on it as most of their generation.
Mailbag: The Greatest Movies to Never Win Best Picturereader Godfather's list, plus Sean and Amanda's personal picks
Sean's personal pick - his favorite movie of all time.
Amanda's personal pick.
Sean's Coen brothers pick - "should have won."
Same category - should have won, per Sean.
Both hosts bring this up constantly as one that should have won.
Mailbag: Oscar History's Great Travestieswhat would you go back and change
Sean's number one reversal - Gump beating Pulp Fiction is "no bueno," even though he likes Gump.
The film Sean would hand the win to instead.
Not the Best Picture race - the travesty is Art Carney winning Best Actor over Al Pacino's work here.
"The trademark of this podcast" - beat The Social Network, which Sean still calls terrible.
Nora Ephron's screenplay nomination - Amanda's pick for the win she should have had.
Spike Lee wasn't even nominated for Best Director the year of When Harry Met Sally - the real travesty, per Amanda.
Ephron's other screenplay nomination that didn't win.
Mailbag: Performances With No Shot at a Nomination
Winston Duke's work, overshadowed by Lupita Nyong'o's bigger, more central performance.
Peter Berg's Mark Wahlberg vehicle - Winston Duke plays the sidekick.
Florence Pugh's performance - great, but not a film the Academy could ever get on the same wavelength with.
Honor Swinton Byrne, Sean's "obvious" pick.
Maya Erskine - a comedy performance Sean says has stuck with him all year.
Jonathan Majors, called a great pick by Amanda.
Mailbag: Why Does the Academy Hate A24?responding to a reader's straw man
The counterargument - it won Best Picture, so the premise is false.
"Not an Academy movie" - too provocative for older voters, per Sean.
Cited again as too independent for the Academy.
Same case.
Sean's "beloved" example from last year that also went unrecognized.
Mailbag: Grab Bagone wins, parlays, and reversing the sketch-not-blueprint problem
Sean thinks it would have fared better at the Oscars if the Fox-Disney merger hadn't gutted its awards campaign apparatus.
Sean namechecks cinematographer Jarin Blaschke as a win he'd want but isn't campaigning for.
Cited as Florence Pugh's next big swing after Little Women.
Timothée Chalamet's next major awards-adjacent swing, expected "later this year" at the time of taping before its pandemic delay.
Part of Florence Pugh's run of lead performances discussed in the Chalamet/Pugh/Ronan Oscar-parlay question.
Same Pugh filmography discussion.
Leo's prior Best Actor win, cited as the reason his Once Upon a Time in Hollywood chances are considered slim.
Hypothetical: Once Upon a Time in Hollywood would've beaten it in a head-to-head, Sean argues.
Cited as proof the Oscars are "a sketch in pencil" - calling it the best film of 1968 makes you "a buffoon."
The film Sean says should have been considered the best of that year instead.
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