Wicked 2024
Both dislike it: boring, dark to look at, choreography stuck somewhere between Broadway and Step Up. Sean concedes it's becoming the front-runner anyway and vows to throw a tantrum. Ariana Grande is the exception they'll defend.
The Big Picture · Discussion · Awards
January 3, 2025/ 124 min/ Sean Fennessy · Amanda Dobbins
Amanda Dobbins is back from maternity leave, and the first hour is a catch-up: where the Best Picture race actually stands (Wicked keeps rising and neither of them can stand it), Sean's physical-media habit, what their kids have been watching, and Amanda's line-by-line notes on Sean's year-end list. Then they announce 25 for ’25 (a countdown of their favorite films of the century, one per filmmaker, rolling out after the Oscars) and run all fifteen Golden Globes categories, splitting on eight of them.
132 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The State of the Best Picture RaceAmanda's first discussion point
Both dislike it: boring, dark to look at, choreography stuck somewhere between Broadway and Step Up. Sean concedes it's becoming the front-runner anyway and vows to throw a tantrum. Ariana Grande is the exception they'll defend.
Sean's favorite film of the year, though he senses the long-presumed front-runner is now getting the 'let's find another angle' treatment.
Sean's galaxy-brain theory of the night is that the Globes go all-in on Brady Corbet. Amanda has a ticket at the Vista and keeps deferring judgment until she sees it.
Amanda watched to the end without knowing what happened; Sean calls the writing appalling at times. It's a Mexican story from a French director with American stars, and its footing in the international race is 'funky.'
One of Sean's five favorites of the year; eligible for score at the Globes but not the Oscars.
Another of Sean's top five, held for a theater viewing; he thinks it's trending but hard to sit through and harder to stream.
Sean is lower on it than Chris and Mallory ('barely a movie'), but a good platform for the songs and for Chalamet.
Amanda caught it before her son was born and liked it; Sebastian Stan is up for it in comedy/musical.
On Amanda's to-watch list; friends pitch it to her as a gothic romance with scares.
Amanda saw it solo at 10 a.m. and found it sloppy (everyone seemed to be acting in a different room), but agrees Denzel Washington carries it, and thinks the show was too hard on Paul Mescal.
Cited as Cynthia Erivo in her serious, grave register: good work in a film Sean doesn't rate.
Erivo's tenacity and focus, the mode Sean thinks is miscast in Wicked.
The Break: Physical Media and the Kids' Watchlistcollector brain, Paddington, and the live-action Disney chain
Sean's example of restoration paying off: the 4K looks far better than it ever did on TCM in 1999.
The oldest film streaming on Netflix in the US, which Sean reads as a scandal: 50 years of Hollywood before it, unavailable.
Bobby name-checked its boutique Blu-ray release, alarming Amanda that the collecting bug is spreading.
Knox's gateway; Amanda wept through it postpartum and joined the 'Paddington dad hive.'
Same, plus Sean's running bit about its Mission: Impossible influence: the train.
The household's newest Paul King obsession; Knox requests it by name.
Coming soon, and notably not a Paul King film.
The Macaulay Culkin / New York City Ballet Balanchine production, a revelation, beautifully filmed. Amanda once played a saber-carrying toy soldier.
One of the live-action Disney remakes Alice surfaced by scrolling Disney+.
Ditto: another Alice had never seen.
Alice saw the trailer and demanded it immediately: 'literally the only person in the world,' per Sean.
Sean saw it: a disappointing two years of Barry Jenkins's life, and he can't wait for the next non-Disney project.
Notably not requested at home, alongside Mufasa.
In the live-action-remake chain the show has covered over the years.
Also covered; Alice hasn't gotten that far down the chain.
The Glenn Close original; Amanda floats that Miranda Priestly cribbed the Cruella affect, though Meryl says the model was Clint Eastwood.
The designer-villain lineage Amanda traces straight to Devil Wears Prada.
Miranda Priestly, said to be modeled on Clint Eastwood (never raises his voice), not Anna Wintour.
Still a household passion; Knox checks out only at the Jennifer Connelly night-of-passion scene, as Tom Cruise reportedly did too.
Knox keeps trying to launch it himself from the Apple TV homepage.
Amanda Grades the Year-End Listnotes on Sean's best-of-2024 ranking
No. 65, and one of Amanda's 'you're a real one' vindications; Sean calls Michael Keaton excellent here, a big leap from Hallie Meyers-Shyer's Home Again.
Meyers-Shyer's debut; Sean marvels the two films seem made by different people.
At No. 26, which Amanda was proud of.
Sean has it at 6; CR ranked it No. 1, to Sean's amusement.
One of the films Amanda notes Goodrich outranks.
Ditto.
Ditto.
Introducing 25 for ’25their favorite films of the century, one per filmmaker, starting after the Oscars
The kind of eligible-year film Sean would love to keep in the mix, but he found another 2001 title he thinks matters more.
The upcoming fourth film Yassie Salik wants to discuss; Amanda hasn't read any of the novels.
Our Golden Globe Predictions82nd Golden Globes · they split on eight of fifteen
Also mentioned raised along the way
Awards-season history and asides It Ends with UsNocturnal AnimalsThe Little ThingsSmall Things Like TheseMorbiusAll Quiet on the Western FrontKillers of the Flower MoonJackieAmourEverything Everywhere All at OnceOppenheimerThe Da Vinci Code300Fast XThe ReturnThe Odyssey
Not films filtered out: TV, games, ads
TV The Underground RailroadSuper KittiesPaw PatrolSiloBridgertonSuccessionFBoy IslandThe Roast of Tom Brady
Podcasts The Press BoxBlank CheckLas CulturistasTable MannersWTF with Marc MaronNardwar
Ads NetflixT-Mobile Home Run DerbyGoogleWhite ClawSam's ClubBotoxWolf TrapAthletic Brewing