Parasite 2019
Bong Joon-ho's seventh feature, and possibly his best: a poor family cons their way into a wealthy household's employ. Won the Palme d'Or, then posted the best per-screen average of the year on a three-theater opening.
The Big Picture · Discussion
October 15, 2019/ 55 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda bring in the Ringer's Donnie Kwok to dig into Parasite's limited-release opening, then run stock up/stock down on Joker and a couple of ugly trailers, remember Robert Forster, and preview the Best International Feature race.
26 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Parasitewith the Ringer's Donnie Kwok
Bong Joon-ho's seventh feature, and possibly his best: a poor family cons their way into a wealthy household's employ. Won the Palme d'Or, then posted the best per-screen average of the year on a three-theater opening.
Donnie's pick for what to watch before Parasite: Bong's monster movie, broader and more comedic, but built on the same class satire.
Bong's breakout in Korea, and Song Kang-ho's second film with him. Donnie rewatched it the night before taping.
The Chris Evans one: genre wrapped around class and capitalism, a through-line in all of Bong's films.
"Cute Spielbergian movie and then some other things happen," per Amanda.
Stock Up, Stock Down
Stock up: $7 million shy of $200 million after 11 days, whatever the critical consensus.
Stock down: a crew member's Reddit thread alleges one of the all-time production fiascos.
Stock down: the new trailer plays like Pirates of the Caribbean 7, not the Disneyland ride.
Gets its own review later in the week.
Amanda's already bought a stack of advance tickets, solo.
Robert Forster's best-known role, as Max Cherry. Tarantino pulled him out of actor obscurity for it.
Haskell Wexler's film gave Forster his start. Sean's tribute recommendation.
Forster's last on-screen role, which premiered the same weekend he died.
The Big Race: Best International Feature Film
South Korea's submission. "If it's not nominated, we riot."
Pedro Almodóvar's autofictional latest. The only other film with comparable buzz outside the Academy.
France's submission over Portrait of a Lady on Fire, not the musical.
Passed over by France for Les Misérables, flagged as a controversial call once the race heats up.
Senegal's submission, a Netflix acquisition and one of the year's best-reviewed films. Unseen by either host at taping.
Japan's submission, from the director of Your Name. Animated films are newly eligible in this category.
North Macedonia's first-ever Oscar contender in any category: a documentary about a beekeeper, also from Neon.
Russia's submission.
Colombia's submission: child soldiers take an American hostage, shot close and violent. Sean's dad watched it and liked it.
On the Docket This Week
Hits Netflix Friday.
Taika Waititi's, opening Friday.
Amanda's talking to director Ruben Fleischer.
Sean's been waiting months to talk about this one. A filmmaker interview follows its opening.
Also mentioned raised along the way
Other Korean New Wave and class-cinema comparisons OldboyThe HandmaidenBurningOnce Upon a Time in HollywoodRomaAmour
This year's other haves-vs-have-nots films UsDownton AbbeyQueen & Slim
Neon's prior Oscar campaign I, Tonya
Limited releases that rolled out differently Late NightBooksmart
Disney hits mentioned in passing Sleeping BeautyAladdinThe Lion KingAvengers: EndgameToy Story 4
Best International/Foreign Language Film history Your NameThe Lives of OthersNever Look AwayShopliftersThe SquareA Fantastic WomanToni ErdmannThe SalesmanMustangSon of SaulWild TalesIda
Best original screenplay contenders named Marriage StoryThe Farewell
In passing Fighting with My Family
Not films filtered out: TV, games, ads
Podcasts The Road Taken With CT and Bayo